The outbreak of the First World War shattered the established European art market. Amidst fighting, looting, confiscations, expropriation fears and political and economic upheaval, an integrated marketplace shaped by upper-class patrons broke down entirely. In its place, Maddalena Alvi argues, can be found the origins of a recognizably modern market of nationalized spheres driven by capitalist investment and speculation, yet open to wider social strata. Delving into auction records, memoirs, newspaper articles, financial and legal documents in six languages, Alvi explores these cultural and socio-economic developments across the British, French, and German markets, as well as trade spheres such as Russia and Scandinavia. 1914 marked the end of the European art market and cemented the connection between art and finance. 

The European Art Market and the First World War: Art, Capital, and the Decline of the Collecting Class, 1910–1925 (Cambridge University Press, 2025)

Maddalena Alvi holds a PhD in History from the University of Cambridge, an MSc in Economic and Social History from the University of Oxford, and an MLitt in Art History from the University of Glasgow.

Priya S. Gandhi is a writer and strategist based in New York City.

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Between the Sheets: Sexuality, Classified Advertising, and the Moral Threat to Press Freedom in France (Cornell UP, 2025) by Dr. Hannah Frydman reveals a space, hidden in plain sight in Third Republican Paris, where deviant sexualities and lives could be experimented with and financed, despite republican attempts at growing and norming the population through the heterosexual family. That space was the newspaper, which was not simply a tool of normalization and a site of "dominant discourse," as it has frequently been imagined. Reading between the lines, Dr. Frydman shows how, through the Belle Époque classifieds, the newspaper became a tool for living lives otherwise as information flowed from it not just vertically but also laterally, facilitating person-to-person communication.

The sexual relationships, exchanges, and services enabled by this communication were far from utopian: Surviving and thriving outside of social norms often required exploiting others. Yet by attending to the lives and livelihoods enabled by the classifieds, ethical or otherwise, Between the Sheets demonstrates that, thanks to new innovations in media technologies, queer and nonnormative lives in this period were lived in the center as well as on the margins. It was this centrality, however, that inspired efforts to place new (moral) controls on mass cultural forms and technologies. After World War I, in an interwar moment often characterized as one of sexual liberation, the press's queerness was subjected to ever-increasing surveillance and control, with repercussions for press freedom writ large. These repercussions echo into our age of social media, with its promise of unfettered connection, which inspires repressive legislation to keep sexuality (and with it, freedom) in its crosshairs.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Showing the political importance of play in postwar French literature In postwar France, authors approached writing ludically, placing rules and conditions on language and on the context of composition itself. They eliminated "e's" and feminized texts; they traveled according to strict rules and invented outright silly public personas. The Politics of Play: Oulipo and the Legacy of French Literary Ludics (2025, Northwestern University Press) is a comprehensive examination of how and why French authors turned to these ludic methods to grapple with their political moment. These writers were responding to a range of historical upheavals, from the rise and fall of French feminist and Third-Worldist groups to the aftermath of international socialism both at home, in the former Parisian Belt and in France more broadly, and abroad, in post-Yugoslavia Balkan states and elsewhere. Juxtaposing an array of case studies and drawing on cross-disciplinary methodologies, Aubrey Gabel reads three generations of the formalist literary group Oulipo, including Raymond Queneau, Georges Perec, and Jacques Jouet, alongside writers not traditionally deemed ludic--or sometimes not even conventionally known as novelists--such as the lesbian activist-writer Monique Wittig and the editor François Maspero. Gabel argues that literary ludics serve as both an authorial strategy and a political form: playful methods allow writers not only to represent history in code but also to intervene creatively--as political actors--in the fraught social fields of postwar France.

Author Aubrey Gabel is Assistant Professor of French at Columbia University, as well as an affiliate with the Institute for the Study of Sexuality and Gender (ISSG) and the Institute for Comparative Literature and Society (ICLS), and currently a fellow with the Institute for Ideas & Imagination. She has also published a number of articles and chapters in edited volumes on literary play and constraints, but also on bande dessinée and other comic genres.

Host Gina Stamm is Associate Professor of French at The University of Alabama, with research  concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progress on posthumanist ecological engagement in the surrealist movement.

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“A lot of things become possible when [the nation state] is not the only framework,” Melissa Byrnes reminds us in this deeply intimate local history of North African migrants in France. In this conversation about her new book, Making Space: Neighbors, Officials, and North African Migrants in the Suburbs of Paris and Lyon (U Nebraska Press, 2024) we learn about how questions Byrnes had about how we live with difference in our own communities brought her to this research on the suburbs of French cities in the dwindling decades of French imperialism. Focusing on four French suburbs from the 1950s to the 1970s, Byrnes examines how local officials – from mayors and city councilors to religious leaders to those operating public housing units – talked about North African migrants and the problems and opportunities of migration. In tracing the motivations of these French officials and local leaders, Byrnes examines what she calls “locally lived migration policies” to see how communities tried to make space for their neighbors against the backdrop of a national housing crisis, divergent political ideologies, and decolonization.

Melissa K. Byrnes is professor of modern European and world history at Southwestern University in Georgetown, Texas. Her research focuses on migration and activism in the context of French imperialism and decolonization and she previously coedited a volume on the colonial politics of population. Her new book, Making Space: Neighbors, Officials, and North African Migrants in the Suburbs of Paris and Lyon, is available now from Nebraska University Press, 2023.

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Despite increasingly hardened visions of racial difference in colonial governance in French Africa after World War I, interracial sexual relationships persisted, resulting in the births of thousands of children. These children, mostly born to African women and European men, sparked significant debate in French society about the status of multiracial people, debates historians have termed 'the métis problem.'

Drawing on extensive archival and oral history research in Gabon, Republic of Congo, Senegal, and France, in Multiracial Identities in Colonial French Africa: Race, Childhood, and Citizenship (Cambridge UP, 2023) Dr. Rachel Jean-Baptiste investigates the fluctuating identities of métis. Crucially, she centres claims by métis themselves to access French social and citizenship rights amidst the refusal by fathers to recognize their lineage, and in the context of changing African racial thought and practice. In this original history of race-making, belonging, and rights, Dr. Jean-Baptiste demonstrates the diverse ways in which métis individuals and collectives carved out visions of racial belonging as children and citizens in Africa, Europe, and internationally.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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What good is aesthetics in a time of ecological crisis? Toward a Premodern Posthumanism: Anarchic Ontologies of Earthly Life in Early Modern France (Northwestern UP, 2025) shows that philosophical aesthetics contains unheeded potentialities for challenging the ontological subjection of nature to the human subject. Drawing on deconstructive, ecological, and biopolitical thought, Chad Córdova uncovers in aesthetics something irreducible to humanist metaphysics: an account of how beings emerge and are interrelated, responsive, and even response-able without reason or why.
This anarchic and atelic ontology, recovered from Kant, becomes the guiding thread for a new, premodern trajectory of posthumanism. Charting a path from Aristotle to Heidegger to today’s plant-thinking, with new readings of Montaigne, Pascal, Diderot, Rousseau, and others along the way, this capacious study reveals the untimely relevance of pre-1800 practices of writing, science, and art. Enacting a multitemporal mode of reading, Córdova offers a defense and illustration of the importance of returning to early modern texts as a way to rethink nature, art, ethics, and politics in a time when these concepts are in flux and more contentious than ever.

Author Chad Córdova is Assistant Professor in the Department of Romance Studies at Cornell University where he is also affiliated faculty in the Department of Environment and Sustainability. In addition to this new book, he is the author of many articles on figures and concepts that appear in this book, such as Montaigne, Kant, and Heidegger—most recently in Essais: Revue interdisciplinaire d’humanités and The Comparitist.

Host Gina Stamm is Associate Professor of French at The University of Alabama. Their research is concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean.

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Feminism's Empire (Cornell UP, 2022) investigates the complex relationships between imperialisms and feminisms in the late nineteenth century and demonstrates the challenge of conceptualizing "pro-imperialist" and "anti-imperialist" as binary positions. By intellectually and spatially tracing the era's first French feminists' engagement with empire, Carolyn J. Eichner explores how feminists opposed—yet employed—approaches to empire in writing, speaking, and publishing. In differing ways, they ultimately tied forms of imperialism to gender liberation. Among the era's first anti-imperialists, French feminists were enmeshed in the hierarchies and epistemologies of empire. They likened their gender-based marginalization to imperialist oppressions. Imperialism and colonialism's gendered and sexualized racial hierarchies established categories of inclusion and exclusion that rested in both universalism and ideas of "nature" that presented colonized people with theoretical, yet impossible, paths to integration. Feminists faced similar barriers to full incorporation due to the gendered contradictions inherent in universalism. The system presumed citizenship to be male and thus positioned women as outsiders. Feminism's Empire connects this critical struggle to hierarchical power shifts in racial and national status that created uneasy linkages between French feminists and imperial authorities.

Dr. Carolyn J. Eichner about is a Professor of History and Women’s and Gender Studies at the University of Wisconsin, Milwaukee. Feminism’s Empire is her third book. Surmounting the Barricades: Women in the Paris Commune came out in 2004 and The Paris Commune: A Brief History came out in 2022. Surmounting the Barricades: Women in the Paris Commune was published in French as Franchir les barricades: les femmes dans la Commune de Paris (Éditions de la Sorbonne, 2020). Translated by Bastien Craipain, it was a finalist for the Prix Augustin Thierry in 2021, an award from the city of Paris for a historical study concerning the period between Antiquity and the late 19th century. In 2022-2023 she will be a Fulbright Research scholar in France and will be in residence at the Camargo Foundation in Cassis.

Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.

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As she taught university-level courses on modern French history, Darcie Fontaine felt like she could not find a textbook that provided an up-to-date narrative about the ways in which France has been involved in and influenced by the rest of the world—certainly not one that incorporated contributions from scholars of social and cultural history, gender studies, and the history of imperialism. So when the opportunity to develop a textbook for college professors that did just that presented itself, she decided to take the leap. Modern France and the World (Routledge, 2023) is the result of years of research, reading, and collaborative engagement with scholars in a diverse array of fields that provides readers with an engaging narrative of French history from the 18th century to the present that incorporates a consistent awareness of how France’s empire and global politics has shaped it as a nation. A useful resource for teachers, students, and scholars of modern France, the book incorporates brief discussions of cultural objects and major themes in French history that can serve as a foundation for a one- or two- semester survey, a specialized course, or even general undergraduate classes.

In this conversation, we talk not only about how she decided to take on this gargantuan task, but how she went about writing the book – gathering ideas and advice from scholars with different methodological expertise, reading widely in fields with which she was less familiar, and, eventually, whittling down all of this information into a concise text. Along the way, we discuss how collaboration, teaching, and an awareness of the influence of academic history shaped the decisions she made about what to include and what to leave out of the narrative. Fontaine demonstrates an astute awareness of the political importance and stakes of creating national narratives. As she explains: “everything about [the book] is a historiographic intervention… every choice I make about what to include, what not to include, is embedded in the historiography.”

Darcie Fontaine is a scholar of modern French imperialism, particularly in North Africa, though she has studied transnational women’s movements and refugee politics in nineteenth and twentieth century French history. Her first book, Decolonizing Christianity: Religion and the End of Empire in France and Algeria was published in 2016—and was featured on an episode of New Books in French Studies! She is currently working as a developmental editor and translator at Les plumes rouges, the new company she has launched with Dr. Sandrine Sanos.

Sarah K. Miles is a PhD Candidate in History at the University of North Carolina, Chapel Hill who specializes in global francophone history and the history of the French Left. If you have a recent title to suggest for the podcast, please send her an email ([email protected]).

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Thinking of the French philosopher Jean-Paul Sartre, it is hard to think of him without imagining him in very particular contexts. One will likely imagine him in a Parisian cafe working through a pack of cigarettes and coffee, working on his latest play while waiting for his friend Pierre to arrive. His theories of freedom against the temptations of bad faith are thought to be theories of writers and activists, resisters of occupation. But while this is no doubt a central part of his thinking, it misses another context he was very much interested in: the clinic. While he was not an orthodox Freudian or trained analyst, he was deeply interested in many of the questions that psychoanalysts are also interested in, and this intersection proved to be very productive, generating thousands of pages of lesser known works.

This is what Mary Edwards, philosophy lecturer at Cardiff University, has written about in her new book Sartre’s Existential Psychoanalysis: Knowing Others (Bloomsbury, 2022). Working through Sartre’s output from beginning to end, it first sets the stage with his early claims about the nature of the self and the possibility of knowing a person. From there, it works to his later works, in particular his voluminous yet unfinished biography of Gustave Flaubert, where Edwards finds Sartre developing and applying a very particular method of understanding a person while nonetheless maintaining a respect for their free nature. While Sartre never completed his intended project, Edwards finds his attempt suggestive for rethinking life both in and beyond the clinic.

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Law in a Culture of Theology: The Use of Canon Law by Parisian Theologians, ca. 1120-ca. 1220 (Routledge, 2025) considers the study of law within its intellectual environment. It demonstrates that theologians associated with the schools of Paris in the twelfth century, particularly Peter the Chanter and his circle, had a working knowledge of Romano-canonical tradition and thought about the human context of the law, which, in turn, reflected the environment in which each master worked. It begins by showing the extent to which law was woven into the fabric of the schools of Paris, and follows with individual case studies.

These case studies--marriage in Hugh of St. Victor's De Sacramentis and Peter Lombard's Sententiae, excommunication in Peter the Chanter's Summa de sacramentis et animae consiliis, crusade activity and heresy in Robert of Couçon's Summa penitentiae, homicide in Robert of Flamborough's Liber poenitentialis, and the faces of greed in Thomas of Chobham's Summa confessorum--demonstrate how each theologian drew upon legal thought, for what end he was using it, and how his use of law fit into contemporary legal thinking. A competency in law proved valuable to, and was tailored for, different types of ecclesiastical roles: teachers showing students how to analytically navigate complex questions of pastoral care, papal judge-delegate on the cusp of full-time administration on behalf of the papacy, penitentiarius of St. Victor and the students at the University of Paris, or diocesan management.

This book will be a useful resource for all students and researchers interested in medieval canon law, medieval theology and pre-modern law.

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