Jazz Legends

Trumpeter / composer Kenny Dorham (born August 30, 1924) is hardly a household name, but one would be hard pressed to name a musician held in as high regard by other jazz musicians. He played at a consistently high level throughout a career that included stints with Charlie Parker, Max Roach, Art Blakey, Joe Henderson to name just a few, and myriad excellent recordings under his own name. A number of his compositions have become jazz standards as well.

And don't forget ... St. Michael’s Jazz Fest returns for a second year of incredible jazz in Carlsbad Village! Headlining is New Orleans’ own, the legendary Grammy Award-Winning Rebirth Brass Band, joined by Euphoria Brass Band, Gilbert Castellanos Latin Jazz Ensemble, Starsign, Chunky Hustle Brass Band, Sue Palmer Swing Orchestra, and more. Free to the public and held outside on the campus lawn of St. Michael’s by-the-Sea in Carlsbad.

https://www.stmichaelsjazzfest.org/

Saturday, September 27, 2025

Saxophonist Sonny Rollins turns 95 this Sunday, and the Jazz Evensong Quintet honors this milestone by programming an afternoon of his compositions. Widely recognized as the greatest improviser of all time, his well of inspiration sometimes seems bottomless, and he refuses to fall back on licks and patterns on the rare occasion when he feels less than inspired. Sadly, health issues forced his retirement from performing for the past several years, but any one of the brilliant recordings he made over his long career would have easily secured his place as one of the all time greatest practitioners of our music.

Plus ... St. Michael’s Jazz Fest returns for a second year of incredible jazz in Carlsbad Village! Headlining is New Orleans’ own, the legendary Grammy Award-Winning Rebirth Brass Band, joined by Euphoria Brass Band, Gilbert Castellanos Latin Jazz Ensemble, Starsign, Chunky Hustle Brass Band, Sue Palmer Swing Orchestra, and more. Free to the public and held outside on the campus lawn of St. Michael’s by-the-Sea in Carlsbad.

https://www.stmichaelsjazzfest.org/

Saturday, September 27, 2025

Jerome Kern (born January 27, 1885) was one of the most beloved and prolific of the Great American Songbook composers. While he wasn’t especially fond of jazz music himself, many of his compositions have been embraced by jazz musicians because of their strong, original harmonic and melodic content.

Plus ... St. Michael’s Jazz Fest returns for a second year of incredible jazz in Carlsbad Village! Headlining is New Orleans’ own, the legendary Grammy Award-Winning Rebirth Brass Band, joined by Euphoria Brass Band, Gilbert Castellanos Latin Jazz Ensemble, Starsign, Chunky Hustle Brass Band, Sue Palmer Swing Orchestra, and more. Free to the public and held outside on the campus lawn of St. Michael’s by-the-Sea in Carlsbad.

https://www.stmichaelsjazzfest.org/

Saturday, September 27, 2025

Saxophonist / composer Wayne Shorter (born August 25, 1933) has cast an oversized shadow on jazz since he joined Art Blakey’s Jazz Messengers in 1959. Soon becoming the primary composer for that group, and upon joining Miles Davis’ second great quintet in 1964, he soon filled that role with Miles as well. In 1970, he co-founded the jazz fusion group Weather Report with Joe Zawinul and in the course of his long career he recorded twenty recordings under his own leadership, becoming one of the most original and prolific jazz composers of all time.

Pianist, composer, and producer Duke Pearson (born August 17, 1932) is hardly a household name, but his influence on jazz music is far out of proportion to his personal fame. In addition to his compositions like "Jeanine" being accepted as jazz standards, his behind-the-scenes work as producer and arranger on a plethora of Blue Note records contributed immeasurably to that label’s success in its heyday. His piano playing and compositions were essential to the success of the Donald Byrd / Pepper Adams quintet, and for several years his New York-based big band and 8-10 piece bands featured many of the best jazz musicians in the city, and his fresh innovative original writing.

Occasionally, jazz musicians are asked to play certain requests that don’t really fit into our stylistic framework. Today, we’re going to make an effort to explain why that is. Some tunes not originally intended to be played in a jazz style fit easily into one, and some don’t, and we’ll try to explain why that is.

Trumpeter Freddie Hubbard (born April 7, 1938) was one of the most gifted and technically proficient of any of the jazz trumpet players of his generation. His fiery, athletic, harmonically rich, seemingly effortless style influenced virtually all trumpet players who came after him. Serving his apprenticeship with Art Blakey’s Jazz Messengers, his compositions provided a springboard for that group as well as his own groups, and he was a popular sideman on quintessential recordings by Herbie Hancock, Wayne Shorter and many other jazz greats.

Trumpeter/composer Lee Morgan (born July 10, 1938) first rose to national prominence as a teenager with Dizzy Gillespie’s big band. Becoming one of the most prominent hard bop trumpet soloists, he spent years with Art Blakey’s Jazz Messengers, eschewing forming his own bands even as he issued numerous recordings as a leader in his own right. His recording of his tune "The Sidewinder" became an unexpected hit for Blue Note Records, leading to a scramble of the label to replicate that success for years after, with no success. Morgan was tragically struck down at the age of 33 in 1972, after an altercation with his common-law wife during a gig in NYC, cutting short what was a mercurial career for the influential trumpet player.

Tenor saxophonist/composer Hank Mobley (born July 7, 1930) has been described as one of the most underrated musicians of the bop era. Even though his career included stints with Miles Davis, Max Roach, Horace Silver and recordings with most of the greatest players of his generation, addiction and poor health adversely affected his life, leading to homelessness and an early death at the age of 55. He left behind a legacy of wonderful recordings and compositions, and has influenced myriad players to this day.

Kurt Weill (born March 2, 1900) and Vernon Duke (born Vladimir Dukelsky, October 10, 1903) were both European born composers who composed “serious” concert music before emigrating to the United States and becoming two of the greatest exponents of American popular song. Kurt Weill felt strongly that music should have a political point of view, his "Three Penny Opera" and "Mahagony", both composed in Germany before he emigrated to the United States are biting social commentaries on the drawbacks of capitalism run amuck.