This week, we talk about doing work (but not finishing) panels so they can be finished later (5:30), writing with the energy of a new project (9:00), working on pre-show commissions for SDCC (14:00), doing big thinking past the current issue of the comic you're working on (19:15), and flatting colors for a page (30:40) before this week's topic: copyrights (38:30).

This episode, we recap our in-store at Comic Book Hideout in Fullerton CA (4:00), then discuss how details are their own easter egg (17:10), jumping straight from your basic skeleton to writing a comic script (24:50), and shipping out Kickstarter packages (33:20) before we give our feedback (42:05) on some comics we've received from listeners and offer tips that apply to all creators.

This week, Scott and Keith discuss making changes with your artist (4:25), the right way visually start a story (12:10), understanding change deadlines (21:45), getting product reinforcements in for Kickstarters and upcoming shows (25:40), and doing deep story-within-a-story work (29:30) before we tackle this week's topic: extending a story (37:00).

This episode, we welcome artist Dave Law (Space Odditorium, Wolf Punks) and discuss bringing real-life elements into your comic for authenticity (6:00), attacking different scenes in different ways in a comic script (11:05), ensuring dialogue corresponds to panel size and how learning from the greats can backfire (16:10), juggling multiple projects as an artist (21:20), digital versus traditional pencils (29:00), working off your digital thumbnails (36:20), working with limitations (43:50), and turning things you don't like working on into things you do (56:00).

This episode, we begin with a convention recap (5:00), bouncing a story off your editor in the formative stage (30:45), ordering product for a convention (35:05), working your way to your story's ending (47:45), and finishing a splash page (52:35) before this week's main topic: leaning into conflict (58:10).

This episode, we sit down with Gary Hodges (creator of D vs M) and discuss, among other things, balancing your writing projects when you're eager to work on all of them (5:20), getting product ready for a show (12:20), pitching your book (28:30), making comics from a place of cinema fandom (39:15), the ambitious work you sign up for in making comics (47:00), how all the time you spend creating matters (53:50), the feeling once your book is released (66:40) and turning that into the next project (69:00),

This week, we discuss troubleshooting at the printer (3:40), a kaiju in-store event (10:10), working under a tight deadline to make new prints for a show (14:40), the top outline and page outline process for a comic (23:25), keeping a 'cut not add' mindset in editing your story (32:50), cranking out even more prints for a show (37:00), and turning a strange idea into a story (40:45) before we talk about this week's topic: making edits seamless (49:40).

This week, we review a productive panel week and the power of small increments (5:45), then we have a lengthy discussion on stopping your progress to do necessary character work (16:15), touching on character sheets (22:40), knowing when to go heavy on research (29:30), and how doing that research makes writing your story easier in the future (32:15), then discuss character studies and working with vendors (36:00).

This week, we recap Free Comic Book Day (4:15), the discuss getting back into drawing after running a Kickstarter (18:30), final edits of comics in the PDF stage (30:00), and designing a trading card (41:00), before we get to this week's topic: choosing simplicity (49:00).

This week, we discuss art for a trading card (4:50), interviews and the daily work behind running a Kickstarter (9:00), hiring an artist for a future variant cover (13:00), trusting the vision for your story - but not too much (17:20), and some answers to listener questions on comic book agents (26:10) and when writer/artists should stick to writing (41:30).