Learn more about the John le Carré Tradecraft exhibition in Oxford revealing John le Carré’s meticulous research, unseen manuscripts, and the personal life behind the spy fiction. In Spybrary Ep. 275, we speak with the curators about what they uncovered and what it tells us about the master of espionage fiction.

In this episode of Spybrary , Shane Whaley hosts a conversation into Tradecraft, the new exhibition at Oxford’s Bodleian Library focusing on John le Carré (David Cornwell). His guests are Professor Federico Varese and Dr Jessica Douthwaite, who co‑curated the exhibition. They explore how the exhibit reveals le Carré’s working methods, personal life, and research habits. From manuscript drafts and scribbles on hotel stationery to his mother’s abandoned suitcase, the conversation explores how le Carré meticulously researched his books, how he conceives characters like George Smiley, and what the curators hope visitors take away.

They also discuss key artifact highlights, the challenge of selecting what to display from over 1,200 archive boxes, and deeper questions: why did he write in fiction rather than non‑fiction, and what question would the curators ask le Carré if they could meet him? Spybrary host Shane Whaley also asked the curators which John le Carré novels they recommend for those new to his work as well as how they selected the nine le Carré books on which the John le Carré exhibition is based.

Key Topics / Themes

• The intersection of fiction, fact and research in le Carré’s method
• Le Carré’s meticulous research process (notes, drafts, corrections)
• The role of Jane Cornwell (his wife) as collaborator and editor
• The curatorial challenge of selecting from the vast John le Carré archives
• Personal artifacts as gateways into the life behind the author
• How le Carré anticipated geopolitical trends (pharma, corruption, security)
• The emotional impact the Tradecraft exhibition had on the author's family.
• The question of why he chose fiction rather than non-fiction as his medium
• And why did he David Cornwell choose the pen name John le Carré.

Shane also thanked the curators for making the Tradecraft exhibition accessible to both le Carré scholars and to those who may never have read any John le Carré novels.

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