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Building tension in stories is part of writing good fiction writing, but that doesn’t mean it’s easy to do—and it also requires writers to be conscious of the tensions they’re trying to mine. In this week’s show, tension is at the forefront, as Brooke and Grant explore with storytelling master Gish Jen how she thinks about tension, what life experiences she brings to her fiction as a member of the Chinese diaspora and daughter of immigrants, and so much more. We’re talking about short stories and celebrating Jen’s latest collection, Thank You, Mr. Nixon, and thinking more broadly about the way tension raises the stakes when it comes to good story.
Learn more about your ad choices. Visit megaphone.fm/adchoices
See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
By Brooke Warner and Grant Faulkner4.9
439439 ratings
Building tension in stories is part of writing good fiction writing, but that doesn’t mean it’s easy to do—and it also requires writers to be conscious of the tensions they’re trying to mine. In this week’s show, tension is at the forefront, as Brooke and Grant explore with storytelling master Gish Jen how she thinks about tension, what life experiences she brings to her fiction as a member of the Chinese diaspora and daughter of immigrants, and so much more. We’re talking about short stories and celebrating Jen’s latest collection, Thank You, Mr. Nixon, and thinking more broadly about the way tension raises the stakes when it comes to good story.
Learn more about your ad choices. Visit megaphone.fm/adchoices
See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

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