The songwriting duo Boy Meets Girl wrote chart-topping songs for several iconic artists, but it wasn’t until their 1988 single “Waiting for a Star to Fall” that they made a name for themselves as performers. The song was an enduring adult contemporary juggernaut, even finding its way into the hit film Three Men and a Little Lady a few years later. Even after their marriage ended, their song collaborations forged ahead, and they continue to release pop gems even today. This week, we explore their story and their songs, and we try to decide if Boy really should have met Girl in the first place.

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The holiday season is here once again. To celebrate, we’re discussing the bizarre case of The Waitresses, which are a band that we’re able to discuss on One Hit Thunder because they’re a one hit wonder in two different countries for two different songs. While “Christmas Wrapping” is now considered a Christmas classic, it wasn’t well-known in the US until many years after its release. Meanwhile, “I Know What Boys Like” was ONLY a hit in the States. This week, we’re diving into the short-lived career of this Akron, Ohio band to determine if they bring the holiday cheer or leave us with a holiday sneer. 

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Today is our 150th episode, so we had to bring the heat with an undeniable 80s jam. Spandau Ballet may have formed out of a love for the Sex Pistols, but their 1983 musical love letter “True” was inspired by the soulful sounds of Al Green and Marvin Gaye. This smooth pop classic dominated the radio airwaves for years, but we needed to know more. Can Producer Matt Kelly pronounce their name? Is “True” really Adam Sandler’s favorite song? Did Spandau Ballet TRULY bring the one hit thunder? On this week’s show, we ask the important questions about this well-dressed band.

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As we near Episode 150, it's time for another Year End Countdown. Where will YOUR favorites stack up this year? Listen to find out!!

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This week, return guest Matt Jurcevich joins us to discuss something that’s got US feeling insane in the membrane — the fact that we can categorize legendary rap group Cypress Hill as a one hit wonder. Despite having multiple high-charting albums and decades of widespread popularity, their 1993 single “Insane in the Brain” is the only one to cross over into the Top 20 on the Billboard charts. In this episode, we’ll break down their catalog, their vocal stylings, and even the awesome way they got banned from Saturday Night Live.

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Against all odds, a song completely sung in German floated all the way up to #2 on the Billboard charts in 1983, rising above some of the biggest artists of the 80s. Even more surprising, the danceable pop gem “99 Luftballons” was actually a protest song about a theoretical nuclear war. This week, we’re joined by Cheer Up Dusty vocalist Justin Humenik to find out if we should all pick up a few Nena records with the money we’ve got, or if we should think of them and let it go.

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After two decades of pursuing a music career, a 30 year old Canadian singer named Alannah Myles scored a #1 hit in 1989 with “Black Velvet”. While her success continued for years after in the Great White North, she completely fell off the Billboard charts of the United States. This week, we try to determine if the blame for her US decline should fall on the lack of promotion from her record label, or if the rest of Alannah’s catalog just lacked that slow southern style. 

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We’ve discussed close to 150 one hit wonders on the podcast at this point, but none have had as bizarre of a series of events that led to a hit as Primitive Radio Gods. Producer Matt Kelly considers “Standing Outside A Broken Phone Booth With Money In My Hand” not only a song title that he’s sure to butcher in this episode, but also a song that he considers one of the greatest of the 90s. Does the rest of the band’s catalog live up to the moody vibe of this jam though? This week, we try to figure out if Primitive Radio Gods leave us downhearted baby, or if we should bathe ourselves in the zebra flesh of this unique musical project.

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Originally intended to be a theme song and nothing more, “I’ll Be There For You” gave The Rembrandts a Top 20 Billboard hit on the wings of NBC’s juggernaut of a sitcom Friends. The visual that the song provokes in everyone’s mind, however — that of a group of white twenty-something Manhattanites dancing and clapping around a fountain — soon led to the band actually apologizing for the song on MTV News. This week, High School Slumber Party’s Brian Rodriguez joins us to discuss not only the career of The Rembrandts, but also his fandom of the 90s sitcom.

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