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Simon Brooke and Emma Nelson discuss polling accuracy in the US midterms, the demographics of Israel’s election and more. Plus: we head to Lisbon for the Best Sommelier of the World 2026.
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Emma Nelson and Tira Shubart discuss Donald Trump waiving Russian sanctions, the funding package for Estonia’s surveillance and more. Plus: Amyi, the Brazilian perfume brand thriving in one of the world’s biggest markets.
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Isabel Hilton and Emma Nelson discuss Donald Trump’s new diesel deal with Russia and US sanctions against the ICC. Plus: the 2026 Caine Prize for African Writing winner on the power of African literature.
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Zara Khan and Georgina Godwin discuss Turkey’s economy, Kashmir’s culinary traditions and more. Plus: The Bodleian’s Richard Ovenden on libraries in the digital age and The National’s Enas Refaei on preserving Abu Dhabi’s architecture.
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Emma Nelson and Hannah Lucinda Smith discuss diplomatic gifts, Mark Zuckerberg’s style transformation and the world’s oldest peace treaty. Plus: the best of South Tyrol at Monocle’s Zürich Autumn Market.
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Daniella Peled and Emma Nelson discuss reporting on war crimes in Ukraine, the hidden cost of war in Sudan and more. Plus: why Dubai Museum matters to Emiratis and visitors alike.
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Erin O’Halloran and Georgina Godwin discuss the Brics summit, Pakistan’s role in the Middle East and more. Plus: neuroscientist Dr Lotto on our view of conflict and designer Tina Charad on creating Hollywood’s visuals.
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Georgina Godwin and Tessa Szyszkowitz on pivotal elections in Germany, the latest Reform UK controversy and more. Plus: how the business model of London’s new art fair, Fair Play, puts artists first.
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The New Statesman’s culture editor, Tanjil Rashid, and Georgina Godwin discuss the AfD’s campaign against anti-German art, Rachel Cusk’s new novel and more. Plus: Janet DeNeefe on the Ubud Writers & Readers Festival 2026.
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Emma Nelson and Jessica Bridger discuss Switzerland’s nuclear power debate and how drought affects global trade. Plus: Georgina Godwin’s Scottish reading retreat. Then: What makes Zürich’s Theater Spektakel 2026 so distinctive?
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