New Books in Historical Fiction

By Marshall PoeArts

New Books in Historical Fiction episodes

January 17, 2014 Lee Smith, “Guests on Earth” (Algonquin Books, 2013)
On the night of March 9, 1948, fire consumed the Central Building at the Highland Mental Hospital in Asheville, North Carolina. Although people at the time recognized that the fire had been set, the local police department never identified the arsonist. Among the nine women who died on a locked floor at the top of building was Zelda Fitzgerald, the wife (by then, widow) of the writer F. Scott Fitzgerald. Zelda’s storybook life had led her from the Beauty Ball of Montgomery, Alabama, to marriage at seventeen and the joys and excesses of the Jazz Age (a term coined by her husband). But the early 1930s brought repeated hospitalizations for schizophrenia. Whenever possible, Zelda wrote and painted and danced, yet she remains known to history primarily as the inspiration for Daisy Buchanan and other rich, spoiled, shallow Fitzgerald heroines.
In Guests on Earth (Algonquin Books, 2013), Lee Smith sets out to correct our images of Zelda. In doing so, she raises questions of what it means to be “crazy,” to be called crazy even if you just do a poor job of fitting in with society’s expectations, or to stand by–as family members must–while their loved ones are taken away to institutions and subjected, if with the best of intentions, to barbaric treatments that represent the “progressive” wisdom of the day. What kind of lives can these “guests on earth”–in Scott Fitzgerald’s words, “eternal strangers carrying around broken decalogues that they cannot read”–construct in their moments of lucidity?
The characters in this novel–especially the narrator of the story, a young woman from New Orleans named Evalina Toussaint–exemplify both the ease with which we categorize people whose thinking we don’t understand and the extent to which we do so in error. In 1936, at the age of thirteen, Evalina responds to the death of her mother and brother by refusing to eat and by burning her arms. As a result, she spends the rest of her girlhood and much of her young womanhood as a patient, and ultimately a staff member, at Highland Hospital. There she meets Zelda Fitzgerald, together with a cast of troubled misfits, and herself spends some time on the locked floor of the Central Building. But Evalina also learns to play the piano at Highland, and her skills as an accompanist first take her away from the asylum, then bring her back. By the time you finish her story, you will understand why Lee Smith asks, “Are we not, in the end, all ‘guests on earth’?”
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59 min
December 18, 2013 James Forrester, “Sacred Treason” (Sourcebooks, 2012)
London, December 1563. Elizabeth I–Gloriana, the Virgin Queen–has ruled England for five years, but her throne is far from secure. Even though Elizabeth succeeded her half-sister Mary, the idea of a woman sovereign still troubles much of the populace. And although the burnings of Protestants at Smithfield ceased with Elizabeth’s accession, religion remains a source of dissatisfaction and uncertainty. Catholics, once protected by the crown, find themselves subject to unwarranted search and seizure, to having their ears nailed to the pillory or sliced from their heads, to arrest and confinement in the Tower on the merest suspicion of intent to foment unrest. Not all the plots are imaginary, either: several rebellions with religious overtones punctuate Elizabeth’s reign.
Amid this atmosphere of mistrust, William Harley, Clarenceux King of Arms, sits in the light of a single candle, listening to the rain outside his study window, his robe pulled tight against the December chill. A knock on the door sparks in him the fear that would later be familiar to victims of the Soviet secret police: who would demand entrance after curfew other than government troops bent on hauling him in for his allegiance to the pope? But the queen’s forces cannot be denied, so with considerable trepidation Clarenceux orders his servant to open the door.
In fact, his visitor is a friend, a betrayed man facing death and determined to pass on his secret mission to Clarenceux. In accepting, Clarenceux has no idea that the mission places at risk his life, his health, his family, his friends, and the safety of the realm. The price of loyalty is high, and betrayal lurks in every corner.
The Clarenceux Trilogy, which continues with The Roots of Betrayal and The Final Sacrament, is the work of James Forrester, the pen name of the historian Ian Mortimer, author of The Time Traveler’s Guide to Elizabethan England. His novels wear their history with lightness and panache: Sacred Treason (Sourcebooks, 2012) will pull you into Elizabethan London, and you will not want to leave. Enjoy the ride.
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1 hr 1 min
November 19, 2013 Carol Strickland, “The Eagle and the Swan” (Erudition Digital, 2013)
In 476 CE, according to the chronology most of us learned in school, the Roman Empire fell and the Dark Ages began. That’s how textbook chronologies work: one day you’re studying the Romans, and next day you’re deep in early feudal Europe, as if a fairy godmother had waved a magic wand.
Reality is more complex. The Fall of Rome affected only the western territories of that great world power, which had in fact been weakening for some time. The Eastern Roman Empire–later known as Byzantium or the Byzantine Empire–survived for another thousand years. Recast under Turkish rule as the Ottoman Empire, it lasted five hundred years more.
But the Eastern Roman Empire endured shocks and fissures of its own, and its survival was far from assured. Under the rule of Emperor Justinian I and his empress, Theodora, it entered a crucial phase. Justinian began life as a swineherd, Theodora as a bear keeper’s daughter, yet they fought their way to the pinnacle of power in Constantinople and, once there, established a new set of governing principles that for a while almost restored the empire that Rome had lost. In The Eagle and the Swan (Erudition Digital, 2013), Carol Strickland traces the first part of Justinian’s and Theodora’s journey. Listen in as she takes us through the circuses, streets, brothels, monasteries, and churches of early sixth-century Byzantium, all the way to the imperial court.
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54 min
October 18, 2013 Yangsze Choo, “The Ghost Bride” (HarperCollins, 2013)
Malaya, 1893. Pan Li Lan, a beautiful eighteen-year-old, has watched her Chinese merchant family decline since the death of her mother from smallpox during Li Lan’s early childhood. Her father lives in isolation and smokes too much opium: bad for business, as anyone can see from the decaying surroundings of their Malacca estate.
Li Lan knows that her prospects of finding a husband are poor. Still, she does not expect her father to offer a dead man as bridegroom–even one whose family promises to keep her in luxury for the rest of her life. When Li Lan’s would-be husband begins to haunt her dreams–and she falls for his cousin in reality–her desperation to escape leads her on a journey through the Chinese afterlife, searching for the key that will free her from a marriage she dreads. But she slowly realizes that to succeed, she must uncover the secrets of her past … and her prospective groom’s.
The Ghost Bride (HarperCollins, 2013) opens a window on a fascinating and little-known world in which a spunky young woman tests the boundaries of her traditional middle-class existence in pursuit of a better future. Yangsze Choo brings Li Lan and her family to vivid life, then spins them off into a mirror society with rules eerily familiar yet utterly strange. It’s a journey well worth taking.
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1 hr 1 min
September 23, 2013 Virginia Pye, “River of Dust” (Unbridled Books, 2013)
Few possibilities terrify parents more than the kidnapping of a child. Guilt, grief, helplessness, anger, and immobilizing fear mingle to create an emotional stew with a mix of ingredients that varies just enough from person to person to reveal the cracks in once-solid relationships, leaving individuals struggling alone–and often against each other. If the parents are, in addition, early twentieth-century missionaries in a great and ancient land hidden from them as much by their own cultural arrogance and misperceptions as by the unfamiliarity of the terrain, such a crisis raises additional questions: Has my God forsaken me? Have I sinned against Him? Is the husband I considered the master of my soul capable of guidance, or does he in fact require my assistance to find his way home?
Virginia Pye in her luminous debut novel, River of Dust (Unbridled Books, 2013), explores these questions and more through the reactions of Grace Watson and her husband, the Reverend John Wesley Watson, to the abduction of their son by Mongolian nomads in northwest China in 1910. Grace and her husband are committed to their separate missions–he to converting the Chinese to Christianity, and she to supporting him. Yet the prejudices of their time and station bind them, even as their differing responses to the loss of Wesley drive them apart–until, in a dusty, drought-ridden land as barren as their lives have become, Grace finds the courage to change.
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57 min
August 19, 2013 Janet Kastner Olshewsky, “The Snake Fence” (Quaker Bridge Media, 2013)
Sixteen is a difficult age, lodged somewhere between childhood and adulthood. In 1755, young Noble Butler has just finished his apprenticeship as a carpenter, and he wants nothing more than to undertake more advanced training as a cabinetmaker (qualified to produce the beautiful furniture characteristic of prerevolutionary North America). But no one in Philadelphia will take him on as a prospective craftsman unless he can provide his own woodworking tools, and for that he needs cash. Noble has no money, and his father has a clear vision of his sons’ futures: expand the family farm and save craftsmanship for the off-season, when the family will need it to help the farm survive.
But Noble has no desire to spend his life under Pa’s thumb. He sees a way out of his dilemma when Benjamin Franklin advertises for farmers to supply the troops fighting French and LenapÃ© warriors on the frontier. Presented with a moneymaking opportunity, Pa reluctantly agrees that Noble may volunteer and keep half his salary, so long as his older brother Enoch agrees to accompany the wagon. Pa doesn’t trust Noble, at sixteen, to bring horses, wagon, and cargo back safely.
So Noble sets off along a war-torn trail that will test both his Quaker principles and his determination to define his own life, whatever his father’s plans for him may be.
Janet Kastner Olshewsky‘s The Snake Fence (Quaker Bridge Media, 2013) is the first Young Adult (YA) novel to be featured on New Books in Historical Fiction. For more information and a sample chapter, check out Janet Olshewsky’s website.
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52 min
July 22, 2013 Marie Macpherson, “The First Blast of the Trumpet” (Knox Robinson Publishing, 2012)
There’s nothing quite like sitting down to write a novel about a man who, to quote Marie Macpherson, is blamed for “banning Christmas, football on Sundays,” and the like. What is one to do with such a subject, never mind making him interesting and sympathetic? Yet this is exactly what The First Blast of the Trumpet (Knox Robison Publishing, 2012) does for John Knox–best known as the dour misogynist who spearheaded the Scottish Reformation.
Macpherson approaches Knox sideways through the character of Elizabeth Hepburn, a reluctant nun installed at the uncanonically young age of 24 as prioress of St. Mary’s Abbey to ensure the continued dominance of the earls of Bothwell (whose family name was Hepburn) over the abbey and its resources. Elizabeth’s determination to craft a life that suits her never wavers, despite the conflicting claims of her family, the lure of court politics, and the opposition of a male clergy bent on keeping women in their place. This wonderfully researched novel mixes history and fiction to reveal Scotland during its last century of independence in all its complexity, depravity, and richness; and as Elizabeth’s career increasingly intertwines with the childhood and youth of John Knox, the need for reform in the Scottish Catholic Church becomes ever clearer.
The First Blast of the Trumpet is volume 1 of The Knox Trilogy.
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57 min
June 18, 2013 B. A. Shapiro, “The Art Forger” (Algonquin Books, 2012)
Claire Roth can’t believe her luck when the owner of Boston’s most prestigious art gallery offers her a one-woman show. Of course, there’s a catch: he asks her to copy a painting. A small price to pay to revive her stalled career, Claire thinks–until she discovers that the painting in question is Degas’s After the Bath, stolen from the Isabella Stewart Gardner Museum as part of the greatest art heist in history.
But as Claire wrestles with her conscience and tackles the Degas, she begins to suspect that the painting is no more “original” than her reproduction. Who forged it, and how has the imitation defied detection for so long? The answers depend on another moral line crossed more than a century ago.
The Art Forger (Algonquin Books, 2012) has as many layers as one of Claire’s paintings. Join us as B. A. Shapiro talks about boundaries and choices, forgery and art, celebrity and value, the viewpoint of a visual artist, the trials of publishing and the joys of writing a bestselling novel–and “Belle” Gardner, who once walked lions down a Boston street and shocked the stuffy Brahmins with her low-cut gowns.
Note that the present-day portion of The Art Forger takes place in 2011, not in 1991, as mentioned in the interview.
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53 min
May 24, 2013 Laurie R. King, “Garment of Shadows” (Bantam Books, 2012)
Morocco in 1924 has political factions to spare. A rebellion in the Rif Mountains threatens to oust Spain from its protectorate in the north–a response to Spanish mistreatment of the local population, itself driven by the desire to avenge seven centuries of Moorish domination. The Germans worry about the iron mines barred to them by the revolt. South of the mountains, the French fight in vain to defend a line drawn without regard to traditional tribal or geographical boundaries. Britain fears that it will lose access to the Mediterranean if the French succeed. Meanwhile, the Rifi, under the leadership of the Abd-el-Krim brothers, are not the only leaders determined to rule an independent Morocco. The corrupt but charismatic Raisuli (al-Raisuni) has no intention of standing aside for a pair of military upstarts, however gifted.
Into this hotbed of unrest strolls a moving picture crew intent on filming the desert at sunrise. The crew includes Mary Russell, the wife and partner of Sherlock Holmes. When the great detective himself returns from a side trip to discover that Mary was last seen days before, heading into the mountains in the company of an unknown child, her unexplained absence pulls Holmes and Russell into a web of threads that criss-cross to create a true garment of shadows.
Join me as I discuss Garment of Shadows (Bantam Books, 2012)–the latest wonderful addition to Mary Russell’s memoirs–with Miss Russell’s faithful literary agent, Laurie R. King.
Mary Russell Holmes has her own blog, which she maintains with some regularity as new volumes of her adventures appear. She has been supplying her agent with manuscripts for some time: the first volume is The Beekeeper’s Apprentice. To find out why Russell abandoned the hallowed halls of Oxford to work for Flytte Films, read The Pirate King, the previous book in the series. Either way, seek her out. You will not regret the decision.
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51 min
April 22, 2013 William B. McCormick, “Lenin’s Harem” (Knox Robinson, 2012)
One night in the Russian imperial province of Courland, an eleven-year-old boy more than a little drunk on his parents’ champagne slips away from his aristocratic manor and heads for the village that houses his family’s Latvian farmhands. It is Christmas 1905, two months after Emperor Nicholas II of Russia’s October Manifesto has turned his autocracy into the semblance of a constitutional monarchy, and the subject peoples of his empire are restive. In Courland, a province governed by Baltic barons who descend from the thirteenth-century chivalric orders of the Teutonic and Livonian Knights, that hope for change centers on the populace’s desire for independence from its German overlords–even more than from the Russian Empire itself.
Thus begins the story of Wiktor Rooks, a Baltic German boy who soon sees his family’s estate burned, its ancestral property lost, and his own future compromised. Wiktor yearns for the academic life, but family tradition requires him, as a second son, to become a soldier. He joins the Russian imperial army, which assigns him to spy on a unit full of Latvian soldiers fighting to rid themselves of men like him. Slowly he wins their trust, and the friendships he forms there–and the wartime atrocities he witnesses–send him into the ranks of the Latvian Red Riflemen. By 1918, he is guarding the new Soviet government.
When Latvia achieves its independence in 1921, Wiktor’s fortunes change again, and he returns to the land of his birth. There he strives, once and for all, to overcome his past as the second son of a Baltic baron. But soon the forces of Hitler’s Germany and Stalin’s Russia are massing, and tiny Latvia stands smack in their way.
Follow William Burton McCormick as he leads us along a less well-trodden but nonetheless fascinating historical path in his discussion of Lenin’s Harem. (Knox Robinson Publishing, 2012).
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56 min

About New Books in Historical Fiction

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This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field.

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