An encore presentation of a much loved episode about the speech patterns of Bette Davis, George Gershwin, Louis Armstrong and countless other Americans of the 1930s. Why do they all sound like that?

Visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Lexicon Valley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. A Booksmart Studios production. Episode 96: "Why Do People in Old Movies Talk Like That?" With John McWhorter. Produced and edited by Mike Vuolo. All rights reserved.

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So many of our words have ugly associations that are particular to a historical time or event. Should we expunge them entirely from our vocabulary? Can we?

Visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Lexicon Valley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. A Booksmart Studios production. Episode 255: "Past Master." With John McWhorter. Produced and edited by Mike Vuolo. All rights reserved.

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Words that come to mean “want” often start out meaning something else. Take “want,” for example.

Visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Lexicon Valley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. A Booksmart Studios production. Episode 254: "Are You Tryna Hear This?" With John McWhorter. Produced and edited by Mike Vuolo. All rights reserved.

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Henry James wrote his final novels just over a century ago — and yet somehow they are far less accessible than works written much earlier.

Visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Lexicon Valley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. A Booksmart Studios production. Episode 253: "The Ambassadors." With John McWhorter. Produced and edited by Mike Vuolo. All rights reserved.

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Possession is more or less about ownership, and we denote that in English by adding ’s to the end of a word. But of course there’s far more to the story than just that.

Visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Lexicon Valley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. A Booksmart Studios production. Episode 252: "Apostrophe S." With John McWhorter. Produced and edited by Mike Vuolo. All rights reserved.

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There’s a rumor going around social networks that “knocked up” traces back to American slave trading. Is there any evidence for that etymology?

Visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Lexicon Valley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. A Booksmart Studios production. Episode 251: "Is 'Knocked Up' Racist?" With John McWhorter. Produced and edited by Mike Vuolo. All rights reserved.

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It’s tempting to imagine that a sentence will translate rather neatly, word by word, from one language to another. It’s also naive.

Visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Lexicon Valley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. A Booksmart Studios production. Episode 250: "What a Young Brain Can Do." With John McWhorter. Produced and edited by Mike Vuolo. All rights reserved.

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The book and lyrics of The Music Man are replete with everyday, ordinary dialogue that, nevertheless, demonstrates how English often works.

Visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Lexicon Valley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. A Booksmart Studios production. Episode 249: "What Do You Talk?" With John McWhorter. Produced and edited by Mike Vuolo. All rights reserved.

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English used to have a more or less typical array of second person pronouns, with thou and thee for the singular — subject and object cases, respectively — and ye and you for the plural. So what happened?

Visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Lexicon Valley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. A Booksmart Studios production. Episode 248: "The Problem with You." With John McWhorter. Produced and edited by Mike Vuolo. All rights reserved.

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Comedian Rodney Dangerfield was fond of introducing jokes with a kind of redundancy, for example: “My wife, she told me I was one in a million. I found out she was right.” But those seemingly superfluous pronouns are filled with promise.

Visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Lexicon Valley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. A Booksmart Studios production. Episode 247: "The Rodney Dangerfield Pronoun." With John McWhorter. Produced and edited by Mike Vuolo. All rights reserved.

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