The pod team is traveling this week, so we invite you to travel back to a great episode from our previous season. We’ll be back with new episodes in the New Year — how fitting! Wishing you all a beautiful close to 2024.

Drawing from her decade-long career in Silicon Valley, Jamie Li tells Jared about writing tech satire that struck her MFA colleagues as far-fetched and her tech friends as totally realistic. Plus, Jamie talks about how her background as a Chinese immigrant and the model minority myth shape her interest in writing about in-group/out-group behaviors, and her attraction to VCFA’s emphasis on experimental and cross-genre writing.

Jamie Li is a Southern California-based fiction writer and product marketer. She holds a BA from Dartmouth College and is pursuing her MFA at the Vermont College of Fine Arts. Her writing has been recognized in the New York Times and published in Slant’d Magazine, Mangoprism, and elsewhere. She writes the Creative Juice newsletter and exists online on jamieli.co or IG @j.a.m.i.e.l.i.

MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.

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It’s winter break! Strap on your snowshoes, brew a hot chocolate, and escape to the heat of the Vegas desert with one of our favorite episodes from last season. Wishing you all rest, writing inspiration, and early-decision acceptances.

This week, an MFA with an international focus! Krista Diamond sits down with Jared to talk about UNLV’s required (and funded) study abroad component and its emphasis on translation. Plus, Krista shares lessons learned as a freelance writer, info on the Vegas literary community, and how her experience working and living in national parks informs her fiction and nonfiction alike.

Krista Diamond is a Las Vegas based writer whose work has appeared in or is forthcoming in The New York Times, Longreads, Hazlitt, Catapult, Electric Literature, Joyland, and elsewhere. Her writing has been supported by Tin House and Bread Loaf. Her essay “That Girl is Going to Get Herself Killed,” which first appeared in Longreads, was adapted for audio by Oscar-nominated actress Naomie Harris. She is currently a third year in the fiction MFA program at the University of Nevada Las Vegas, where she is working on a novel about paparazzi. Learn more at www.kristamariediamond.com and on Twitter at @kristadiamond.

MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.

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In this instant classic episode, Wilson M. Sims and Jared talk about the step-by-step process of getting an agent, what they do (or know they shouldn’t do) when a story isn’t working, how MFA programs are like basketball drills, and approaching craft discussions in ways that are more flexible and time-varying than declarative and concrete. Plus, Wilson discusses making lasting connections with faculty and visiting writers and shares the realities of living on an MFA stipend and pivoting to part-time to maintain a day job.

Wilson M. Sims is a behavioral-health worker and policy strategist in the final year of his MFA program at Florida Atlantic University. His work is published in Longreads, The Florida Review, Witness Magazine, and Virginia Quarterly Review. He is the winner of the 2021 Lascaux Prize in Creative Nonfiction, and his essay “Unknown Costs,” received a special mention in the 2025 Pushcart Anthology. Find him at wilsonmsims.com.

MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.

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In this episode, PhD Candidate Mackenzie McGee talks about her process when writing speculative fiction, including how she decides on topics and themes, how her process changes when writing flash versus her novel, and how writers are able to explore politically dangerous topics by leaning into speculative elements. She then tells Jared about her decision to pursue the PhD after finishing her four-year MFA program and how KU is particularly supportive of speculative writers.

Mackenzie McGee is a speculative fiction writer from the Midwest. A winner of the 2021 PEN/Dau Short Story Prize for Emerging Writers, her work can be read in Porter House Review, Nat. Brut, Alaska Quarterly Review, and Cease, Cows. Mackenzie earned her MFA from the University of Arkansas and is currently a second-year PhD student in English-Creative Writing at the University of Kansas. You can find her at mackenziemcgee.com.

MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.

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Rone Shavers joins Jared for our annual application episode to discuss the differences between MFA and PhD applications and programs. Rone and Jared talk about how to choose the right program, put together the best application, and get the most out of your time in a program. Before that, they discuss Rone’s “funky” novel Silverfish and how getting over the pressure of making a commercially viable book allowed him to write the book he wanted to write.

Rone Shavers is the director of the creative writing program at The University of Utah, which offers both an MFA and a PhD in creative writing. Rone is the author of the experimental Afrofuturist novel Silverfish from Clash Books, a finalist for the 2021 Council of Literary Magazines and Presses (CLMP) Firecracker Award in Fiction and one of The Brooklyn Rail’s “Best Books of 2020.” He is also fiction and hybrid genre editor at the award-winning journal, Obsidian: Literature and Arts in the African Diaspora. Find him at roneshavers.com.

MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.

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The leaves are turning, the pumpkin spice lattes are brewing, and that means the MFA applicants are revising and re-revising their personal statements. To celebrate the arrival of fall, we’re bringing you last season’s (super informative) application episode. Stay tuned for a new episode in your feed soon.

Jess Silfa is a writer and poet from the South Bronx. They hold an MFA from Vanderbilt University in Creative Writing (Fiction) and are currently pursuing their Ph.D. in Creative Writing at the University of Cincinnati. They have received a Displaced Artist Fellowship from Vermont Studio Center, a grant from the American Academy of Arts and Letters, a Mae Fellowship, and a Ricardo Salinas Scholarship for Aspen Summer Words. Jess serves as President for the Disabled and D/deaf Writers Caucus and helps run the MFA Draft Facebook group. Jess’s first novel, the story of a tight-knit immigrant community rattled by the war on drugs, goes on submission this fall. Learn more at www.jesilfa.com.

MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.

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Carlee Jensen reflects on how the American West and constructions of personal mythology shaped her writing, and how coming out “late” taught her that life has no single narrative. She also tells Jared why she avoided MFA application resources before submitting her materials, how the MFA helped her refocus on writing as an art, not just a profession, and she discusses her experience taking advantage of Hopkins’s optional third year.

Carlee Jensen is a fiction writer and educator, raised in Utah and California, and currently living in Baltimore, Maryland. She earned a BA from Yale University and an MS from Bank Street College of Education, and spent seven years as a classroom teacher before pursuing an MFA from the Writing Seminars at Johns Hopkins University. During her time at Johns Hopkins, she received the 2024 Benjamin J. Sankey Fellowship in Fiction. Her work has appeared in New Ohio Review and The Master’s Review, where it was selected by Kristen Arnett for a 2022 Short Story Award for New Writers, and was a finalist for American Short Fiction’s Short(er) Fiction Prize in 2023. Find her at carleejensen.com.

MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.

BE PART OF THE SHOW

— Donate to the show at Buy Me a Coffee.

— Leave a rating and review on Apple Podcasts.

— Submit an episode request. If there’s a program you’d like to learn more about, contact us and we’ll do our very best to find a guest who can speak to their experience.

— Apply to be a guest on the show by filling out our application.

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On this episode, Jonny Teklit sits down with Jared to talk about crafting odes to small, granular subjects, sharing his personal productivity tips and the common writing advice that doesn’t work for him. Plus, Jonny discusses the pros and cons of UW-Madison’s rotating genre admissions policy and reflects on how Lynda Barry’s comics class changed his perspective on creative talent, revision, and experimentation.

Jonny Teklit is an award-winning poet whose work has appeared in The Academy of American Poets, The New Yorker, The Atlantic, The Adroit Journal, and elsewhere. He is currently a second-year MFA candidate in poetry at the University of Wisconsin–Madison where he is working on his debut collection. He has an animal fact for any occasion. Find him at his website jonnyteklit.com, on IG @jonnyteklit, and on Twitter @jonnysaysOMG.

MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.

BE PART OF THE SHOW

— Donate to the show at Buy Me a Coffee.

— Leave a rating and review on Apple Podcasts.

— Submit an episode request. If there’s a program you’d like to learn more about, contact us and we’ll do our very best to find a guest who can speak to their experience.

— Apply to be a guest on the show by filling out our application.

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It’s not quite Halloween, but on this episode, Emma Allman talks to Jared about the utility of defamiliarization, surrealism, uncanniness, and body horror in ecofiction (spooky!). Plus, she discusses how working in marketing pre-MFA helped her understand professionalism and realism in academia, life in Tuscaloosa as it aligns with and diverges from outsiders’ expectations, and unique opportunities of the University of Alabama’s MFA program, including teaching in youth writing camps or within the state’s prison system.

Emma Allmann studied creative writing at UW-Madison and is entering her third year in the MFA program at the University of Alabama-Tuscaloosa. Prior to returning to grad school she worked in market research for several years in Chicago. She has had pieces published with Ellipsis and Ink In Thirds, shortlisted with Smokelong and has had a play produced for the Marcia Légère Student Play Festival at UW-Madison. She has pieces forthcoming with LandLocked and Ink In Thirds. Find her at www.emmaallmann.com and on Instagram @emryal91.

MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.

BE PART OF THE SHOW

— Donate to the show at Buy Me a Coffee.

— Leave a rating and review on Apple Podcasts.

— Submit an episode request. If there’s a program you’d like to learn more about, contact us and we’ll do our very best to find a guest who can speak to their experience.

— Apply to be a guest on the show by filling out our application.

STAY CONNECTED

Twitter: @MFAwriterspod

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As the pod team settles into the fall semester, we’re excited to celebrate the recent accomplishment of one of our past guests. Simon Graham was awarded an AWP Intro Journals Prize for their story “Blair,” forthcoming in Puerto del Sol. Enjoy our conversation with Simon from Season 3.

How do you write about the climate crisis without becoming didactic? On this episode, Simon Graham describes their approach to activist writing, guided by their experience growing up on the beaches of Australia and working in environmental policy. Plus, they talk about queering the crime fiction genre, the financial realities for international students living in Seattle, and remembering who you’re writing to, for, and with.

Simon Graham is an Australian writer, educator, and climate change worker living in Seattle. They are an MFA Candidate in Prose Writing at the University of Washington, where they won the Eugene Van Buren Prize in Fiction and teach a class on activist writing. Simon is also a 2023 Climate Corps Fellow with the Environmental Defense Fund, and prior to moving to the US they worked on climate policy in Australia and lectured on climate change at Monash University. They are currently working on a queer crime novel set in the shadowy world of Australian climate politics.

This episode was requested by Sarah Blood and Rorie Newman. Thank you both for listening!

MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com.

BE PART OF THE SHOW

— Donate to the show at Buy Me a Coffee.

— Leave a rating and review on Apple Podcasts.

— Submit an episode request. If there’s a program you’d like to learn more about, contact us and we’ll do our very best to find a guest who can speak to their experience.

— Apply to be a guest on the show by filling out our application.

STAY CONNECTED

Twitter: @MFAwriterspod

Instagram: @MFAwriterspodcast

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Email: [email protected]