When the unnamed narrator of Marie Mutsuki Mockett's stirring second novel returns to Carmel, California, to care for her mother, she finds herself stranded at the outset of the disease. With her husband and children back in Hong Kong, and her Japanese mother steadily declining in a care facility two hours away, she becomes preoccupied with her mother's garden--convinced it contains a kind of visual puzzle--and the dormant cherry tree within it.

Caught between tending to an unwell parent and the weight of obligation to her distant daughters and husband, she becomes isolated and unmoored. She soon starts a torrid affair with an arborist who is equally fascinated by her mother's garden, and together they embark on reviving it. Increasingly engrossed by the garden, and by the awakening of her own body, she comes to see her mother's illness as part of a natural order in which things are perpetually living and dying, consuming and being consumed. All the while, she struggles to teach (remotely) Lady Murasaki's eleventh-century novel, The Tale of Genji, which turns out to resonate eerily with the conditions of contemporary society in the grip of a pandemic.

The Tree Doctor (Graywolf Press, 2024) is a powerful, beautifully written novel full of bodily pleasure, intense observation of nature, and a profound reckoning with the passage of time both within ourselves and in the world we inhabit.

Marie Mutsuki Mockett is the author of a previous novel, Picking Bones from Ash, and two books of nonfiction, American Harvest, which won the Nebraska book award, and the northern California book award, and Where the Dead Pause, and the Japanese Say Goodbye, which was a finalist for the Pen Open Book Award. A graduate of Columbia University in East Asian studies she has been awarded NEA – JUSFC and Fulbright Fellowships, both for Japan.

Recommended Books:

Royall Tyler, The Disaster of the Third Princess: Essays on The Tale of Genji

Emily Raboteau, Lessons for Survival: Mothering Against "The Apocalypse"

Martin Puchner, Culture

Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.

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