New Books in Medieval History

Katrin Kogman-Appel is a professor of Medieval Jewish history with research focusing on book culture, readers, and reading practices in medieval Europe and beyond. In The Kennicott Bible: A Masterpiece of Jewish Book Art (Bodleian Library, 2023) she discusses the text of the 24 canonized books of the Bible that is paired with David Kimchi's grammatical treatise “Sefer Miklol”. Katrin discussed the Kennecott Bible, a medieval Hebrew manuscript that contains unique illustrations and Masoretic text annotations. She explained that the manuscript draws inspiration from various sources including the Severa Bible and playing cards from the Rhineland and Netherlands, with some illustrations depicting animals in unusual positions and a political allegory involving hares, wolves, cats, and mice. Katrin described the Masoretic text as a lexical apparatus designed for precision in transmitting the canonical Hebrew text, and emphasized that the Bible served as a status symbol and public art piece for Jewish elites despite having no public art in synagogues. 

A collection of reproduced images from the Kennicott Bible, a remarkable artifact from the Middle Ages. The Kennicott Bible is one of the most celebrated Hebrew Bibles that survives today, having delighted readers since its creation in 1476. Originating from La Coruña in northern Spain, it features lavish carpet pages, gold leaf silhouettes, and abundant marginal decorations. This extraordinary manuscript is a treasure trove of history, culture, devotion, art, and cross-cultural collaboration. This book features reproductions of the decorated pages of the stunning manuscript, accompanied by four chapters authored by experts in the fields of Bible study, book history, and medieval Jewish art. The authors discuss the Bible from several perspectives, explaining the Hebrew text of the Bible, the scribe who created the pages, the layout and paleography, and the illuminator who produced the Bible's decoration and its imagery. This volume also includes an analysis of the early medieval commentary on the Old Testament, the Masorah. Richly illustrated throughout, this beautiful book makes a treasure of Jewish art available for a new audience, alongside the latest scholarship on its origins, provenance, and creation. 

Analyzing these ancient texts in historical context helps to enrich our understanding of the effects and reactions to historical and cultural events.

Be sure to follow Jewish Tapestry for more on Jewish history and culture.

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Eleventh-century Europe was diverse and fast-changing. Historians have often debated this change through two sets of competing arguments, one about the shifting role of the Church and the Papacy, and the other about the rise of castellan lords and a proliferation in violence. Yet these arguments about 'Church Reform' and 'Feudal Revolution' only really apply to one part of Europe, the Latin West.  

Europe in the Eleventh Century: Beyond Revolution and Reform (Oxford University Press, 2025) by Professor Charles West takes its cue from contemporary perceptions of Europe, and includes Byzantium (or East Rome) and Muslim al-Andalus in scope. In doing so, it presents a new perspective on Europe in the period. Its chapters assess different scales of action and interaction within this wide space. They take from the reader from the peasants living in small village settlements, via the great city of Constantinople, the taifa emirates, kingdoms from Ireland to Hungary, and the two universal empires, up to contemporary ideas, cosmologies, and representations of the wider world.  

Viewed in this broad setting, the Latin West's remarkable expansion during this period, dramatically illustrated by the First Crusade at the century's end, can best be understood as the poorly controlled overspilling of internal dynamics, as the established public order was disrupted. Elsewhere in Europe, existing structures proved more resilient and better able to accommodate internal economic and social development, though remaining vulnerable to aggression from outside.

 This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

From their foundational era in 1097 to Saladin's conquest of Jerusalem almost a century later, the Crusader States transformed the Middle Eastern world. In an era shaped by many conflicts, this was not simply a war between Christianity and Islam, but an epic contest among multiple rival empires, dynasties, and cultures. Nicholas Morton's The Crusader Storm: A Global History of the Wars for the Middle East (Pegasus, 2026) unfolds through a kaleidoscope of perspectives: a Byzantine renegade, a crusader princess, a Turkish matriarch, a young Arab nobleman, a Syriac archbishop, Saladin's leading commander, and the vizier of Egypt. Between them, information, technologies, and ideas—as well as weapons—crossed borders at astonishing speed as their societies fought, allied, and traded. Their entangled fates reshaped not only the Middle East, but the medieval world itself. Drawing on sources from Arabic, Greek, Syriac, Armenian, Latin, and Hebrew traditions, Nicholas Morton's enthralling panorama transforms our understanding of the Crusades, revealing these wars not as a single clash of faiths, but as a dynamic era of war, commerce, innovation, and exchange that defined the course of history.

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The practice of history in premodern Java was profoundly influenced by precarious conditions of textual production and preservation: fragile manuscripts perished in the tropical environment, archival records were scattered far afield, and historical memories faded over many generations. InThe Precarious Past in Premodern Java, Wayan Jarrah Sastrawan examines how Javanese societies between the fifth and fifteenth centuries CE responded with distinctive strategies to record and transmit knowledge of the past.

Drawing on sources in Javanese, Sanskrit, Malay, and related languages from the Indonesian archipelago, Sastrawan provides a detailed account of diverse forms of history making in premodern Java, reconstructing a dynamic culture in which written and nonwritten modes of transmission coexisted and intersected. By situating these practices within broader discussions of global historiography, this book challenges modern assumptions about what counts as “history” and illuminates how societies have developed different ways of preserving and remembering the past.

A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit here to learn more.

Dr Wayan Jarrah Sastrawan is a historian, lecturer and DECRA research fellow at the Australian National University, Canberra. 

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Han Hsien Liew’s fascinating and insightful new book, Preaching Pious Rulership in Medieval Islam: Ibn al-Jawzi’s Political Thought (Edinburgh UP, 2026) offers a new way of understanding the political thought of one of medieval Islam’s most influential preachers, Ibn al-Jawzi. Although Ibn al-Jawzi is often remembered primarily as a preacher, moralist, and religious scholar, Han Hsien challenges conventional accounts of medieval Islamic political thought by showing how piety, preaching, and emotional formation shaped his vision of political authority. Rather than focusing simply on the ruler’s ability to maintain order, Ibn al-Jawzi placed extraordinary emphasis on the ruler’s moral character and on cultivating emotions such as fear, humility, remorse, and compassion. Han Hsien argues that this vision of pious rulership emerged from what he calls “homiletic piety,” revealing how the moral and emotional world of hortatory preaching shaped ideas about what it meant to rule well. By placing Ibn al-Jawzi’s writings in their historical and political context—including his relationship with the Abbasid caliphate and his controversial intervention in debates over the cursing of Yazid—Han Hsien challenges simplistic distinctions between political “quietism” and “activism” and reveals a thinker deeply invested in influencing those who wielded political power.

In our conversation, Han Hsien explains why he chose Ibn al-Jawzi as the subject of the book and what we can learn about medieval Islamic politics by taking preachers seriously as political thinkers. We discuss the concept of “homiletic piety” and Ibn al-Jawzi’s approach to exhorting rulers, including the rhetorical strategies he believed scholars could use to encourage rulers toward greater humility, kindness, and moral responsibility. We also explore Ibn al-Jawzi’s relationship with the Abbasid caliph al-Mustadi and what his writings reveal about the particular concerns of the ruler to whom they were addressed. Han Hsien discusses the complicated relationship between scholars and political power, including the historical debate over sharia and siyasa (or politics), and explains why Ibn al-Jawzi does not fit neatly into categories such as “quietist” or “activist.” We also talk about the significant role of emotions—including fear, remorse, humility, and compassion—in Ibn al-Jawzi’s understanding of political authority and consider whether he actually believed rulers could be transformed through preaching. Finally, we discuss Ibn al-Jawzi’s intervention in the debate over Yazid and what this reveals about his commitment to the idea of pious rulership.

This book will be of tremendous interest to scholars and students of Islamic studies, medieval Islamic history, Islamic political thought, and the history of preaching, as well as anyone interested in the relationship between religion, morality, and political power. It will also appeal to readers interested in a different way of thinking about politics, one that takes seriously the power of preaching, persuasion, and moral and emotional formation to shape those who govern.

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Panel painters in both the middle ages and the fifteenth century created works that evoke the luster of precious stones, the sheen of polished gold and silver, and the colorful radiance of stained glass. Yet their approaches to rendering these materials were markedly different. In The Varnish and the Glaze: Painting Splendor with Oil, 1100–1500 (U Chicago Press, 2023), Dr. Marjolijn Bol explores some of the reasons behind this radical transformation by telling the history of the two oil painting techniques used to depict everything that glistens and glows—varnish and glaze. 

For more than a century after his death, the fifteenth-century painter Jan van Eyck was widely credited with inventing varnish and oil paint, on account of his unique visual realism. Once this was revealed to be a myth, the verisimilitude of his work was attributed instead to a new translucent painting technique: the glaze. Today, most theories about how Van Eyck achieved this realism revolve around the idea that he was the first to discover or refine the glazing technique. Bol, however, argues that, rather than being a fifteenth-century refinement, varnishing and glazing began centuries before. Drawing from an extensive body of recipes, Dr. Bol pieces together how varnishes and glazes were first developed as part of the medieval art of material mimesis. Artisans embellished metalwork and wood with varnishes and glazes to imitate gold and gems; infused rock crystal with oil, resin, and colorants to imitate more precious minerals; and oiled parchment to transform it into the appearance of green glass. Likewise, medieval panel painters used varnishes and glazes to create the look of enamel, silk, and more. 

The explorations of materials and their optical properties by these artists stimulated natural philosophers to come up with theories about transparent and translucent materials produced by the earth. Natural historians, influenced by medieval artists’ understanding of refraction and reflection, developed theories about gems, their creation, and their optical qualities. 

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In the winter of 1472, the city of Dijon, France, became the stage for a remarkable legal drama. On the mayor’s orders, an investigator named Jaques Borestel went door-to-door questioning his neighbors about an alleged sexual assault—and about the victim’s history and place in the community. At the center of Jaques’s inquiry was a woman named Jehanne, who took the unusual step of making a criminal complaint in an age when victims of sexual violence did so at their own peril. Justice for Jehanne: The Tale of a Medieval Survivor (Princeton UP, 2026) follows Jaques’s investigation as he uncovers one woman’s story of resilience and survival.

Applying forensic analysis to witness testimony and Jaques’s case files, Sara McDougall finds in Jehanne a woman of many lives and many secrets. An outsider on her own in Dijon, Jehanne had every reason to distrust the local authorities, who regularly extorted money from the city’s most vulnerable residents. Separating facts from falsehoods, McDougall challenges preconceptions about the experiences of marginalized women in medieval France, showing how neighbors, clergy, and other residents aided Jehanne throughout her legal struggles—and how justice of a sort was exacted from her attackers.
Richly detailed and powerfully told, Justice for Jehanne paints an unforgettable portrait of a woman who mounted an extraordinary response to a crime that was so difficult to prosecute at the time, and of a community that gave her shelter, protection, and acceptance as she endeavored to survive on her own terms.

Sara McDougall is professor of history at John Jay College of the City University of New York and is on the faculty in Biography and Memoir, French, History, and Medieval Studies at the CUNY Graduate Center. She is the author of Royal Bastards: The Birth of Illegitimacy, 800–1230 and Bigamy and Christian Identity in Late Medieval Champagne. Her fellowships include the Cullman Center for Scholars and Writers at the New York Public Library.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: here

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Matthew Thomas Miller's new book Feeling like Lovers: Affect in Medieval Sufism (U California Press, 2026), and is available as an open access book (see link below), considers how for many medieval Sufis, Sufism was the “path of love”, and God was the Beloved, and so one had to become a lover of the Beloved on this path. And though there remains a rich corpus of Sufi texts from theological, legal to philosophical that speak to and about this trajectory, Miller re-focuses our attention to the felt and affective dimensions of the genre of poetry, especially of qalandariyyat or rogue poetry. In concentrating on these specific poems and their metaphoric and metaphysical treatments of beauty, sama‘ and ultimately fana’, we begin to the grasp the critical significance of how feelings and the felt dimension (experience) informs the path of love, particularly in how Sufis came to know the secret realities of the Beloved. In this way, the spectrum of emotion, aeffect (affect and effect) held in the body then help us restore the relationship between the mind-body in Sufi thought, according to Miller. This book will be of interest to those who enjoy Sufi and Persian poetry, as well as those who study history of emotion, affect, and literature as well as Sufism generally.

A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit here to learn more.

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Constructing the Medieval Maritime State: Identity, Violence, and Connection in the Mediterranean (Oxford

The rise and evolution of the taifa

This interview was conducted by Dr. Miranda Melcher whose book

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

What do we talk about when we talk about Europe? Is it defined by geography? Or is it politics, or shared culture? In Europe: A New History (Allen Lane, 2026),

Since

Grappling with the multilayered identities that have always come with being European, Europe places the Europe of today in a long arc of history stretching back more than 2,500 years.

Roderick Beaton

Morteza Hajizadeh

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.