This week, we’re joined by Matt Kelly’s Christian Cringe co-host Katie Hampton to become one with the mud. Yes, we’re exploring the career and music of Jars of Clay, the rare mainstream crossover from the Christian music scene who made their mark in 1996 with the alternative rock radio hit “Flood.” Despite a bit of blowback from their religious fanbase, the band was able to balance their success while still staying true to their faith. In the end, it was their work BEYOND the world of music that may have reserved them a front row seat in heaven. But was their music good enough to “lift them up” to THUNDER status? Tune in to find out.

One Hit Thunder is brought to you by DistroKid, the ultimate partner for taking your music to the next level. Our listeners get 30% off your first YEAR with DistroKid by signing up at http://distrokid.com/vip/onehitthunder

Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, our Patreon voted for us to explore the music and career of Dead or Alive, the British pop band responsible for the endlessly catchy and danceable 1985 single, “You Spin Me Round (Like a Record).” Led by the eccentric and androgynous Pete Burns, Dead or Alive were a perfect mix of the end of disco and the start of new wave. Their rise up the indie charts in the UK led them to a major label, but even then, it was the band’s belief in themselves and their music that resulted in the massive hit that has stood the test of time. Should you be spinning the REST of the Dead or Alive’s records right round though? That’s what we’ll be deciding this week.

One Hit Thunder is brought to you by DistroKid, the ultimate partner for taking your music to the next level. Our listeners get 30% off your first YEAR with DistroKid by signing up at http://distrokid.com/vip/onehitthunder

Learn more about your ad choices. Visit megaphone.fm/adchoices

Whether you were rockin’ out to it in 2002 or watching Terry Crews sing every word to it a few years later, Vanessa Carlton’s “A Thousand Miles” is a song that can stir up a lot of feelings and emotions for those who lived it. Even though the song’s earnest delivery and theater-kid presentation SHOULD make it an artifact from the turn of the century, there’s something special about it that keeps it relevant decades later. This week, we’re joined by return guest Eric Taft to dive into the career and back catalog of Vanessa Carlton to decide if we should make our way downtown to pick up all her records or run a thousand miles away from her music.

One Hit Thunder is brought to you by DistroKid, the ultimate partner for taking your music to the next level. Our listeners get 30% off your first YEAR with DistroKid by signing up at http://distrokid.com/vip/onehitthunder

Learn more about your ad choices. Visit megaphone.fm/adchoices

The DREAM TEAM of Chris Fafalios, Matt Kelly, Matthew Milligan, and Tony Hartman are BACK to draft the very best albums from the year 2005. From the launch of YouTube to the devastation of Hurricane Katrina, these albums were the soundtrack to a year filled with highs, lows, and in-betweens. Who will draft the very best collection of records with their theoretical 100 dollars? Tune in to find out!

One Hit Thunder is brought to you by DistroKid, the ultimate partner for taking your music to the next level. Our listeners get 30% off your first YEAR with DistroKid by signing up at http://distrokid.com/vip/onehitthunder

Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we're diving into one of the most bizarre R&B hits of the 80s. With its slick production and dramatic monologue, “The Rain” by Oran “Juice” Jones became a Top 10 smash in 1986 before fading into obscurity. Not EVERYONE forgot the track, however, as Donald Glover and the cast of Saturday Night Live resurrected it in 2018 with a spot-on and hilarious parody. This week, we’re joined by Two Dollar Late Fee host Zak Shaffer to unpack this forgotten gem, the wild narrative it spins, and the legacy of a one-hit wonder who made heartbreak sound strangely cinematic.

One Hit Thunder is brought to you by DistroKid, the ultimate partner for taking your music to the next level. Our listeners get 30% off your first YEAR with DistroKid by signing up at http://distrokid.com/vip/onehitthunder

Learn more about your ad choices. Visit megaphone.fm/adchoices

In early 2013, the Billboard Charts underwent a major change by incorporating YouTube streams into their formula. Almost immediately, the internet responded with chaos. The bizarre, bass-heavy electronica track “Harlem Shake” by producer Baauer skyrocketed to #1, fueled by a wave of absurd, meme-fueled dance videos that dominated social media. It became the first instrumental track to top the Hot 100 in over two decades, but just as quickly as it rose, it vanished, taking Baauer's mainstream presence with it. This week, we're joined by musician and data analyst Chris Dalla Riva, author of the upcoming book Uncharted Territory: What Numbers Tell Us About the Biggest Hit Songs and Ourselves, to explore how a joke, an algorithm, and a relatively unknown producer collided to create one of the strangest chart-toppers of all time.

One Hit Thunder is brought to you by DistroKid, the ultimate partner for taking your music to the next level. Our listeners get 30% off your first YEAR with DistroKid by signing up at http://distrokid.com/vip/onehitthunder

Learn more about your ad choices. Visit megaphone.fm/adchoices

Punchline’s new album Somewhere To Land was just released a few hours ago, and One Hit Thunder is here with some thoughts! Matt shares his feelings about every track, and Chris shares some insight into the writing, recording, and release of the next chapter in the Punchline story.

One Hit Thunder is brought to you by DistroKid, the ultimate partner for taking your music to the next level. Our listeners get 30% off your first YEAR with DistroKid by signing up at http://distrokid.com/vip/onehitthunder

Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we’re discussing the music and career of Berlin, a band whose biggest hit was, strangely, not really a Berlin song at all. “Take My Breath Away” soared into the stratosphere on the tailwinds of Top Gun in 1986, but it wasn’t a great representation of the sexy, upbeat new wave synth-pop that Berlin was known for. Join us as we journey deep into Berlin to see if they take our breath away, or if we’ll just become another Pleasure Victim.

One Hit Thunder is brought to you by DistroKid, the ultimate partner for taking your music to the next level. Our listeners get 30% off your first YEAR with DistroKid by signing up at http://distrokid.com/vip/onehitthunder

Learn more about your ad choices. Visit megaphone.fm/adchoices

Chris and Matt discuss their thoughts on the 2025 VMAs, which strangely aired on CBS instead of MTV (which couldn’t be bothered to interrupt their nonstop stream of the show Ridiculousness to air their signature awards show!)

Learn more about your ad choices. Visit megaphone.fm/adchoices

To be honest, when this week’s guest Kyle Kuchta pitched Drowning Pool’s “Bodies” to us for an episode, we braced ourselves for a terrible listening experience. Instead, what we got was some solid hard rock and a tragic story about vocalist Dave Williams, who seemed to be a solid dude with a great attitude who was taken from this world much too soon. Even the highly-memed song “Bodies” itself turned out to be a pretty inspiring anthem of moshpit exhilaration. Tune in for an episode that might influence you to let YOUR body hit the floor.

One Hit Thunder is brought to you by DistroKid, the ultimate partner for taking your music to the next level. Our listeners get 30% off your first YEAR with DistroKid by signing up at http://distrokid.com/vip/onehitthunder

Learn more about your ad choices. Visit megaphone.fm/adchoices