While premodern kabbalistic texts were not chronicles of historical events, they provided elaborate models for understanding the secret divine plan guiding human affairs. Hartley Lachter analyzes innovative kabbalistic doctrines, such as the idea of reincarnation and the notion of multiple successive universes, through which Jewish mystics sought to demonstrate that the misfortunes of Jewish history were in fact necessary steps toward redemption.

Lachter argues that these works, mostly composed between the early 14th century and the generation affected by the Spanish expulsion in the early 16th century, enabled Jewish readers to make sense of the troubling misfortunes of their own time. Kabbalah and Catastrophe: Historical Memory in Premodern Jewish Mysticism (Stanford UP, 2024) uncovers the remarkable variety of ways that kabbalists deployed esoteric tradition to argue that God had not abandoned the Jews to the inscrutable forces of history. Instead, they suggested to readers that Jews are history's primary actors, and that despite their small numbers and lack of military power, Jews nonetheless secretly push history forward. For scholars of Jewish mysticism and medieval Jewish history, Lachter articulates how premodern mystical texts can be crucial sources of insight into how Jews understood the meaning of history.

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Famous today for the shops lining its sloped street, the Ponte Vecchio is the last premodern bridge spanning the Arno River at Florence and one of the few remaining examples of the once more prevalent urbanized bridge type.

Drawing from early Florentine chronicles and previously unpublished archival documents, The Ponte Vecchio: Architecture, Politics, and Civic Identity in Late Medieval Florence (Brepols, 2024) by Dr. Theresa Flanigan traces the history of the Ponte Vecchio, focusing on the current bridge’s construction after the flood of 1333. Much of the Ponte Vecchio’s original fourteenth-century appearance is now obscured beneath later accretions, often mistakenly interpreted as original to its medieval character. To the contrary, as argued in this book and illustrated by new reconstruction drawings, the mid-trecento Ponte Vecchio’s vaulted substructure was technically advanced, its urban superstructure was designed in accordance with contemporary Florentine urban planning strategies, and its "beautiful and honorable" appearance was maintained by government regulations. The documents also reveal new information about the commission and rental of its famous shops.

Relying on these sources, this study offers a more complete history of the Ponte Vecchio, adding significantly to what is currently known about the bridge’s patronage and construction, as well as the aims of civic architecture and urban planning in late medieval Florence.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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David J Collins, SJ joins Jana Byars to talk about Disenchanting Albert the Great: the Life and Afterlife of a Medieval Magician (Penn State Press, 2024). Albert the Great (1200–1280) was a prominent Dominican friar, a leading philosopher, and the teacher of Thomas Aquinas. He also endorsed the use of magic. 

Controversial though that stance would have been, Albert was never punished or repudiated for what he wrote. Albert’s reception followed instead a markedly different course, leading ultimately to his canonization by the Catholic Church in 1931. But his thoughts about magic have been debated for centuries. Disenchanting Albert the Great takes Albert’s contested reputation as a case study for the long and complex history surrounding the concept of magic and magic’s relationship to science and religion. Over the centuries, Albert was celebrated for his magic, or it was explained away—but he was never condemned. In the fifteenth century, members of learned circles first attempted to distance Albert from magic, with the goal of exonerating him of superstition, irrationality, and immorality. Disenchanting Albert the Great discusses the philosopher’s own understanding of magic; an early, adulatory phase of his reputation as a magician; and the three primary strategies used to exonerate Albert over the centuries. 

In the end, Disenchanting Albert the Great tells the story of a thirteenth-century scholar who worked to disenchant the natural world with his ideas about magic but who himself would not be disenchanted until the modern era. This accessible and insightful history will appeal to those interested in Albert the Great, Catholic Church history, the history of magic, and Western understandings of the natural and the rational over time.

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Majapahit was Indonesia, and Southeast Asia’s, largest empire. Centered on the island of Java, Majapahit commanded loyalty from vassals across the archipelago: on Sumatra, Borneo, Sulawesi, and even the Malay Peninsula, including a tiny village called Tumasik–known today as Singapore. The empire lasted for around 230 years, from its founding in 1292 to its fall to the Sultanate of Demak in 1527.

Today, the Hindu-Buddhist kingdom of Majapahit is an important source of national pride in today’s Muslim-majority Indonesia: Even the Indonesian coat of arms, with its garuda and the motto “Unity in Diversity”, is rooted in the Majapahit era.

But the tale of Majapahit–as told in Herald van der Linde’s book, Majapahit: Intrigue, Betrayal and War in Indonesia’s Greatest Empire (Monsoon Books: 2024)–is a story of mythical kings, conquest, betrayal, and intrigue, as Indonesian royals jostled for position…and at times fought off external enemies like the Mongols.

Herald van der Linde has travelled, lived and worked in Indonesia and Hong Kong since the 90s. He is also the author of Jakarta: History of a Misunderstood City (Marshall Cavendish International: 2022)

You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Majapahit. Follow on Twitter at @BookReviewsAsia.

Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon.

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Shannon Gayk joins Jana Byars to discuss her new book. Apocalyptic Ecologies: From Creation to Doom in Medieval English Literature (University of Chicago Press, 2024) is a meditative reflection on what medieval disaster writing can teach us about how to respond to the climate emergency. When a series of ecological disasters swept medieval England, writers turned to religious storytelling for precedents. Their depictions of biblical floods, fires, storms, droughts, and plagues reveal an unsettled relationship to the natural world, at once unchanging and bafflingly unpredictable. In Apocalyptic Ecologies, Shannon Gayk traces representations of environmental calamities through medieval plays, sermons, and poetry such as Cleanness and Piers Plowman. In premodern disaster writing, she recovers a vision of environmental flourishing that could inspire new forms of ecological care today: a truly apocalyptic sensibility capable of seeing in every ending, every emergency a new beginning waiting to emerge.

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This book introduces, edits and translates the Dattātreyayogaśātra, a Sanskrit text on yoga composed in about 1200 CE in South India. It teaches four types of yoga practice but devotes the majority of its 193 verses to haṭhayoga, which it divides into two varieties, one which consists of the eight auxiliaries first taught by Patañjali and one which has nine physical methods. It is thus the first text to combine the aṣṭāṅga system of Patañjali with physical techniques, and its teachings were highly influential on later authors and commentators of yoga texts. The book is addressed primarily to scholars but will also be of interest to students and practitioners of yoga.

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An understanding of Dante the theologian as distinct from Dante the poet has been neglected in an appreciation of Dante's work as a whole. 

That is the starting-point of Dante the Theologian (Cambridge UP, 2022). In giving theology fresh centrality, the author argues that theologians themselves should find, when they turn to Dante Alighieri, a compelling resource: whether they do so as historians of fourteenth-century Christian thought, or as interpreters of the religious issues of our own times. Expertly guiding his readers through the structure and content of the Commedia, Denys Turner reveals – in pacy and muscular prose – how Dante's aim for his masterpiece is to effect what it signifies. It is this quasi-sacramental character that renders it above all a theological treatise: whose meaning is intelligible only through poetry. Turner's Dante 'knows that both poetry and theology are necessary to the essential task and that each without the other is deficient.'

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In The Fate of the Jews in the Early Islamic Near East: Tracing the Demographic Shift from East to West (Cambridge UP, 2022), Phillip Lieberman revisits one of the foundational narratives of medieval Jewish history--that the rise of Islam led the Jews of Babylonia, the largest Jewish community prior to the rise of Islam, to abandon a livelihood based on agriculture and move into urban crafts and long-distance trade. Here, he presents an alternative account that reveals the complexity of interfaith relations in early Islam. Using Jewish and Islamic chronicles, legal materials, and the rich documentary evidence of the Cairo Geniza, Lieberman demonstrates that Jews initially remained on the rural periphery after the Islamic conquest of Iraq. Gradually, they assimilated to an emerging Islamicate identity as the new religion took shape, sapping towns and villages of their strength. Simultaneously, a small, elite group of merchants and communal leaders migrated westward. Lieberman here explores their formative influence on the Jewish communities of the southern Mediterranean that flourished under Islamic conquest.

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Monstrous Fantasies: England's Crusading Imaginary and the Romance of Recovery, 1300-1500 (Cornell University Press, 2024) by Dr. Leila Norako asks why medieval romances reimagining the crusades ending in a Christian victory circulated in England with such abundance after the 1291 Muslim reconquest of Acre, the last of the Latin crusader states in the Holy Land, and what these texts reveal about the cultural anxieties of late medieval England. Dr. Norako highlights the impact that the Ottoman victory and subsequent massacre of Christian prisoners at the battle of Nicopolis in 1396 had on intensifying the popularity of what she calls recovery romance.

These two episodes inspired a sense of urgency over the fate of the Holy Land and of Latin Christendom itself, resulting in the proliferation of romances in which crusading English kings like Richard I and anachronistic legends like King Arthur not only reconquered Jerusalem but committed genocidal violence against the Muslims. These romances, which—as Norako argues—also influenced Geoffrey Chaucer's Canterbury Tales, conjure fantasies of an ascendant global Christendom by rehearsing acts of conquest and cultural annihilation that were impossible to realize in the late Middle Ages. Emphasizing the tension in these texts between nostalgia and anticipation that fuels their narrative momentum, Monstrous Fantasies also explores how the cultural desires for European and Christian hegemony that recovery romances versified were revived in the wake of the so-called wars on terror in the twenty-first century in such films as Kingdom of Heaven and American Sniper.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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During the early medieval Islamicate period (800–1400 CE), discourses concerned with music and musicians were wide-ranging and contentious, and expressed in works on music theory and philosophy as well as literature and poetry. But in spite of attempts by influential scholars and political leaders to limit or control musical expression, music and sound permeated all layers of the social structure.

Lisa Nielson here presents a rich social history of music, musicianship and the role of musicians in the early Islamicate era. Focusing primarily on Damascus, Baghdad and Jerusalem, Lisa Nielson draws on a wide variety of textual sources written for and about musicians and their professional/private environments – including chronicles, literary sources, memoirs and musical treatises – as well as the disciplinary approaches of musicology to offer insights into musical performances and the lives of musicians. In the process, Music and Musicians in the Medieval Islamicate World: A Social History (Bloomsbury, 2021) sheds light onto the dynamics of medieval Islamicate courts, as well as how slavery, gender, status and religion intersected with music in courtly life. It will appeal to scholars of the Islamicate world and historical musicologists.

Lisa Nielson is an Anisfield-Wolf Fellow and Lecturer in the Department of Music at Case Western Reserve University, Cleveland, USA.. She received her PhD from the University of Maine at Orono, USA and holds a bachelor's and master's degree in music performance and pedagogy.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

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