During the early medieval Islamicate period (800–1400 CE), discourses concerned with music and musicians were wide-ranging and contentious, and expressed in works on music theory and philosophy as well as literature and poetry. But in spite of attempts by influential scholars and political leaders to limit or control musical expression, music and sound permeated all layers of the social structure.

Lisa Nielson here presents a rich social history of music, musicianship and the role of musicians in the early Islamicate era. Focusing primarily on Damascus, Baghdad and Jerusalem, Lisa Nielson draws on a wide variety of textual sources written for and about musicians and their professional/private environments – including chronicles, literary sources, memoirs and musical treatises – as well as the disciplinary approaches of musicology to offer insights into musical performances and the lives of musicians. In the process, Music and Musicians in the Medieval Islamicate World: A Social History (Bloomsbury, 2021) sheds light onto the dynamics of medieval Islamicate courts, as well as how slavery, gender, status and religion intersected with music in courtly life. It will appeal to scholars of the Islamicate world and historical musicologists.

Lisa Nielson is an Anisfield-Wolf Fellow and Lecturer in the Department of Music at Case Western Reserve University, Cleveland, USA.. She received her PhD from the University of Maine at Orono, USA and holds a bachelor's and master's degree in music performance and pedagogy.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

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In fourteenth-century Italy, literacy became accessible to a significantly larger portion of the lay population (allegedly between 60 and 80 percent in Florence) and provided a crucial means for the vernacularization and secularization of learning, and for the democratization of citizenship. 

In Dante's Education: Latin Schoolbooks and Vernacular Poetics (Oxford University Press, 2024), Filippo Gianferrari demonstrate that Dante Alighieri's education and oeuvre sit squarely at the heart of this historical and cultural transition and provide an ideal case study for investigating the impact of Latin education on the consolidation of autonomous vernacular literature in the Middle Ages, a fascinating and still largely unexamined phenomenon. On the basis of manuscript and archival evidence, Gianferrari reconstructs the contents, practice, and readings of Latin instruction in the urban schools of fourteenth-century Florence. It also shows Dante's continuous engagement with this culture of teaching in his poetics, thus revealing his contribution to the expansion of vernacular literacy and education. The book argues that to achieve his unprecedented position of authority as a vernacular intellectual, Dante conceived his poetic works as an alternative educational program for laypeople, who could read and write in the vernacular but had little or no proficiency in Latin. By reconstructing the culture of literacy shared by Dante and his lay readers, Dante's Education shifts critical attention from his legacy as Italy's national poet, and a "great books" author in the Western canon, to his experience as a marginal intellectual engaged in advancing a marginal culture.

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In Experimental Histories: Interpolation and the Medieval British Past (Cornell University Press, 2024), Dr. Hannah Weaver examines the mediaeval practice of interpolation—inserting material from one text into another—which is often categorised as being a problematic, inauthentic phenomenon akin to forgery and pseudepigraphy. Instead, Weaver promotes interpolation as the signature form of mediaeval British historiography and a vehicle of historical theory, arguing that some of the most novel concepts of time in mediaeval historiography can be found in these altered narratives of the past.

For Weaver, historiographical interpolation constitutes the traces of active experimentation with how best to write history, particularly the history of Britain. Historians in twelfth- and thirteenth-century Britain recognized the difficulty of enfolding complex events into a linear chronology and embraced innovative textual methods of creating history. Focusing on the Brut tradition but also analysing the long history of interpolated historiography, including the Bayeux Embroidery, Experimental Histories offers a new interpretation of generic remixing in mediaeval writing about the past. Drawing on both manuscript studies and the new formalism, it shows that the practice of inserting materials from romance and hagiography allowed creative revisers to explore how lived events relate to passing time. By embracing interpolation, Weaver provides lively insights into the ways that time becomes history and human actors experience time.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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Challenging the standard view that England emerged as a dominant power and Wales faded into obscurity after Edward I's conquest in 1282, Reimagining the Past in the Borderlands of Medieval England and Wales (Oxford University Press, 2024) by Dr. Georgia Henley considers how Welsh (and British) history became an enduringly potent instrument of political power in the late Middle Ages.

Brought into the broader stream of political consciousness by major baronial families from the March (the borderlands between England and Wales), this inventive history generated a new brand of literature interested in succession, land rights, and the origins of imperial power, as imagined by Geoffrey of Monmouth. These marcher families leveraged their ancestral, political, and ideological ties to Wales in order to strengthen their political power, both regionally and nationally, through the patronage of historical and genealogical texts that reimagined the Welsh past on their terms. In doing so, they brought ideas of Welsh history to a wider audience than previously recognized and came to have a profound effect on late medieval thought about empire, monarchy, and succession.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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Most things you 'know' about science and religion are myths or half-truths that grew up in the last years of the nineteenth century and remain widespread today.

The true history of science and religion is a human one. It's about the role of religion in inspiring, and strangling, science before the scientific revolution. It's about the sincere but eccentric faith and the quiet, creeping doubts of the most brilliant scientists in history - Galileo, Newton, Faraday, Darwin, Maxwell, Einstein. Above all it's about the question of what it means to be human and who gets to say - a question that is more urgent in the twenty-first century than ever before.

From eighth-century Baghdad to the frontiers of AI today, via Song dynasty China, medieval Europe and Soviet Russia, Magisteria: The Entangled Histories of Science & Religion (Oneworld, 2024) sheds new light on this complex historical landscape. Rejecting the thesis that science and religion are inevitably at war, Nicholas Spencer illuminates a compelling and troubled relationship that has definitively shaped human history.

Nicholas Spencer is Senior Fellow at Theos, a Fellow of the International Society for Science and Religion and a Visiting Research Fellow at Goldsmiths, University of London. He is the author of a number of books including Darwin and God, The Evolution of the West and Atheists. He has presented a BBC Radio 4 series on The Secret History of Science and Religion, and has written for the Guardian, Telegraph, Independent, New Statesman, Prospect and more. He lives in London.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

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The vibrant red sandstone temples of India's Deccan Plateau, such as the Pattadakal temple cluster, have attracted visitors since the eighth century or earlier. A UNESCO World Heritage Site and the coronation place of the Chalukya dynasty, Pattadakal and its neighboring sites are of major historical importance. 

In Shiva's Waterfront Temples: Architects and Their Audiences in Medieval India (Yale UP, 2022), Subhashini Kaligotla situates these buildings in the cosmopolitan milieu of Deccan India and considers how their makers and awestruck visitors would have seen them in their day. Kaligotla reconstructs how architects and builders approached the sites, including their use of ornamentation, responsiveness to courtly values such as pleasure and play, and ingenious juxtaposition of the first millennium's Nagara and Dravida aesthetics, a blend largely unique to Deccan plateau architecture. With over 130 color illustrations, this original book elucidates the Deccan's special place in the lexicon of medieval South Asian architecture.

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It is often assumed that classical Sanskrit poetry and drama lack a concern with the tragic. However, as Bihani Sarkar makes clear in Classical Sanskrit Tragedy: The Concept of Suffering and Pathos in Medieval India (I. B. Tauris, 2021), this is far from the case. In the first study of tragedy in classical Sanskrit literature, Sarkar draws on a wide range of Sanskrit dramas, poems and treatises - much of them translated for the first time into English - to provide a complete history of the tragic in Indian literature from the second to the fourth centuries.

Looking at Kalidasa, the most celebrated writer of Sanskrit poetry and drama (kavya), this book argues that constructions of absence and grief are central to Kalidasa's compositions and that these 'tragic middles' are much more sophisticated than previously understood. For Kalidasa, tragic middles are modes of thinking, in which he confronts theological and philosophical issues. Through a close literary analysis of the tragic middle in five of his works, the Abhijñanasakuntala, the Raghuva?sa, the Kumarasambhava, the Vikramorvasiya and the Meghaduta, Sarkar demonstrates the importance of tragedy for classical Indian poetry and drama in the early centuries of the common era. These depictions from the Indian literary sphere, by their particular function and interest in the phenomenology of grief, challenge and reshape in a wholly new way our received understanding of tragedy.

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Augustine believed that slavery is permissible, but to understand why, we must situate him in his late antique Roman intellectual context. Slaves of God: Augustine and Other Romans on Religion and Politics (Princeton UP, 2024) provides a major reassessment of this monumental figure in the Western religious and political tradition, tracing the remarkably close connections between Augustine’s understanding of slavery and his broader thought.

Augustine is most often read through the lens of Greek philosophy and the theology of Christian writers such as Paul and Ambrose, yet his debt to Roman thought is seldom appreciated. Toni Alimi reminds us that the author of Confessions and City of God was also a Roman citizen and argues that some of the thinkers who most significantly shaped his intellectual development were Romans such as Cicero, Seneca, Lactantius, and Varro—Romans who had much to say about slavery and its relationship to civic life. Alimi shows how Augustine, a keen and influential student of these figures, related chattel slavery and slavery to God, and sheds light on Augustinianism’s complicity in Christianity’s long entanglement with slavery.

An illuminating work of scholarship, Slaves of God reveals how slavery was integral to Augustine’s views about law, rule, accountability, and citizenship, and breaks new ground on the topic of slavery in late antique and medieval political thought.

New Books in Late Antiquity is presented by Ancient Jew Review

Toni Alimi is Assistant Professor at the Sage School of Philosophy at Cornell University

Michael Motia teaches in Classics and Religious Studies at UMass Boston

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Dr. Dennis Wuerthner’s Poems and Stories for Overcoming Idleness: P’ahan chip by Yi Illo (U Hawaii Press, 2024) is the first complete English translation of one of the oldest extant Korean source materials. The scholar, Yi Illo (1152–1220), filled this collection with poetry by himself and diverse writers, ranging from Chinese master poets and Koryŏ-era kings, to long-forgotten lower-level officials and rural scholars. The verse compositions are embedded in short narratives by Yi that provide context for the poems, a combination called sihwa.

The book contains a comprehensive introduction that explores the lives of Yi Illo and his contemporaries, and the political landscape at the time this collection came into being. The translation itself is richly annotated to provide context to the allusions and to explore possible meanings.

The publication is an excellent resource for readers interested in the political and social environment of the Koryŏ Dynasty (918–1392) and for anyone with a love for poetry and prose.

Dr. Dennis Wuerthner is assistant professor of East Asian literature in the Department of World Languages and Literatures, at Boston University. He holds a PhD from Ruhr University in Bochum and his main field of research is Korean literature, history and culture in a broader East Asian context.

Leslie Hickman is a translator and writer. She has an MA in Korean Studies from Yonsei University and lives in Seoul, South Korea. You can follow her activities at https://twitter.com/AJuseyo.

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Sharon Kinoshita talks with Jana Byars about her new book, Marco Polo and His World (Reaktion Press, 2024). A lavishly illustrated tour of the famed adventurer's globetrotting travels, written by a celebrated translator of Polo's writings. At the age of seventeen, Marco Polo left his Venetian home on a continent-spanning adventure that lasted for nearly a quarter century. Imprisoned in Genoa five years later, he collaborated with Arthurian romance writer Rustichello of Pisa on a work they called The Description of the World. That book recounted "all the greatest marvels and great diversities of Greater Armenia, Persia, the Tartars, India, and many other provinces," a story that made Polo famous for all time. In Marco Polo and His World, Sharon Kinoshita brings these marvels to life, describing the myriad commodities, plants, people, and animals that Marco encountered and recorded. Copiously illustrated, this book offers a vibrant introduction to Marco Polo's astounding adventures.

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