Adeel Akhtar is a versatile British actor known for his powerful performances across film, television, and theatre. He gained widespread acclaim for his BAFTA-winning role in the BBC drama “Murdered by My Father,” and won another one, a few years later, for “Sherwood.” His other credits in front of the camera include “Four Lions,” “The Big Sick,” “Enola Holmes,” “Utopia,” and “Sweet Tooth.” On stage, Akhtar has appeared in productions at the National Theatre and the Royal Court. Currently he wows audiences as Lopakhin in a new production of Chekhov’s “The Cherry Orchard” at St. Ann’s Warehouse in Brooklyn. On this episode he talks about the pleasures of performing “with complete freedom” in that production, interacting with the audience, and the interesting connections he finds between that character and his own return to theater. Plus he explains why he no longer finds himself over-preparing for a role, shares something a valued teacher gave him that changed his approach to the work, and much more.

Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft. 

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Michael Angarano has been acting since he was an infant and has a long resume of memorable work in both comedic and dramatic roles—“Almost Famous,” “Will and Grace,” “This is Us,” “Gentlemen Broncos,” “Oppenheimer,” to name a few. His latest is a wonderful comedy with a lot of heart that he stars in, co-wrote and directed called “Sacramento.” On this episode he talks about the long road of getting that film made, how he needed to adjust once he saw Michael Cera’s approach to the role, and the interesting realization that he may not need to act and direct and write at the same time again. He tells a story about suddenly facing a strange form of stage fright, and the sensitive way Steven Soderbergh helped him get though it. He explains why he says he doesn’t have an acting process, has a particular aversion to relaxation exercises, and much more.

Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft. 

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Jolene Purdy is always a standout. She gained recognition for her performance as Cherita Chen in the cult classic “Donnie Darko,” and later appeared in hit shows like “Orange Is the New Black,” “Under the Dome,” “Breaking Bad,” “WandaVision,” and “The White Lotus.” She now plays opposite Kevin Bacon in the new Amazon series “The Bondsman.” On this episode, she talks about how the collaborative nature of that production ignited her creativity and brought out the best in her. She tells us her secret to mastering the art of delivering exposition, why she loves to be directed, how she learned to protect her characters, why Kevin Bacon is “boss,” and much more. 

Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft. 

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The incredible Lebanese actor Hadi Tabbal just finished the monumental Broadway run of Sanaz Toossi’s Pulitzer Prize-winning play “English.” He originated the role of Omid, and performed in various iterations of this powerful and transformative play over the last few years. On this episode, he talks about the fascinatingly unique aspect of “English” that is unlike any other play he’s performed, and what he means when he says it is “alive” every night and “very delicate,” and he has to “take care” not to “derail” it. He explains the difference between “discovery” and “deciding,” talks about the “saddest” part of acting, describes his pre-show ritual, how it all comes down to “learning people,” and much more.

Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft. 

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Jonathan Majors is an actor. His latest film is "Magazine Dreams." He sat down with Peter Rinaldi to talk about the work. 

Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft. 

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Ariella Mastroianni is an actor from New Jersey by way of Ontario, Canada. With director Ryan J. Sloan, she co-wrote and co-produced "Gazer," which she also stars in. The film, which the duo shot on weekends over the course of two years, brings the paranoid thriller genre into wildly original new territory. On this episode, Mastroianni tells the story of deciding to shoot on film, using their own money, with no formal support, no connections, just a deep desire to make the film they were both dying to see. She talks about the tools her acting teachers (like Brad Fleischer and Kyle Donnelly) provided that still serve her, how “mapping” her character’s physical journey grounded her on the set, the trick she used to stop worrying and love her marks, the “desperate love” it took to see this film through, and much more. "Gazer" open in New York on April 4th and LA on April 11th.

Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft. 

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An actor’s actor of the first order, Vincent D’Ononfrio has been delivering “all in” performances, usually in supporting roles, for  nearly four decades—“Full Metal Jacket,” “Men In Black,” “Household Saints,” “Steal This Movie!,” “The Cell,” “The Magnificent Seven,” to name just a few, not to mention 10 audience-loving seasons of “Law & Order: Criminal Intent.” He’s getting more accolades for his latest performance as Wilson Fisk in “Daredevil: Born Again.” On this episode he talks about the “emotional event” that he has to summon to bring about Fisk’s voice in that series and its predecessor. He takes us all the way back to his introduction to Stanislavsky through Sonia Moore and Method work through Sharon Chatten, talks about renting camera equipment to make an early self-tape to send to Stanley Kubrick, explains why script analysis is the best way to serve the story, how “Law & Order” made him a better actor, the fundamental importance of failure, and much more.

Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft. 

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The celebrated period drama "Belle" marked the arrival of Gugu Mbatha-Raw and since then she hasn’t stopped impressing audiences in films like “Motherless Brooklyn," “Misbehaviour” and series like “Doctor Who,” “Black Mirror” (San Junipero episode), “Loki," “The Morning Show,” and “Surface,” which is now releasing episodes from its second season. On that Apple TV+ series, Gugu plays Sophie, a woman who has lost her recent memories and must piece them together. She talks about the “liberating” feeling she got playing someone with a missing back story and how it forced her to be present. She explains how she utilizes her sense of smell in her preparation process, how she learned to claim her space on set and not be “crushed by the technicalities,” how taking on the leadership role of EP expanded all aspects of her work, plus much more.

Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft. 

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Caveh Zahedi is one of the most influential independent filmmakers of our time. Jay Duplass, Lena Dunham, Richard Linklater, Greta Gerwig, are all big fans of his 30+ years worth of ultra-autobiographical work (five features, “I am A Sex Addict” perhaps being the most popular). His magnum opus, “The Show About The Show,” started out as a “self-reflexive TV show about its own making” for BRIC TV and has continued despite lawsuits, loss of distribution, re-castings, and many more obstacles, thanks to Zahedi’s dogged determination to simply tell the story, mostly through re-enactments using the actual people in his orbit playing themselves, of what happened in his life. He gets a small, but passionate amount of support from his loyal fanbase who want him to see this now decade long journey come to an end in the final season, which is about to be released. Zahedi has done a lot of interviews about his filmmaking, but rarely any, like this one, that focuses on his work as an actor for other filmmakers and in front of his own camera, where he plays a version of himself. He talks about the tonal fine line he has to walk when addressing the camera, nudity (his and others’), actors who work well with his directorial approach (like Emmy Harrington and Jim Fletcher), the rigors of auditioning to play a pedophile rabbi, striving for “non-acting,” and much more.

Creative Nonfiction Film Weekend is bringing Zahedi's work (and the man himself) on a UK tour in March 2025. Check here for more info

Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft. 

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Lucy Boynton is known for delivering exceptional performances in films like “Sing Street,” “Bohemian Rhapsody,” “Chevalier,” and “The Greatest Hits.” Her latest is the BritBox’s limited series “A Cruel Love: The Ruth Ellis Story,” about a woman convicted of killing her abusive lover who then became the last woman to be hanged in the UK. On this episode, she talks about why the challenge she faced portraying Ellis “wasn’t an actor issue,” but more about facing the traumas women are still dealing with decades later. She ponders how acting as a child served her into adulthood, explains why over-direction is never a problem for her, why “turning the dials” on micro-facial acting excites her, makes a plea for more women screenwriters, and much much more.

Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft. 

Follow Back To One on Instagram