Author Ottessa Moshfegh returns to speak to Kate Wolf about her latest novel, Lapvona. The book is set in the eponymous medieval village, a place beset by violence and extreme cruelty. Its ruler is the loutish Villiam, who engineers massacres of Lapvona’s inhabitants whenever dissent grows, and also steals their water during a deadly drought. Villiam’s distant relative, Jude, is a shepherd who beats his son, Marek, and lies about the fate of Marek’s supposedly deceased mother. Marek weathers his father’s abuse through his devotion to God and the soothing of the village wet nurse, Ina, but his piety doesn’t keep him from committing brutal acts of his own. In a fatal twist, he ends up in the care of Villiam, on the hill above the suffering villagers, increasingly complicit in Lapvona’s corruption — a turn of events as germane today as it was a thousand years ago.

Also, Elif Batuman, author of Either/Or, returns to recommend Nino Haratischvili’s The Eighth Life, translated from the German by Charlotte Collins and Ruth Martin.

Ottessa Moshfegh's "Lapvona"

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Scholar and writer Anna Shechtman joins Medaya Ocher to discuss her book The Riddles of the Sphinx: Inheriting the Feminist History of the Crossword Puzzle. Shechtman is an accomplished cruciverbalist, constructing a bimonthly crossword at The New Yorker; she is the former Humanities and Film Editor at the Los Angeles Review of Books, where she is now an editor-at-large. Her book is a history of how women shaped the crossword puzzle, only to be pushed out of the puzzling industry. It’s also a memoir of Shechtman's own start with crossword constructing and the simultaneous development of her eating disorder. Riddles explores language, meaning-making, the body, as well as who is allowed to set the rules and write the clues.
Also, Katya Apekina, author of Mother Doll, returns to recommend four diaries written during the Russian Revolution: Earthly Signs by Marina Tsvetaeva; and three volumes by Teffi, Other Worlds;  Memories; and Tolstoy, Rasputin, Others, and Me.

Anna Shechtman's "The Riddles of the Sphinx"

Scholar Randol Contreras joins Kate Wolf and Eric Newman to discuss his new book  The Marvelous Ones: Drugs, Gang Violence, and Resistance in East Los Angeles. The book is a study of the history and present lives of veterans of the legendary Maravilla gang that long dominated the scene in East Los Angeles before a bitter rivalry with the La Eme during the 1990s and early 2000s that had Maravillas scrambling for their lives in the streets and in prison. Though centered around the experience of that epic gang rivalry, The Marvelous Ones is also an examination of how masculinity, race, and cultural identity are shaped and reshaped within the context of organized crime inside state institutions and in the everyday lives of those living in Los Angeles. It is also a story about what it means to matter and to be remembered as a man, as a husband, as a father, and as a Maravilla amid the roiling waters of political, social, and historical change.
Also, poet Victoria Chang, whose latest collection is With My Back to the World, returns to recommend an anthology of poetry entitled You Are Here: Poetry in the Natural World edited by the current Poet Laureate of the United States, Ada Limon.

The Veteranos of East LA

A double-header episode about two new novels that each feature high stakes feats of translation. First, the translator and writer Jenny Croft speaks with Medaya Ocher about her debut novel, The Extinction of Irena Rey. It follows eight translators who have just arrived at the house of a famous, beloved writer, the titular Irena Rey. Suddenly, Irena disappears, and the translators are left to figure out what has happened to her. Stuck and isolated in a primeval Polish forest and driven by ambition, paranoia, and obsession, the group uncovers secrets about Irena and the stakes of their endeavor become higher and higher. Then, writer and translator Katya Apekina joins Kate Wolf to discuss her latest novel, Mother Doll. The book examines how we can be haunted, sometimes literally, by the choices and experiences of our ancestors. Its main character is an adrift young woman named Zhenia. In the midst of finding out she’s pregnant and splitting up with her husband, Zhenia receives a mysterious call from Paul, a pet psychic who has been communicating with her great-grandmother, Irina. Paul needs Zhenia to translate Irina’s story, from Russian, about her role in the Russian Revolution and why she decided to place Zhenia’s beloved grandmother in an orphanage; Irina meanwhile needs Zhenia to understand her choices, and just perhaps, forgive her.

Mother Tongues and Mother Dolls

Kate Wolf speaks with the poet Victoria Chang about her latest collection of poems, With My Back to the World. The book is in deep conversation with the work of the painter Agnes Martin: each poem takes the title of one of Martin’s paintings and is also often accompanied by Chang’s own visual interpretations of Martin’s work. Regarding Martin’s intricate grids and spare compositions inevitably allows Chang to reflect on form, emptiness, nature and light; along with more personal reflections on depression, identity, solitude, violence, and destruction. Chang writes about the act of looking along with the feeling of being seen—and the border between the two, especially within everyday encounters on the internet, where, as she writes, “solitude grabs my phone and takes a selfie.”

Victoria Chang on Finding Agnes Martin During Crisis

Eric Newman speaks with director Morgan Neville about his new film "STEVE! (martin) a documentary in 2 pieces," which explores the legendary comedian's meteoric rise to standup stardom, his abrupt pivot to TV and film, and his return to stage in the present as he and close friend Martin Short prep a new comedy tour. Eric and Morgan discuss the treasure trove of never-before-seen archival that brings Martin's early career to life, what Morgan has learned about fame and the psychology of entertainers from his storied work documenting the lives of cultural luminaries, and much more.

Ottessa Moshfegh's "Lapvona"

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