New Books in French Studies

The Ethnographic Optic: Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema (Indiana UP, 2024) traces the surprising role of ethnography in French cinema in the 1960s and examines its place in several New Wave fictions and cinéma vérité documentaries during the final years of the French colonial empire. Focusing on prominent French filmmakers Jean Rouch, Chris Marker, and Alain Resnais, author Laure Astourian elucidates their striking pivot from centering their work on distant lands to scrutinizing their own French urban culture. As awareness of the ramifications of the shrinking empire grew within metropolitan France, these filmmakers turned inward what their similarly white, urban, bourgeois predecessors had long turned outward toward the colonies: the ethnographic gaze. Featuring some of the most canonical and best-loved films of the French tradition, such as Breathless and La Jetée, this is an essential book for readers interested in national identity and cinema.

Here's the link to Astourian's essay on Jean Rouch's Moi, Un Noir discussed in the podcast. 

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How did the Algerian war of independence shape contemporary sociology? In Bourdieu and Sayad Against Empire: Forging Sociology in Anticolonial Struggle (Polity Press, 2023), Amin Perez, an Assistant Professor of Sociology at University of Quebec in Montreal, explores the sociological practice and friendship of Pierre Bourdieu and Abdelmalek Sayad. Using a range of archival and contemporary methods, the book shows the impact of anticolonialism on these key figures in sociology and demonstrates the ongoing importance of their work today. Theoretically and historically rich, as well as being accessible, the book is essential reading across the social sciences and humanities.

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In this interview, recorded for Islamophobia Awareness Month, Hizer Mir and Chella Ward talk to Kawtar Najib and Rayan Freschi about Islamophobia in France. They discuss why France is a special case and how its policies of ‘systematic obstruction’ hinder the lives of Muslims and contribute to global Islamophobia.

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A note about content:

This episode involves discussion of suicide, specifically in the contexts of slavery, colonization and empire. Please use your discretion and take care if you decide to listen. If you or someone you know is struggling or in crisis, you are not alone. You can reach out to the National Suicide and Crisis Lifeline by dialing 988 or contact the Crisis Text Line by texting TALK to 741741. Thank you for taking care of yourself.

This episode is a conversation with Dr. Doyle Calhoun, University Assistant Professor of Francophone Postcolonial Studies in the Faculty of Modern and Medieval Languages and Linguistics at the University of Cambridge. He is key academic staff in the Film and Screen Studies Program and a Fellow of Peterhouse. A scholar of African and Caribbean literatures and cinemas, particularly in Senegal, Dr. Calhoun’s first book, The Suicide Archive: Reading Resistance in the Wake of French Empire was published in October 2024 by Duke University Press.

“There is no good way to talk about suicide,” Calhoun says in the opening line of his book. He repeats it early on in our conversation. Studying a topic that is personally and emotionally fraught – no less in history than in the present – and is often left unaddressed in traditional archives and explored by scholars is no easy feat. And yet Calhoun does this with care and caution and respect. The Suicide Archive is a study of suicidal resistance to slavery, colonialism, and empire in the French Atlantic and Mediterranean worlds via an array of aesthetic works (novels, plays, poems, films, photography) that consider the absence of archives as an opportunity to produce new and alternative forms of historical knowledge. In doing so, Doyle provides a nuanced and compelling analysis of the aesthetic treatment of historic suicides that take us from Guadeloupe to Senegal, from Paris to Algeria and Morocco. A methodologically innovative work, the book models how we might explore the historical potential “of reading aesthetic forms as archives,” as he puts it while recognizing the importance of suicide as a form of resistance to the violence and oppression of sub-alternity.

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Alistaire Tallent joins Jana Byars to talk about her new book, Fictions of Pleasure: The Putain Memoirs of Prerevolutionary France (University of Delaware Press, 2024). Out of the libertine literary tradition of eighteenth-century France emerged over a dozen memoir novels of female libertines who eagerly take up sex work as a means of escape from the patriarchal control of fathers and husbands to pursue pleasure, wealth, and personal independence outside the private, domestic sphere. In these anonymously published novels, the heroines proudly declare themselves prostitutes, or putains, and use the desire they arouse, the professional skills they develop, and the network of female friends they create to exploit, humiliate, and financially ruin wealthy and powerful men. In pursuing their desires, the putains challenge contemporary notions of womanhood and expose the injustices of ancien-régime France. Until the French Revolution spelled the end of the genre, these novels proposed not only an appealing libertine utopia in which libertine women enjoy the same benefits as their male counterparts but also entirely new ways of looking at systems of power, gender, and sexuality.

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At a time when critiques of free trade policies are gaining currency, The Neomercantilists: A Global Intellectual History (Cornell UP, 2021) helps make sense of the protectionist turn, providing the first intellectual history of the genealogy of neomercantilism. Eric Helleiner identifies many pioneers of this ideology between the late eighteenth and early twentieth centuries who backed strategic protectionism and other forms of government economic activism to promote state wealth and power. They included not just the famous Friedrich List, but also numerous lesser-known thinkers, many of whom came from outside of the West.

Helleiner's novel emphasis on neomercantilism's diverse origins challenges traditional Western-centric understandings of its history. It illuminates neglected local intellectual traditions and international flows of ideas that gave rise to distinctive varieties of the ideology around the globe, including in Latin America, the Caribbean, Africa, and Asia. This rich history left enduring intellectual legacies, including in the two dominant powers of the contemporary world economy: China and the United States.

The result is an exceptional study of a set of profoundly influential economic ideas. While rooted in the past, it sheds light on the present moment. The Neomercantilists shows how we might construct more global approaches to the study of international political economy and intellectual history, devoting attention to thinkers from across the world, and to the cross-border circulation of thought.

Eric Helleiner is an author and professor of political science and the Faculty of Arts Chair in International Political Economy at the University of Waterloo.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

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A funny thing happened to historian Michael Vann* on the way to his PhD thesis. While he was doing his research on French colonialism and the urbanist project in Hanoi, he came across an intriguing dossier: “Destruction of animals in the city”. The documents he found started him on a research path that led to a section of his dissertation, then an article that gained a wide academic and non-academic readership, and now The Great Hanoi Rat Hunt: Empire, Disease, and Modernity in French Colonial Vietnam (Oxford UP, 2018). But this isn’t your typical historical monograph. One of the latest volumes in Oxford University Press’s Graphic History Series, The Great Hanoi Rat Hunt (with illustrations by Liz Clarke), explores the history of modernization, urbanization, and the spread of epidemic disease in the era of “New Imperialism” in an exciting and highly engaging format.

The remaking of Hanoi as a capital of French empire from the end of the nineteenth century had unintended consequences. In the state-of-the-art sewers of the French/white areas of the city, rats found the perfect home. Then came the Third plague pandemic, the disease that travelled with rats and moved from one site to another around the globe…on railroads, ships, the growing networks of trade and empire. The Great Hanoi Rat Hunt mobilizes years of research about this episode in the city’s history, illustrating (literally!) the inherent contradictions of imperialism, and the complexities of domination and resistance in a colonial context. Framed as an undergraduate lecture that features the author as a character throughout the narrative, the book is set up with teaching in mind. In addition to the fascinating story of the rat hunt itself (and all the twists and turns involved), the volume includes a rich selection of primary sources and a series of contextual essays that will allow students to explore this history in a range of productive ways. An accessible book that is at once serious and fun, The Great Hanoi Rat Hunt was such a pleasure to read and to talk about. I hope listeners will enjoy my conversation with Mike as much as I did!

*Mike is also a host on New Books in History! Be sure to check out his interviews here on the network.

Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and its empire. She is the author of Future Tense: The Culture of Anticipation in France Between the Wars (2009). Her current research focuses on the history of French nuclear weapons and testing since 1945. Her most recent article, '"No Hiroshima in Africa": The Algerian War and the Question of French Nuclear Tests in the Sahara' appeared in the Spring 2019 issue of History of the Present. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send her an email ([email protected]).

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Spectrality disrupts and fissures our conceptions of time, unmaking and complicating binaries such as life and death, presence and absence, the visible and the invisible, and literality and metaphor. A contribution to current conversations in memory studies and spectrality studies, Mind the Ghost: Thinking Memory and the Untimely Through Contemporary Fiction in French (Liverpool UP, 2023) is an experiment in reading ghosts otherwise. It explores, through contemporary fiction in French, sites of textual haunting that take the form of names, lists, objects, photographs, and stains. 

The book turns to Jacques Derrida and Hélène Cixous to rethink what constitutes and functions as a ghost, proposing that this figure solicits readers’ investment in mnemonic practices. Considering the memories and legacies of violence that have marked the greater part of the twentieth-century – in Algeria, Bosnia, Croatia, France, and Rwanda – this book traces absences, disappearances and reappearances, textual omissions and untimely irruptions to posit literature’s power to both remember and communicate beyond the bounds of chronological time. Through close readings of recent fiction by Kaouther Adimi, Jakuta Alikavazovic, Gaël Faye, Jérôme Ferrari, Patrick Modiano, Lydie Salvayre, Leïla Sebbar, and Cécile Wajsbrot, Mind the Ghost articulates the mechanisms through which readers themselves become haunted.

Maureen G. Shanahan, J.D., PhD is Professor of Art History, School of Art, Design & Art History, James Madison University

Machine Modernisms, Masculinity, and the Trauma of War: The Art of Fernand Léger (Penn State University Press, May 2024).

Colonial Wounds / Postcolonial Repair, exhibition catalog (University of Virginia 2019)

Simón Bolívar: Travels and Transformations of a Cultural Icon (University Press of Florida 2016)

LINKED IN.

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Joséphine Bonaparte, future Empress of France; Térézia Tallien, the most beautiful woman in Europe; and Juliette Récamier, muse of intellectuals, had nothing left to lose. After surviving incarceration and forced incestuous marriage during the worst violence of the French Revolution of 1789, they dared sartorial revolt. Together, Joséphine and Térézia shed the underwear cages and massive, rigid garments that women had been obliged to wear for centuries. They slipped into light, mobile dresses, cropped their hair short, wrapped themselves in shawls, and championed the handbag. Juliette made the new style stand for individual liberty.

The erotic audacity of these fashion revolutionaries conquered Europe, starting with Napoleon. Everywhere a fashion magazine could reach, women imitated the news coming from Paris. It was the fastest and most total change in clothing history. Two centuries ahead of its time, it was rolled back after only a decade by misogynist rumors of obscene extravagance.

As Dr. Anne Higonnet shows in Liberty, Equality, Fashion: The Women Who Styled the French Revolution (Norton, 2024), new evidence allows the real fashion revolution to be told. This is a story for our time: of a revolution that demanded universal human rights, of self-creation, of women empowering each other, and of transcendent glamor.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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In the space of about two decades, five major parks were proposed, designed, and created in Paris. Some emerged from competitions between professional landscape architects, others were imagined by planners working for the city, all represented a shift in what Amanda Shoaf Vincent calls “post-modern” understandings of the role of parks and garden in the city. 

In Constructing Gardens, Cultivating the City: Paris's New Parks, 1977-1995 (U Pennsylvania Press, 2023), Vincent explores the development of parks as “cultural objects” in Paris’ urban landscape, helping students and scholars of urbanism, architecture, and social and cultural history understand how parks served not only as places where people could sit, read a book, or watch their children play, but also as places where new theories about leisure and life in the city played out. In our conversation, Vincent explains how she developed this study out of a broader interest in architecture and urban space and takes listeners through each of the major parks that are the focus of her book: from Maine-Montparnasse high above the Montparnasse train station on the Left Bank to Les Halles in the center of Paris to the Park de Bercy, just a short walk away from the Bibliotheque Nationale de France. Along the way, we talk about gardeners, ironwork, and a surprising lack of park scandals in the City of Light and learn to “take parks a little more seriously,” as Vincent herself has learned to do.

Amanda Shoaf Vincent is Associate Professor in the Department of French Studies at Wake Forest University. Her research focuses on the representation and production of designed spaces (from parks to gardens to cities and buildings) in twentieth and twenty-first century France. Her work has previously appeared in French Cultural Studies, Contemporary French and Francophone Studies, and Contemporary French Civilization, among other venues. 

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