One F*cking Hour

Episode 162: We dive into the ghostly CARNIVAL OF SOULS (1962), a cult classic that fused low-budget horror with the existential art-house sensibilities of Ingmar Bergman and Jean Cocteau. Beneath its eerie imagery and abandoned carnival landscapes lies a deeply personal meditation on death, alienation, and the terrifying feeling of no longer belonging to the world around you.

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VOTE HERE – WHAT MOVIE FROM 1963 SHOULD WE COVER FOR NEXT EPISODE?: https://www.youtube.com/post/UgkxB-hww_Q3zL8NF-6WarM61OoclcX2hYO-

Episode 161: Evan, Rémy & Marcus go one fucking hour on THE MISFITS, John Huston's haunting, sun-bleached final chapter of old Hollywood and the death of the American West – exploring its troubled production, iconic performances, and why it still hits like an emotional gut punch decades later.

VOTE IN THE 1962 POLL HERE: https://www.youtube.com/post/UgkxC5Ap7fYVnr_ZTY75vucP3YFEDhygspH_

FOR FURTHER READING: ⁠https://classic.esquire.com/article/share/3088641c-8c7f-42dd-aeda-4ad2564a3cc2?source=nl&utm_source=nl_esq&utm_medium=email&date=092922&utm_campaign=nlm29212891&utm_term=ESQ_Esquire_Membership_CLASSIC_PAID⁠⁠https://www.magnumphotos.com/arts-culture/cinema/misfits-story-shoot-inge-morath-arthur-miller/⁠⁠https://www.magnumphotos.com/arts-culture/cinema/magnum-on-set-the-misfits-eve-arnold-marylin-monroe-clark-gable/⁠⁠https://www.solldn.com/journal/elliott-erwitt-behind-the-scenes-of-the-misfits/

Episode 1960: Evan, Rémy & Marcs break down Peeping Tom (1960), the controversial film that wrecked Michael Powell’s career before being rediscovered as a foundational proto-slasher and a deeply disturbing psychological profile of its killer. We dig into its voyeuristic horror, and critical backlash.

If you are able to support Tom Fitzgerald, please sign up for the OFH Patreon: ⁠http://patreon.com/onefuckinghour⁠

Episode 159: PICKPOCKET is a quietly radical masterpiece that redefined cinematic storytelling through its stripped-down performances, obsessive focus on gesture, and a hypnotic, almost spiritual portrayal of crime and isolation. In this episode of One Fucking Hour, we dive deep into Robert Bresson’s singular, meticulous style, unpacking his strange use of non-actors, fragmented editing, and psychosexual undercurrents to reveal how every frame is engineered with unnerving precision.

If you are able to support Tom Fitzgerald, please sign up for the OFH Patreon: ⁠http://patreon.com/onefuckinghour

Episode 158: For their 1958 movie pick, Evan, Rémy & Marcus go one f’n hour on Hitchcock’s Vertigo—one of cinema’s most unsettling portraits of obsession, desire, and control. They dive into its deeply personal, psychosexual undercurrents: identity as performance, love as projection, and the disturbing dynamics at its core. It’s Hitchcock at his most honest, surreal, and revealing.

If you are able to support Tom Fitzgerald, please sign up for the OFH Patreon: ⁠http://patreon.com/onefuckinghour⁠

Episode 157: Our 50s series continues as Evan, Rémy & Marcus go one f'n hour on Stanley Kubrick's PATHS OF GLORY (1957), his first true masterwork — a ruthless dissection of the institutions of war and the machinery that reduces human life to expendable parts.

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Episode 156: Evan, Rémy & Marcus go One F'n Hour on BIGGER THAN LIFE (1956) – the ultimate "dark side of the 1950s" movie.

Directed by Nicholas Ray and anchored by a fearless performance from James Mason, Bigger Than Life stands as one of the most audacious American films of the 1950s, transforming suburban melodrama into a feverish widescreen critique of middle-class ambition. Ray’s bold CinemaScope compositions and Mason’s operatic intensity turn domestic life into psychological spectacle, making the film a towering, ahead-of-its-time indictment of conformity and the myth of the perfect American household.

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Episode 155: Evan, Rémy and Marcus go one f'n hour on Charles Laughton's THE NIGHT OF THE HUNTER (1955), a nightmarish and macabre American fairy tale where Mother Goose collides with Southern Gothic horror. From Robert Mitchum’s preacher of hate to the film’s eerie storybook imagery, we break down how this singular masterpiece became one of the most haunting movies ever made.

If you are able to support Tom Fitzgerald, please sign up for the OFH Patreon (⁠https://www.patreon.com/onefuckinghour⁠)

Episode 154: Continuing our One F'n Year series with arguably the most influential film of 1954, Elia Kazan's groundbreaking ON THE WATERFRONT which features game-changing performances from Marlon Brando, Eva Marie Saint, Lee J. Cobb, and Rod Steiger. Also, we announce the winner of the "SUDDEN FEAR SNAPPER" contest!!

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Episode 153: Our pick for 1953 is Sam Fuller's PICKUP ON SOUTH STREET, a hard-boiled noir thriller that doubles as a sharp critique of 1950s America, examining the paranoia, moral compromise, and social damage wrought by Red Scare hysteria through the collision of petty criminals in the gritty NYC underground.

If you are able to support Tom Fitzgerald, please sign up for the OFH Patreon: https://www.patreon.com/onefuckinghour