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This episode was originally released in August of 2015. It was re-released upon hearing that the city of New Orleans has begun the process of removing four monuments to the confederacy and post-civil war era, starting with an obelisk erected in 1891 honoring members of the Crescent City White League who suppressed the African American vote through violence and intimidation and who launched a failed military overthrow of the city’s elected government and integrated police force in 1874.
Music * First up (and returning at the end) is Sandra's Theme, from Heather McIntosh's fantastic score to Compliance, a very good, very disturbing movie. * We hit Frank Glazer leading Charles Ives' Largo for Clarinet, Violin and Piano a couple of times, framing... * Runaway from Olafur Arnalds.
Notes: *The key to researching this episode turned out to be an article in The Journal of Southern History from 2001 by Court Carnay called, "The Contested Image of Nathan Bedford Forrest.". * Also particularly useful was Nathan Bedford Forrest: a Biography, by Jack Hurst. * As was Lynching in America: A History in Documents, compiled by Christopher Waldrep. * Much of my information about the contents of the ceremony and speeches was gathered from this, the digitized journal and scrapbook of Charles Henry Niehaus, the sculptor of the monument. It's an extraordinary resource. * And let us all read Southern Horrors: Lynch Law in All its Phases, by Ida B. Wells. And let's put her on the $10 while we're at it.
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This episode was originally released in August of 2015. It was re-released upon hearing that the city of New Orleans has begun the process of removing four monuments to the confederacy and post-civil war era, starting with an obelisk erected in 1891 honoring members of the Crescent City White League who suppressed the African American vote through violence and intimidation and who launched a failed military overthrow of the city’s elected government and integrated police force in 1874.
Music * First up (and returning at the end) is Sandra's Theme, from Heather McIntosh's fantastic score to Compliance, a very good, very disturbing movie. * We hit Frank Glazer leading Charles Ives' Largo for Clarinet, Violin and Piano a couple of times, framing... * Runaway from Olafur Arnalds.
Notes: *The key to researching this episode turned out to be an article in The Journal of Southern History from 2001 by Court Carnay called, "The Contested Image of Nathan Bedford Forrest.". * Also particularly useful was Nathan Bedford Forrest: a Biography, by Jack Hurst. * As was Lynching in America: A History in Documents, compiled by Christopher Waldrep. * Much of my information about the contents of the ceremony and speeches was gathered from this, the digitized journal and scrapbook of Charles Henry Niehaus, the sculptor of the monument. It's an extraordinary resource. * And let us all read Southern Horrors: Lynch Law in All its Phases, by Ida B. Wells. And let's put her on the $10 while we're at it.
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