You can see Ivan Martin’s work in “Billions,” “The Sopranos,” “Suits,” “Ozark,” “Gaslit,” “What We Do In The Shadows,” and much more. Currently, he stars in the exceptional indie film “To Kill A Wolf,” writer/director Kelsey Taylor’s modern take on Little Red Riding Hood. On this episode, he talks about the circumstances that brought that role his way, the connection he has with the character that made him feel like he could bring him to life, and the environment on set that made it all possible. He explains the round-about way he got interested in acting when he was young, why it’s the communal aspect that matters most to him, and much much more.

“To Kill A Wolf” is in select theaters now.

Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft. 

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Martin Harris has delivered stand-out work on “The Marvelous Mrs. Maisel,” “Young Sheldon,” “NCIS: Los Angeles,” “Stranger Things,” and now he plays the Boravian General in “Superman.” On this episode he describes the surprisingly efficient production that James Gunn presided over, and how it felt like “shooting a party video.” He surmises why directors keep giving him more scenes on-set, how reading a book between set-ups not only gets you focused but is also a conversation-starter, why he credits Kobe Bryant with helping him get to the next level with his career, and much more.

Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft. 

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Jason Patel is an emerging actor and artist. He plays the lead role of “Aysha” in “Unicorns,” opposite Ben Hardy. It’s his feature film debut. The film is co-directed by Sally El-Hosaini and James Krishna Floyd, who also wrote the screenplay. "Unicorns" also features Patel’s music, a true fusion of both art forms. On this episode, he talks about how he approaches everything in life with creativity and love, and why his life goal is to make people happy even when he’s not there. He describes the giant role music plays in his preparation, the importance of staying in the moment, why doing the important sex scene on the first day of production on “Unicorns” was actually beneficial, and much more.

Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft. 

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For the 350th episode of Back To One, I sat down with an actor who brings me great joy when he’s on the screen, the one and only David Malinsky. He wrote the blurb himself for this episode. It follows:

Peter has only met David three times in person before. His filmography includes Onur Tukel’s “Abbey Singer/Songwriter,” “Black Magic for White Boys,” “Poundcake,” Theodore Collatos’ “Tormenting the Hen,” MG Cinecraft’s “A Moderate Folly” and more. Dave has also done standup comedy, cabaret singing, and YouTube Video Essays. But Dave thinks it’s vital to situate acting within art and human history, now and in the past.  This meandering conversation covers spirituality, identity, railroads, gaming, and how all art—and all consciousness—is related to each other. But Dave, a self-described hardline materialist, would just call it how things work.

Visit his YouTube channel here.

Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft. 

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Erik Jensen is a multipyphenate who, along with his wife and creative partner Jessica Blank have been called “the foremost practitioners of documentary theater in the U.S.” Their genre-defining plays “The Exonerated,” “Aftermath,” “Coal Country,” and “The Line” were all critically acclaimed. As an actor, Jensen’s credits include “The Walking Dead,” “Mindhunter,” “Mr. Robot,” “The Americans,” not to mention his praised portrayal of legendary NY Yankee Thurman Munson in “The Bronx is Burning.” On this episode he details his approach toward playing that beloved figure, and finding out that “almost the entire body of that character was an emotional word-gesture.” He talks about learning how much psychology is in people’s words, his process of having multiple “wants” for a character so he can easily adapt to what he’s given, he explains why it’s a disservice to write or act for the audience, why he doesn’t believe in monologues, how conducting interviews taught him how to listen and become a better actor, plus much more.

Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft. 

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Bonnie Rose started her professional career as a stand-in for Bette Midler on “First Wives Club.” Next up, the iconic and legendary film director Sidney Lumet hand picked her for the feature film “Night Falls On Manhattan,” playing a New York City cop opposite Andy Garcia, which led to many other Lumet projects over the next decade including a recurring role as a legal aid attorney on the TV legal drama “100 Centre St.” Bonnie’s massive credits in television and film include “Inside Llewyn Davis,” Marvel's “Jessica Jones,” “Mr. Robot,” “Blue Bloods,” “Broad City,” “The Sopranos,” and the trifecta of all “Law & Orders.” She recently won Best Actress at three different film festivals for her role in Finise Avery’s short film “Living with Grandma.” She also appears opposite Rose Byrne in Stephanie Laing’s feature film “Tow,” which just made its World Premiere at Tribeca Film Festival. On this episode, Rose talks about the child-like enthusiasm which fuels her work, what it means to “right-size yourself,” why having only one line is sometimes harder than having many lines, bravely (and hilariously) tackling nudity in her mid-fifties, the importance of always letting gratitude lead the way, and much more.

Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft. 

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Steve Zahn gained early attention for his breakout roles in the 1990s, including “Reality Bites” and “That Thing You Do!” He became a frequent scene-stealer in films like “Out of Sight,” “Happy, Texas,” and “Saving Silverman,” showcasing his offbeat humor and charm. In HBO’s “Treme,” he played a passionate music teacher navigating post-Katrina New Orleans. More recently, he appeared in the first season of “The White Lotus,” earning critical acclaim for his role as a troubled father on vacation. His latest is personal on multiple levels—the indie film “She Dances,” which he co-wrote with his producing partner Rick Gomez, who also directs. On this episode, he talks about co-staring in that film with his daughter Audrey, and being continually blown away by her work. He takes us back to his early stage work, makes a case for the importance of rehearsal, gives us the two attributes that make a great director, explains why he loves the communal aspect of filmmaking, and much more.

Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft. 

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Tim Bagley has so much experience doing comedy on television that his credits read like a comprehensive list of every sit-com over the past 30 years. But his depiction of Brad Schraeder on “Somebody Somewhere” is on another level. It’s beautiful, truthful, restrained work, that is often hilarious and sometimes very moving. Few performances on television this year have impacted me more. On this episode, he talks about how the collaborative nature of that show helped so much with his work, the big part logic plays in his comedy, why it’s important to keep challenging himself,  and much more. Plus he tells a couple wonderful stories about discovering that sometimes it’s not about you at all, and you have to just let it go.

Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft. 

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Carrie Preston is back in her Emmy-winning role as 'Elsbeth Tascioni' in the second season of the CBS series "Elsbeth," from "The Good Fight" and "The Good Wife," creators Michelle and Robert King. On this episode she gives us a deep dive into her work on that hit show, taking us way back to the “queen of quirk” as just a recurring role on the “Goods”, trying to figure out how to dip her toes into this new character, taking clues from the word “pause,” all the way till the second season of her own show, taking the job of number one on the call sheet seriously, learning what it means to give “more Tascioni,” working with her acting heroes when they come on as guest stars, and much more!

Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft. 

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The legendary Ian McShane has been acting for more than 60 years, from “The Wild and The Willing,” “The Last of Shelia,” and “Jesus of Nazareth” to “Lovejoy,” “Sexy Beast,” and the “John Wick” films. His two latest films are “Ballerina,” set in the John Wick universe, and and the action comedy “Deep Cover.” On this episode he talks about what made his time as Al Swearengen on “Deadwood” (perhaps his most iconic role) so special, and tells a story about an unforgettable suggestion from creator David Milch. He explains what sets Wick’s Chad Stahalski apart as a director/producer, why life experience helps an actor, how a few short words from director Tony Richardson placed him right on track to do his work, and much more.

Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft. 

Follow Back To One on Instagram