
Sign up to save your podcasts
Or


If I ever need to cry on cue, I can just picture the expression on Josh Hamilton's face, in "Eighth Grade," when Elsie Fisher hugs him. It's a beautiful, wordless culmination of his incredible performance, which landed him a Spirit Award nomination this year. We discuss that scene, and he shares some of what he's learned from jumping from the New York stage to the big & small screens and back again over the past 25 years. He talks about the importance of syncing with the director's vision, being off-book before rehearsals, and why he's a self described "take whore."
By Peter Rinaldi4
112112 ratings
If I ever need to cry on cue, I can just picture the expression on Josh Hamilton's face, in "Eighth Grade," when Elsie Fisher hugs him. It's a beautiful, wordless culmination of his incredible performance, which landed him a Spirit Award nomination this year. We discuss that scene, and he shares some of what he's learned from jumping from the New York stage to the big & small screens and back again over the past 25 years. He talks about the importance of syncing with the director's vision, being off-book before rehearsals, and why he's a self described "take whore."

28,951 Listeners

621 Listeners

2,435 Listeners

1,274 Listeners

1,358 Listeners

113 Listeners

1,107 Listeners

1,481 Listeners

1,485 Listeners

179 Listeners

1,084 Listeners

59,575 Listeners

979 Listeners

1,123 Listeners

207 Listeners