Our bodies and brains are radically transformable, mutable and plastic. From the neuroplasticity of the brain to the epigenetic malleability of our bodies and of all organic life, the work of the contemporary French philosopher Catherine Malabou invites us to consider our plasticity as both a creative resource and an ethical challenge.

Catherine Malabou and Contemporary French Literature and Film: Witnessing Plasticity (Edinburgh UP, 2026) brings Malabou's philosophy into dialogue with contemporary literature and film. It reads conceptions of plasticity and neuroplasticity in Malabou through the mutant bodies of Leos Carax's films; the shape-shifting bodies of Marie Darrieussecq's novels and theatre; the terrifying, traumatic metamorphoses depicted in the fiction of Marie NDiaye; and the anarchic sexualities and identities celebrated in the cinema and writing of Alain Guiraudie. It argues that, in different ways, Malabou's philosophy and literary and filmic texts develop modes of bearing witness to plasticity which can supplement, challenge and extend scientific understandings of biological plasticity, constituting ethical and creative sites of exploration.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Despite being a major figure of Haitian literature, Jean-Claude Charles (1949-2008) has received relatively little scholarly attention to date. Jean-Claude Charles: A Reader's Guide (Liverpool UP, 2022) seeks to serve as an introduction to the work and universe of this unique and capital writer to an English-language readership. The essays in the collection are organized along three major axes: contextual articles, placing Charles' work within the larger Haitian literary landscape, punctual articles, addressing specific themes in a selection of Charles' books, and author testimonials, attesting to Charles' work's importance both to his contemporaries and to a new generation of writers. With the ongoing republication of Charles' work by Mémoire d'encrier in Montreal, and the increasing interest in the author, the proposed volume is timely and necessary, and is in large part a critical accompaniment to the republishing programme. Described by Dany Laferrière as "most brilliant Haitian author of his generation," Charles has until recently remained largely unread and little understood. As the various chapters in the volume show, Charles is an author for now, and the collection will accompany readers seeking strikingly original insights on issues such as race, migration, and exile, and the role of the author and literature in times of crisis.

Guest Eliana Văgălău is Associate Professor and director of the French program at Loyola University Chicago. Her research on francophone Caribbean literature and contemporary philosophy focuses on the relationship between aesthetics and politics, as well as on questions of transnationalism, diaspora, and sexuality. In addition to co-editing this volume, she has published articles on the work of authors such as Maryse Condé, James Noël, and Jean-Claude Charles. As a founding member of the Collectif Jean-Claude Charles, she dedicates much of her work to making visible the work of this fundamental Haitian author. She has published translations of literary and philosophical texts and is currently completing an essay on contemporary French Caribbean fiction. By teaching a course on Black Paris, her extensive collaborations with contemporary Black artists and writers living in France today, as well as serving as co-organizer of the Black Europe Symposium in 2023 at Loyola University Chicago, she has developed a secondary research interest in the city of Paris as a
chief site of Black transnational encounters.

Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progresson posthumanist ecological engagement in the surrealist movement.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Modern Paris is often hailed as a capital of urban infrastructure. Baron Georges-Eugène Haussmann’s rebuilding of Paris in 1853–1870, branded “Haussmannization,” helped define urban modernity for cities worldwide. But even as infrastructures expanded and modernized, some Parisians were left behind: as late as 1928, 18 percent of houses still lacked direct sewerage. Haussmannization often hid infrastructures behind walls and floors, under streets, or in peripheral districts. In the forty years after 1870, a period that Dr. Peter Soppelsa calls “secondary Haussmannization,” Parisians inverted them—revealed their hidden components to scrutinize their workings and costs for society, environment, and health—and in turn politicized them.

Drawing on French government archives, engineers’ maps, the illustrated press, and a collection of over 100 photographic postcards, in Paris After Haussmann: Living with Infrastructure in the City of Light, 1870–1914 (U Pittsburgh Press, 2026) Dr. Soppelsa charts the diverse embodied, emotional, and everyday experiences of living with expanding urban infrastructures—streets, housing, tramways, subways, the water supply, sewers, and rivers—in Paris from 1870 to 1914. Parisians learned that infrastructures were not simply technical solutions for the social and environmental problems of city life but could also bring about new dangers and dependencies.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Dangerous Creations: The Inventor Novel in Fin-de-siècle France (U Toronto Press, 2025) presents a master narrative of the inventor in fin-de-siècle French literature by analyzing the works of Jules Verne, Albert Robida, Émile Zola, and Villiers de l’Isle-Adam. Their writings challenge the role of science in shaping French national identity and aim to transform contemporary understandings of science and technology. The book reveals how Verne, Robida, Zola, and de l’Isle-Adam reimagine the figure of the inventor, reshaping the literary standards of their time. Universally male in these narratives, the inventor serves as a flawed exemplar of national heroism during the Age of Empire – a period marked by significant external threats and internal strife – while also embodying unrestrained creativity. Ultimately, the inventor novel reflects broader French anxieties surrounding scientific progress, empire, and gender. Ana Oancea explores the transmedia and transnational legacy of the fin-de-siècle inventor novel through vignettes that highlight similarly themed narratives in contemporary popular culture. These sections engage with films, television series, graphic narratives, and video games that reinterpret key aspects of the inventor narrative, shedding light on its power structures, racial and gender politics, and colonial aspirations.

Guest Ana Oancea is Associate Professor of French at the University of Delaware. Her research interests include the intersections of science and literature, adaptation studies, and visual culture. She has recently published articles in Forum for Modern Language Studies, Science Fiction Film and Television, and French Screen Studies.

Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progresson posthumanist ecological engagement in the surrealist movement.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

In the mid-1930s the amateur French ethnographer and filmmaker Bernard de Colmont ventured into the mountainous state of Chiapas to study the Lacandón people and broadcast their way of life to a curious European public. Considered a “lost tribe,” the Lacandón were thought to be the closest living relatives of the ancient Maya.
De Colmont became a celebrity explorer whose adventures generated considerable attention. The Lacandón themselves, however, were silenced in his tale. Nearly a century later, in In the Land of the Lacandón: A Graphic History of Adventure and Imperialism (McGill-Queen’s UP, 2025), Dr. Richard Ivan Jobs and Dr. Steven Van Wolputte have taken up this story in all its complexity, creating a graphic history from de Colmont’s narratives and images in the form of a heroic adventure comic. An essay contextualizing and historicizing the tale follows, as does an evocative, reflective poem by Tsotsil writer Manuel Bolom Pale, which offers an Indigenous perspective on the encounter. A captivating experiment in form, the book puts an immersive new spin on studying the past.
In the Land of the Lacandón illuminates de Colmont’s expedition against the backdrop of late imperialism on the eve of the Second World War in Europe. It investigates the history of exploration, science, and media, revealing how these narratives represented and constructed Indigenous Peoples for the public – and how such representations continue to resonate.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Written under the shadow of growing authoritarianism in the United States and Europe, this book is an effort to understand resistance movements of the twenty-first century. It foregrounds the Yellow Vests to present an accurate and timely picture of a protest movement that baffled analysts and blurred the boundaries of left and right.

Comprehensively exploring the meaning of “les Gilets Jaunes triompheront” (the yellow vests will win), written on the Arc de Triomphe in 2018, The Yellow Vests and the Battle for Democracy details how people of all ages, many from the provinces and the urban periphery, rushed through the Paris streets, breaking windows and braving tear gas, challenging the ruling class in extraordinary and unpredictable ways. Avoiding hierarchy and stable organization, and claiming a right to a territory or space that is between the private and the public, these protests imagined a different form of collectivity that is not commodified but established by the social practice of “commoning”—of momentarily linking protests in the streets and other spaces.

An essential book for activists and researchers on contemporary protest movements, this book offers crucial insight into the formation of protests and popular resistance and how social movements generate their own political and ideological character.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Today we are joined by Mattie Fitch, Associate Professor at Marymount University and author of The People, The Workers and the Citizens: Antifascist Cultures and the Popular Front in France, 1934-1939 (Routledge, 2026).

In our conversation, we discussed the way that antifascist culture undergirded the French Popular Front, the tensions between the Communists, Socialists, and Radical antifascist projects, and the ways that each Popular Front party of defined “the people.”

In The People, The Workers and the Citizens, Fitch explores Popular Front antifascist programs and the cultural work that illuminated their diverse visions for a “people’s government.” The book is thematic: in her first chapter, Fitch examines the Communists’ Maison de la Culture and the Fédération musicale populaire. The communist’s efforts to produce a worker’s culture successfully mobilized French national symbols in novel ways but had difficulties navigating between high and low culture.

By contrast, chapter 2 centres on Jean Zay and the Radicals. Zay’s influence abounded and he was willing to work with anyone in the Popular Front to see cultural access extended to all French citizens. Yet his vision of a civic nationhood clashed with his Communist and Socialist allies who privileged workers.

The most enigmatic were the Socialists. Although they were the largest party in the French National Assembly, Leon Blum’s party struggled to articulate an antifascist program that encompassed all of their voters. Their pacifism proved a problem in the context of a rising Nazi Germany, and they were squeezed between the increasing nationalism of the French Communists and the Radicals’ appeal to the working class.

Fitch’s analysis moves beyond earlier studies that focus mostly (or only) on Paris. In chapters 4 and 5, she looks at the antifascist activities of politicians in Marseille and Rouen and finds two very different Popular Fronts at work in the regions. In Marseille, working class politics dominate and an authentic endogenous Popular Front culture precedes directives from the capital. While in Rouen, extremely moderate Radicals battle working class activists on the other side of town.

Fitch’s work is compelling and shines a new light on the history of the Popular Front. It will be of interest to scholars of modern France and political culture.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

After the collapse of the National Socialist regime in May 1945, France became one of four principal occupying powers in a defeated Germany. Within their zone of occupation along the Upper and Middle Rhine, French occupiers participated in the Allied project to remake German society. In the process, they confronted the long history of Franco-German rivalry in the region and their country’s diminished power in the wake of World War II.
From Occupation to Integration: Recivilizing the French Zone of Post-Nazi Germany, 1945-1955 (LSU Press, 2026) by Dr. Drew Flanagan explores how French ideas about civilization and the civilizing process shaped the practice of occupation in the French Zone and the early stages of European integration. The French Zone was set apart from the other Allied zones by the occupiers’ belief that Nazi “barbarism” was deeply rooted in German culture and history. In seeking to transform the Germans along their border into acceptable partners for France within a united western Europe, the French occupiers applied aspects of France’s universal “civilizing” mission, adapting strategies and practices developed in the country’s overseas colonies to fit a European population.
Whether implementing counterinsurgency methods developed in French North Africa in the pacification and control of their zone or attempting to address what they perceived as the deep-rooted flaws of German culture through reeducation and propaganda, the French applied their civilizational thinking, using that vision to justify and guide the first postwar attempts at cross-border economic integration. Through both conflicts and cooperation with the German population, the French in occupied Germany negotiated a shared vision of western European civilization that they hoped would ensure French leadership in Europe.
In this engaging study, Dr. Flanagan deftly details and analyzes the entanglement between the Europeanization of the French Zone and decolonization in France’s empire, prompting readers to consider the continued impact of colonial and imperial ideas and practices on contemporary Europe and the European Union.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

What happens when we assume women’s presence in film history instead of their absence? This is the question at the heart of Archiving the Past: Women’s Film History in France, 1927–1978, the newest addition to the Feminist Media Histories book series at the University of California Press.

The first book by Aurore Spiers, Assistant Professor of Film and Media Studies at Texas A&M University, Archiving the Past is a fascinating account of some of the many women in France whose labor had a decisive role in the formation of cinema history across the twentieth century. Aurore shows that the film-historical archive has always been a site of feminist agency and power, even if women’s work in and around the archive has been diminished, interrupted, erased, or ignored.

In this conversation with fellow feminist film scholar Alix Beeston, Aurore shares about the historical, methodological, and political stakes of her work, from the archive to the classroom. She describes her process for discerning the traces of women’s archival labor, however fleeting, contingent, or speculative they may be. She reflects on how gendered ideas and norms have defined—and limited—our sense of what counts as film-historical labor. And she ruminates on what it means for feminist scholars, in and beyond film and media studies, to collect and recollect the past—for the sake of the feminist present and its still-possible futures.

Alix Beeston is Reader in Literature and Visual Culture at Cardiff University. She's the author of In and Out of Sight: Modernist Writing and the Photographic Unseen (Oxford UP, 2018) and the co-editor of the award-winning volume Incomplete: The Feminist Possibilities of the Unfinished Film (University of California Press, 2023).

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Huguenot Networks: Truth and Secrecy in Sixteenth-Century Europe (Cambridge UP, 2025), Penny Robert's latest book, takes us into the world of secret intelligence gathering during the French Wars of Religion. Robert's discovery of the interrogation record of a Huguenot merchant, Jean Tivinat, arrested in May 1570 for attempting to secretly carry letters to England, unspools into a broader story about the intersections between confessional affiliations, international affairs, knowledge, trust, and networking in a tumultuous time. As she argues, clandestine communication was crucial to maintaining ties amongst a widely dispersed and threatened religious community. Huguenot Networks is a lively read and sure to appeal to anyone interested in the history of espionage, Huguenots, international affairs in Elizabethan England, or the French Wars of Religion.

Elspeth Currie is a PhD Candidate in the Department of History at Boston College where she studies women’s intellectual history in early modern Europe.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies