Kyle Meredith With...

Buzz Osborne gives Kyle Meredith a call about Gift of Sacrifice, his new King Buzzo album with oft-collaborator Trevor Dunn. The Melvins frontman talks about working with an acoustic bass, a modular synth, and his ever-growing alternate tunings. Osborne also discusses the ever-looming influence of Miles Davis on his writing, how The Melvins continue to be underestimated, dealing with bad criticism. Towards the end, he dives deep into his philosophies of science, evolution, and religion.

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Jarvis Cocker gives Kyle Meredith a ring to gab about Beyond the Pale, an album that finds him with a new band called JARV IS. The Pulp frontman tells us how many of the songs were finished live on stage, taking inspiration from Leonard Cohen, the fine line between direct inspiration and mimicry, and writing about human statues. Cocker also draws the line from his themes to our current need for communication and briefly revisits Pulp’s “Like A Friend” from the Great Expectations soundtrack.

Tanya Donelly speaks with Kyle Meredith about her new covers collaboration with The Parkington Sisters. The collective gives a new spin to classics by Paul McCartney, The Go-Go’s, and Leonard Cohen. Donelly discusses the art of a cover song, her love of Split Enz and Echo & The Bunnymen, and why most of these picks are culled from the '70s and '80s. The Breeders and Throwing Muses co-founder also talks about raising money for COVID-19 relief and Black Lives Matter organizations, activism now versus the '90s, the chances of another Belly album, and a project she’s working on with Dylan In the Movies.

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Lianne La Havas speaks with Kyle Meredith about her self-titled LP. The concept album tells the story of a relationship from beginning to end, and the songwriter discusses how the meaning of those songs changed as they were written over a long period of time. La Havas also weighs in on her cover of Radiohead’s "Weird Fishes", particularly how it fits within the album's story; the importance of moods in songwriting; and the inspiration of the '70s on her recording process.

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jxdn gives Kyle Meredith a call to talk about the seemingly overnight success of his music career after making a name for himself on TikTok over the last couple of years. The rising star discusses how seeing Juice Wrld in concert inspired him to be a songwriter, signing to Travis Barker's new label, and writing/recording with the pop-punk legend. Texas born and Tennessee raised, JXDN also talks about pushing against the judgmental Southern environment that he grew up in, having supportive pastor parents, and the stories behind "Angels & Demons" and "So What!".

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Phoebe Bridgers speaks with Kyle Meredith about Punisher. The sophomore album finds the singer-songwriter taking on a bigger production with a balance of themes of disconnection. Bridgers discusses having to trick herself while writing, being “coffee shop famous,” producing Christian Lee Hutson’s new LP, becoming a fan of My Favorite Murder, appreciating true crime, and how this album could be the score to a “Midsommar-style divorce drama.”

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Jon Batiste, band leader of The Late Show with Stephen Colbert, and Nabil Ayers, the US general manager for 4AD, both join Kyle Meredith to discuss how Black Lives Matter has affected their work and the entire music industry.

Batiste talks about leading protests on the streets of New York and the importance of voting in the upcoming election. While Ayers discusses his recent New York Times article about Ed Eckstine, the first black person appointed president of a major U.S. record label, the industry's approach to Blackout Tuesday, and the autobiography he’s working on about his own history in the business.

Note: This episode was originally recorded as part of Kyle Meredith’s new video series that premieres every Tuesday and Thursday at 3:00 p.m. EST on Consequence‘s Instagram channel.

With the COVID-19 pandemic putting upwards of 90% of independent venues in danger of closing forever, it’s become vitally important for Congress to pass a relief bill to aid our most beloved rooms and the music community at large.

To get some insight on the matter, Kyle Meredith speaks Billy Hardison, Kentucky’s precinct captain for the recently formed National Independent Venue Association, and artist Tyler Williams, drummer for The Head & The Heart.

Together, they discuss what it’s been like to run their respective businesses during a global quarantine and pandemic, and what the dangers of our present and future could mean for live music in the long run.

Stream the episode above and head to saveourstages.com to find out ways you can help. It should be noted that this episode was originally recorded as part of Kyle Meredith's new video series that premieres every Tuesday and Thursday at 3:00 p.m. EST on Consequence's Instagram channel.

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Legendary founder of The Youngbloods Jesse Colin Young speaks with Kyle Meredith about re-recording the '60s anthem "Get Together" to help feed hungry people through a partnership with SongAid and Why Hunger. Young tells us about tapping his friend Steve Miller to join him on the new version, the meaning of releasing the track on Juneteenth, and how the song speaks to now as much as it did during the original counterculture era. The songwriter also discusses last year’s comeback record, Dreamers, and how he's continued to write about injustices throughout his 60-year career.

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The Jayhawks lead man Gary Louris speaks with Kyle Meredith about XOXO. The new album finds the Americana legends heavily collaborating and features each member on the mic for lead vocals. Louris discusses the album’s artwork; themes of depression, anxiety, and the 24-hour news cycle; and life in Minneapolis since the murder of George Floyd. Louris also says the band could have recorded 30 records if the industry allowed them, but teases a finished solo album.