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Boston in 1915 is a town on the move. Prohibition creates opportunities for corruption and evasion of the law. Stock scandals and political machinations keep the news wires humming. Women agitate for the vote, socialists for the good of the common man. A new sports phenomenon, the nineteen-year-old Babe Ruth, sparks enthusiasm for the local team by hitting one home run after another. A new invention called radio hovers on the brink of a technological breakthrough that threatens the established newspaper business.
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Once in a while, we here at New Books in Historical Fiction like to branch out. This month’s interview is one example. Erika Johansen‘s bestselling Queen of the Tearling (HarperCollins, 2014) blends past and present, history and fantasy, to create a future world that by abandoning its advanced technology (including, by accident, medicine) has reverted to a society that more resembles the fourteenth century than the twenty-fourth.
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In this podcast I talk with author Sally Cabot Gunning about law in the Satucket Trilogy: The Widow’s War, Bound, and The Rebellion of Jane Clarke (Harper 2006, 2008, 2010). Gunning is an accomplished writer of mystery novels and historical fiction set in eighteenth-century America. By bringing to life important pieces of America’s legal past, her stories encourage a wide audience to wrestle with a diverse array of legal theories.
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From July 1 to July 3, 1863, the fields around the small town of Gettysburg, Pennsylvania, were the site of an intense battle involving more than 160,000 men from the Union and Confederate armies, almost one-third of whom did not survive the campaign. Although the war continued for two more years, in the minds of many analysts past and present, Gettysburg marked the turning point of the conflict. Any schoolchild has heard of–perhaps been required to memorize–President Abraham Lincoln’s memorial address to the fallen, delivered on November 19, four months after the battle.
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Even without the almost daily headlines reporting racial injustice in Ferguson, New York City, Cleveland, Madison, and elsewhere, it would be difficult to grasp that fifty years have already passed since the March from Selma to Montgomery to protest discrimination against African-Americans. Events that take place in our own lifetimes or the lifetimes of someone we know do not seem like history, and recent Supreme Court decisions combined with the incidents that populate those headlines raise questions about the stability of the gains made during the Civil Rights Movement as well as the long path that the United States has yet to travel before it achieves its dream of equality for all.
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In a town in eastern Gallia, circa 65 AD, an old woman learns that she has lost the last of her siblings, a man she has not seen for thirty years. The news propels her back into memories of her past as Mariam, the rebellious young daughter of a carpenter in Galilee and her experiences with her family, including her oldest brother, Yeshûa–the New Testament’s Jesus of Nazareth.
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From sixteenth-century Venice we move back a century and travel north to Mainz, Germany, where a “madman” named Johannes Gutenberg has invented a radical new method of making books. Like any technological genius, Gutenberg needs venture capitalists to finance his workshop and skilled craftsmen and designers to turn his ideas into reality. He finds a financier in Johann Fust, a wealthy merchant and seller of manuscript books. Indirectly, this relationship also brings in a new craftsman when Fust calls his adopted son, Peter Schaffer, back from Paris, where Peter is making his name as a scribe, and forces him to become Gutenberg’s apprentice.
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As the son and heir to the workshop of sixteenth-century Venice’s premier gondola maker, Luca Vianello has his career, his marriage, and his place in society mapped out for him. True, his stern father still grieves for Luca’s older brother who died in childhood. And Luca’s left-handedness–viewed in Renaissance Europe as sinister, even demonic–provokes blows from his father even as it causes him to lag behind his younger brother in developing his skills. But it is only when tragedy shoots Luca out of his family’s boat-building business altogether that he can envision the possibility of change.
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The year is 1860, months before the outbreak of the U.S. Civil War. Officially, slavery does not exist in Oregon, but the brand-new U.S. state has no compunction about driving most African-Americans out of its territory and violating the civil rights of the few permitted to remain. Worthy Brown, once a slave, has followed his master from Georgia on the understanding that he and his daughter will receive their freedom in return for helping their master establish his homestead near Portland. Indeed, the master, Caleb Barbour, does emancipate Worthy Brown as agreed. But he refuses to let go of Worthy’s fifteen-year-old daughter.
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Women in the Western world take many things for granted: the right to an education and a career, to walk in the street unaccompanied, to make personal decisions, to choose a marriage partner–or whether to marry at all.
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