New Books in Historical Fiction

New Books in Historical Fiction

By Marshall PoeArts
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New Books in Historical Fiction episodes

  • Alan Geik, “Glenfiddich Inn” (Sonador Publishing, 2015)

    Boston in 1915 is a town on the move. Prohibition creates opportunities for corruption and evasion of the law. Stock scandals and political machinations keep the news wires humming. Women agitate for the vote, socialists for the good of the common man. A new sports phenomenon, the nineteen-year-old Babe Ruth, sparks enthusiasm for the local team by hitting one home run after another. A new invention called radio hovers on the brink of a technological breakthrough that threatens the established newspaper business.

    Over it all hangs the shadow of what will soon be known as the Great War. Boston, like most US cities of the time, has large populations of Germans and Irish that do not want to see their country fighting alongside Great Britain and France. Meanwhile, thousands of young men die daily in the trenches, and the RMS Lusitania sinks off the coast of Ireland, torpedoed by a German submarine captain who believes (perhaps rightly) that the British have stocked it with hidden munitions.

    Through the overlapping stories of the Townsend and Morrison families in Glenfiddich Inn (Sonador Publishing, 2015), Alan Geik weaves these disparate threads into a compelling portrait of early twentieth-century Boston and New York.

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    49 min
  • Erika Johansen, “Queen of the Tearling” (HarperCollins, 2014)

    Once in a while, we here at New Books in Historical Fiction like to branch out. This month’s interview is one example. Erika Johansen‘s bestselling Queen of the Tearling (HarperCollins, 2014) blends past and present, history and fantasy, to create a future world that by abandoning its advanced technology (including, by accident, medicine) has reverted to a society that more resembles the fourteenth century than the twenty-fourth.

    The world of the Tearling is not exactly the Middle Ages revived. The inhabitants know that life was once different, even though books have become scarce and computers nonexistent. They have learned the story of the Crossing, when a few thousand dreamers disgusted with the social stratification and environmental pollution around them decided to leave it all behind and start again on the other side of the Atlantic. And their idealistic young queen, Kelsea–raised in hiding to protect her from the savage politics of the center–yearns to restore her realm to the democratic and egalitarian principles of the founders. Assuming, of course, that she can survive on the throne long enough to establish her right to rule.

    But treachery threatens Kelsea from within and without, by means military and magical. The greatest danger comes from Mortmesne, the kingdom to the east, where the Red Queen has ruled for more than a century. Kelsea’s first action as queen puts her on a headlong collision course with the Red Queen, with consequences that play out in book 2, The Invasion of the Tearling, due for release in June.

    In The Queen of the Tearling, Erika Johansen has created a thought-provoking and entertaining coming-of-age saga that both historical fiction and science fiction fans can enjoy.

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    50 min
  • Sally Cabot Gunning, “Satucket Trilogy” (William Morrow, 2011)

    In this podcast I talk with author Sally Cabot Gunning about law in the Satucket Trilogy: The Widow’s War, Bound, and The Rebellion of Jane Clarke (Harper 2006, 2008, 2010). Gunning is an accomplished writer of mystery novels and historical fiction set in eighteenth-century America. By bringing to life important pieces of America’s legal past, her stories encourage a wide audience to wrestle with a diverse array of legal theories.

    Some of the topics discussed include:

    * Colonial jurisprudence

    * The legal status of women in puritan New England

    * Indentured servitude

    * Infanticide trials

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    1 hr 3 min
  • George Stein, “Sing Before Breakfast: A Novel of Gettysburg ” (George Stein, 2012)

    From July 1 to July 3, 1863, the fields around the small town of Gettysburg, Pennsylvania, were the site of an intense battle involving more than 160,000 men from the Union and Confederate armies, almost one-third of whom did not survive the campaign. Although the war continued for two more years, in the minds of many analysts past and present, Gettysburg marked the turning point of the conflict. Any schoolchild has heard of–perhaps been required to memorize–President Abraham Lincoln’s memorial address to the fallen, delivered on November 19, four months after the battle.

    George Stein’s Sing before Breakfast: A Novel of Gettysburg (George Stein, 2012) explores the experience of living through those three cataclysmic days from the perspective of Reis Bramble, a twelve-year-old Pennsylvania farm boy who finds himself caught between the battle lines with his horse and his dog. General Meade asks Reis to serve as a scout for the Union Army, since the boy’s knowledge of the local area gives him an advantage over the invading troops. Reis accepts without hesitation, but the reality of war soon undermines his boyish enthusiasm for the fight. Years later, Reis, looking back on the notes he took during and right after the battle, reflects on the lessons he learned about war, peace, and humanity. Like so many who lived through the Civil War, Reis Bramble realizes that the brutality he witnessed in July 1863 has marked him in ways that he can never erase.

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    45 min
  • Susan Follett, “The Fog Machine” (Lucky Sky Press, 2014)

    Even without the almost daily headlines reporting racial injustice in Ferguson, New York City, Cleveland, Madison, and elsewhere, it would be difficult to grasp that fifty years have already passed since the March from Selma to Montgomery to protest discrimination against African-Americans. Events that take place in our own lifetimes or the lifetimes of someone we know do not seem like history, and recent Supreme Court decisions combined with the incidents that populate those headlines raise questions about the stability of the gains made during the Civil Rights Movement as well as the long path that the United States has yet to travel before it achieves its dream of equality for all.

    In The Fog Machine (Lucky Sky Press, 2014), Susan Follett recreates the years before the March from Selma, before the Civil Rights Act of 1964 and the Voting Rights Act of 1965. Her book begins in the Deep South, still clinging to its Jim Crow laws, then moves to the Midwest in an exploration of prejudice both overt and covert and of the forces that promote change in individuals and in societies. The novel opens with Joan, a seven-year-old white girl in Mississippi desperate to fit in. Part of fitting in involves humiliating C. J., who cleans Joan’s family’s house and babysits once a week. When C. J. then leaves for Chicago, Joan is devastated. Surely her cruelty must be to blame.

    But C. J. has her own reasons for leaving. Chicago welcomes her even as it confines her in a box labeled “live-in maid.” C. J. can’t imagine protesting this treatment; her parents have convinced her that safety means keeping her place. But as the 1950s give way to the 1960s, her friends from home question the wisdom of accepting the status quo. A man named Martin Luther King, Jr., is preaching civil disobedience. A boy named Zach is urging C. J. to help him change the world. And when Zach decides to take part in the Freedom Summer of 1964, C. J., too, wonders whether safety is the only thing that counts.

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    1 hr 9 min
  • Ann Swinfen, “The Testament of Mariam” (Shakenoak Press, 2014)

    In a town in eastern Gallia, circa 65 AD, an old woman learns that she has lost the last of her siblings, a man she has not seen for thirty years. The news propels her back into memories of her past as Mariam, the rebellious young daughter of a carpenter in Galilee and her experiences with her family, including her oldest brother, Yeshûa–the New Testament’s Jesus of Nazareth.

    Yeshûa struggles to find his place and his mission in Roman-occupied Judah, a hotbed of unrest where Galileans are especially suspect. For a while, he lives among the Essenes, where he masters their medical knowledge, but after a year he realizes that his low social standing limits his advancement within the order. The Essenes’ philosophy is, in any case, too restrictive for him. Yeshûa returns home, determined to aid the poor as a healer and a teacher. But his neighbors, and even his own family, have little sympathy for Yeshûa in this new role. So he sets off on a journey that will lead him to the Sea of Galilee and on to Jerusalem and a fateful confrontation with Roman power. Throughout this journey with all its doubts, failures, and successes, he is accompanied by Mariam and her betrothed, who is also her brother Yeshûa’s best friend, Yehûdâ Kerioth–Judas Iscariot.

    In lucid and captivating prose, Ann Swinfen traces the story of Yeshûa the Galilean as he and his sister Mariam travel through the first-century Levant in pursuit of his destiny. The Testament of Mariam (Shakenoak Press, 2014) contrasts this story with the heroine’s life in old age to present new and compelling insights into the familiar Gospel story.

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    55 min
  • Alix Christie, “Gutenberg’s Apprentice” (HarperCollins, 2014)

    From sixteenth-century Venice we move back a century and travel north to Mainz, Germany, where a “madman” named Johannes Gutenberg has invented a radical new method of making books. Like any technological genius, Gutenberg needs venture capitalists to finance his workshop and skilled craftsmen and designers to turn his ideas into reality. He finds a financier in Johann Fust, a wealthy merchant and seller of manuscript books. Indirectly, this relationship also brings in a new craftsman when Fust calls his adopted son, Peter Schaffer, back from Paris, where Peter is making his name as a scribe, and forces him to become Gutenberg’s apprentice.

    Like many people in the early days of printing, Peter is initially repelled by the ugliness and the mechanical appearance of books produced using movable type, an invention that to him seems more satanic than divinely inspired. But Fust will not release Peter from his apprenticeship, and the young scribe is soon learning to man the press and cut type as Gutenberg embarks, in secret, on the creation of the massive Bible with which his name will henceforth be linked. As he works, Peter too comes to appreciate–and in time to enhance–the beauty of printed books. Publication, though, takes longer and proves more difficult than anyone has expected. As the process drags on, tempers fray and tension rises, quire by quire.

    Alix Christie apprenticed twice as a letterpress printer, and her experience informs and enriches Gutenberg’s Apprentice (HarperCollins, 2014). In this interview, we also talk about the ongoing transition from print to electronic books, what will tip the balance, and how our understanding of the first great technological revolution in books may prepare us for the second.

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    56 min
  • Laura Morelli, “The Gondola Maker” (Laura Morelli, 2014)

    As the son and heir to the workshop of sixteenth-century Venice’s premier gondola maker, Luca Vianello has his career, his marriage, and his place in society mapped out for him. True, his stern father still grieves for Luca’s older brother who died in childhood. And Luca’s left-handedness–viewed in Renaissance Europe as sinister, even demonic–provokes blows from his father even as it causes him to lag behind his younger brother in developing his skills. But it is only when tragedy shoots Luca out of his family’s boat-building business altogether that he can envision the possibility of change.

    Through luck, Luca lands a position in another Venetian boatyard, far less prosperous than the workshop to which he was born. He loads boxes, succeeds as an errand boy, and befriends an older, more experienced gondolier determined to introduce Luca to the charms of wine, women, and on-the-side deals. Before long, Luca has become the private boatman of Master Trevisan, painter to Venice’s elite. There Luca encounters  both the beautiful Giuliana Zanchi (and Trevisan’s portrait of her) and the abandoned, broken-down gondola that will become his personal restoration project.

    Laura Morelli is an art historian and the author of, among other nonfiction works, Made in Italy and Artisans of Venice. In her award-winning debut novel, The Gondola Maker (Laura Morelli, 2014), she draws on her extensive knowledge of the Venetian past and present to recreate a lost fictional world that will astonish you with its rich, varied, endlessly fascinating detail.

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    44 min
  • Phillip Margolin, “Worthy Brown’s Daughter” (Harper, 2014)

    The year is 1860, months before the outbreak of the U.S. Civil War. Officially, slavery does not exist in Oregon, but the brand-new U.S. state has no compunction about driving most African-Americans out of its territory and violating the civil rights of the few permitted to remain. Worthy Brown, once a slave, has followed his master from Georgia on the understanding that he and his daughter will receive their freedom in return for helping their master establish his homestead near Portland. Indeed, the master, Caleb Barbour, does emancipate Worthy Brown as agreed. But he refuses to let go of Worthy’s fifteen-year-old daughter.

    Worthy’s options for securing his daughter’s release are limited, but he obtains support from Matthew Penny, a recently widowed young lawyer just arrived from Ohio. Alas, Caleb Barbour is also a lawyer, wealthier and better connected than Matthew, and their clash of personalities unleashes a series of events that threatens not only their own lives but those of Worthy and his daughter. In 1860, Oregon is, after all, a state where even the local circuit judge relies on his pistol as much as or more than his law books.

    Phillip Margolin, a former criminal defense lawyer, turns his attention to the past in Worthy Brown’s Daughter (Harper, 2014). Although the story is loosely based on an actual law case from the Oregon Territory, the twists in the plot are Margolin’s own–and, as one would expect from the author of numerous bestselling contemporary literary thrillers, those twists and turns will keep you on the edge of your seat.

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    56 min
  • Nadia Hashimi, “The Pearl That Broke Its Shell” (William Morrow, 2014)

    Women in the Western world take many things for granted: the right to an education and a career, to walk in the street unaccompanied, to make personal decisions, to choose a marriage partner–or whether to marry at all.

    Female characters in historical fiction seldom enjoy such control over their own lives. Even today, as Nadia Hashimi shows in The Pearl That Broke Its Shell (William Morrow, 2014), the lives of women in rural Afghanistan remain as constrained by traditional demands as they were centuries ago. Afghanistan is far from the only place where such a statement applies.

    Yet this restricted cultural space includes customs that temporarily allow girls to live as boys or women as men. Male dominance of society can, it seems, withstand the cross-dressing of individual females. Through the lives of two young women living a century apart–Rahima, whose family turns her for a while into the son her mother did not have, and her great-great-grandmother Shekiba, ordered to don men’s clothes and guard the king’s harem–Hashimi explores the contradictions of gender stereotypes, the power of tradition, and the lessons of her own heritage.

    What is given can also be taken away, and Rahima and Shekiba are soon forced to live as wives and mothers after experiencing the greater freedom and authority granted to men. As they struggle to retain their sense of themselves in a world determined to return them to their place, each of the women must decide whether to adapt or to escape.

    “Seawater begs the pearl to break its shell,” wrote the thirteenth-century poet Rumi. This lyrical, passionate, uncompromising novel reveals the undying power of the human spirit even in the harshest of circumstances. It should be on everyone’s list.

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    51 min

About New Books in Historical Fiction

From the publisher's feed

This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field.

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