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From the medina of Marrakech to the palmeries in Zagora, join sound recordists Andrea Campisi and Silvia Malnati as they embark upon a roadtrip in sound, leaving the capital city to journey across southeast Morocco. Across four movements of contrasting energies, bound together by the motif of the muezzin’s call to prayer, we listen to an immersive musical suite comprising binaural field recordings and on-location sound.
I. Allegro: In Marrakech medina we take a walk through a maze of streets and stalls before arriving out onto the iconic Jemaa el-Fnaa square. Here, we’re met with the hypnotising sound of pungi flutes and, as the sun sets, of gnawa musicians, jesters and Said Anazoure’s intricate banjo playing.
II. Largo: We leave the city behind to seek refuge in the mountainous region of Ourika. Here, we hear sounds of village life, as well as the distant voices of children reciting the Koran from behind the school’s door.
III. Scherzo: Having crossed the Atlas mountains, we descend towards the Draa Valley and its oasis, tuning in to the sound of the palmeries just outside Zagora. As night falls, crickets take their place alongside the mating calls of cats under the stars.
IV. Finale: We resume our drive, headed for a village outside Aït Benhaddou. A local family invites us to spend the night inside their tigmi, a traditional house, and attend an Ahwach ceremony with the musicians of Ahwach Asfalou.
With special thanks to Hamid Boukhch, Said Anazoure, Ahwach Asfalou (Mme Ijja, Hiba, Iken, Oumaghlif, Bendrisse, Hanafi, Ait houssa, Tabrahimte, Belmadan, Mr Haji, Mr Ifliisse, Almsalla, Belaabass, Benhdouch, Boularia, Ait Bikouch, Khalfi) and Alexa Kruger.
Produced by Andrea Campisi and Silvia Malnati
3.9
182182 ratings
From the medina of Marrakech to the palmeries in Zagora, join sound recordists Andrea Campisi and Silvia Malnati as they embark upon a roadtrip in sound, leaving the capital city to journey across southeast Morocco. Across four movements of contrasting energies, bound together by the motif of the muezzin’s call to prayer, we listen to an immersive musical suite comprising binaural field recordings and on-location sound.
I. Allegro: In Marrakech medina we take a walk through a maze of streets and stalls before arriving out onto the iconic Jemaa el-Fnaa square. Here, we’re met with the hypnotising sound of pungi flutes and, as the sun sets, of gnawa musicians, jesters and Said Anazoure’s intricate banjo playing.
II. Largo: We leave the city behind to seek refuge in the mountainous region of Ourika. Here, we hear sounds of village life, as well as the distant voices of children reciting the Koran from behind the school’s door.
III. Scherzo: Having crossed the Atlas mountains, we descend towards the Draa Valley and its oasis, tuning in to the sound of the palmeries just outside Zagora. As night falls, crickets take their place alongside the mating calls of cats under the stars.
IV. Finale: We resume our drive, headed for a village outside Aït Benhaddou. A local family invites us to spend the night inside their tigmi, a traditional house, and attend an Ahwach ceremony with the musicians of Ahwach Asfalou.
With special thanks to Hamid Boukhch, Said Anazoure, Ahwach Asfalou (Mme Ijja, Hiba, Iken, Oumaghlif, Bendrisse, Hanafi, Ait houssa, Tabrahimte, Belmadan, Mr Haji, Mr Ifliisse, Almsalla, Belaabass, Benhdouch, Boularia, Ait Bikouch, Khalfi) and Alexa Kruger.
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