Russian politician, historian and journalist Vladimir Kara-Murza speaks to Andrew Mueller about surviving solitary confinement in a Siberian prison, Putin’s future and why he hasn’t lost faith in Russian democracy.

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New Zealand’s former prime minister Jacinda Ardern speaks to Andrew Mueller about her new memoir and the role that empathy plays in leadership, especially in times of crisis. 

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Andrew Ross Sorkin – CNBC Squawk Box host, Dealbook founder, co-creator of TV series ‘Billions’ and author of ‘Too Big To Fail’ – has released a new book, ‘1929’, exploring the characters behind the Great Depression. He speaks with Chris Cermak about its lessons and when the next financial bubble will burst.

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The long-time anchor of BBC World News America on becoming a US citizen the day after Donald Trump’s election and how her family’s history of slave ownership led her to apologise and offer reparations.

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The president of the European Bank for Reconstruction and Development, founded after the Cold War, discusses Ukraine’s rebuilding and the institution’s newfound purpose in an age of retrenching from foreign aid.

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Jen Easterly led the agency keeping the US safe from cyber attacks for four years. She’s worried about where things have gone over the past few months. Emma Nelson discusses her life of service.

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After a career spanning almost six decades, US fashion icon Norma Kamali is still reinventing herself. After immersing herself in the London fashion scene in the 1960s and establishing a New York boutique at the end of the decade, Kamali quickly rose to prominence. Her designs could be found on the star-studded dance floors of Studio 54, on an iconic 1976 Farrah Fawcett poster and on Whitney Houston’s first album cover. She joins Monocle’s Emma Nelson to tell us about her approach to design, her dedication to wellness and how Donald Trump’s tariffs are affecting her business.

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An icon of US alternative rock, Bob Mould was a member of influential Minneapolis band Hüsker Dü, which combined screaming guitars with sweet pop melodies in the 1980s and inspired later acts such as Nirvana. Mould’s subsequent band Sugar recorded three acclaimed albums in the mid-1990s. He has since built up a solo catalogue that has included several stylistic deviations but keeps circling back to the power-trio format. Mould’s latest solo album is ‘Here We Go Crazy’. He sits down with Andrew Mueller to play a couple of songs and talk about the legacy of Hüsker Dü, being outed as a gay man in the 1990s and Donald Trump’s WWE-style politics. 

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The films of screenwriter Bill Broyles have time and again cemented themselves as classics of American cinema. Following his debut with the acclaimed series ‘China Beach’, came films including ‘Apollo 13’, ‘Cast Away’ and ‘Jarhead’. Broyles’ writing for the screen has been informed at least in part by an eventful personal life. As a young man, he was a US Marine Corps platoon commander in the Vietnam War, an experience he recalls in the Apple TV+ series ‘Vietnam: The War That Changed America’. He was subsequently a journalist, launching ‘Texas Monthly’ and editing ‘Newsweek’ before heading to Hollywood. Broyles sits down with Andrew Mueller for a contemplative look back on his successes and failures, as well as reflecting on the best and worst aspects of American culture.             

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Joe Wright is the acclaimed film director known for single-take shots, redefining cinematic genres and updating classic narratives. He first appeared on the global stage with his feature directorial debut, ‘Pride & Prejudice’, starring Keira Knightley, followed by a string of celebrated releases that include the seven-time Academy Award-nominated drama ‘Atonement’, the action-packed thriller ‘Hanna’ and the biographical drama ‘Darkest Hour’. As one of the more technically adventurous and unpredictable directors of his generation, Wright’s latest project might be his most ambitious: a new eight-part series documenting the rise of a dictator, ‘Mussolini: Son Of The Century’. It has already stirred debate across Europe and beyond since its release, and is regarded by many critics as the best show of 2025 so far. 

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