Our final episode of Hark! this season departs from the usual nativity of Christ in a manger, surrounded by shepherds and angels on high. Instead, our carol centers on the singular icon of a rose. “Lo, How a Rose E’er Blooming” is a German Christmas song, first published in a Lutheran hymnbook in 1599. Although its believed to be much older, originating in a Catholic monastery with an uncertain date and writer. 

And not only do we not know who wrote the text for our carol. The person behind the basic melody is also a mystery. The music is often credited to Michael Praetorius, a German composer, organist and music theorist from the 16th and 17th Centuries. But, Praetorius didn't compose the main melody; he only added the harmonies that have made this “the rose of all carols” among choristers and music maestros.

Adding further to the mystery of this carol, the symbol of the rose is ambiguous. Depending on the translation and verse, the rose could represent Jesus or his mother Mary, who in Catholic mysticism is adorned with roses.

Our heartfelt thanks extends to every musician, choir and soloist who gifted their music so generously to Hark! this season. On this episode we are especially grateful to:

The Choir of King’s College Cambridge, The Ignatian Schola, Cynthia Boener, Katie Green and Karen Hefford, Barbara Rowe for sharing the music of her husband, the late Bryan Rowe, Gary Cope and the Encomium Ensemble, the music department of Hope College in Holland, Michigan, Stephen Lynerd, Winter Harp and The Notre Dame Folk Choir, under the direction of JJ Wright, who walked us through the music of “Lo How A Rose” on this episode.

Special thanks to the Benedictine monks of Saint John's Abbey Schola in Collegeville, Minnesota. In particular to Father Nick Kleespie who coordinated the performance of Father Anthony Ruff's arrangement of “Lo, How a Rose,” featured in this episode. To learn more about the monks of Saint John’s Abbey, please visit saintjohnsabbey.org.

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