This week, Ozark original old-time fiddler, banjo maker and legendary fiddle tune collector Banjo Billy Mathews recorded live at Ozark Folk Center State Park in Mountain View, Arkansas. Dave Smith is joined in hosting this week by expert musicologist and Banjo Billy’s most prolific protege, Emily Lawless.

Billy Mathews is known far and wide across this land for his musical skill and old time fiddling ability.  He has traveled extensively throughout the Midwest for over 40 years.  Thoughtful musical kinships, maintained throughout these many years, have earned him a considerable amount of notoriety and recognition in Old Time music circles. True to his name, Billy continues to play and record a vast amount of Old Time Clawhammer Banjo tunes.  Billy has released a recording of Original Banjo Tunes, The Ghost of Banjo Billy.  Billy still resides in the Ozark Mountains, continuing work on music projects. Billy keeps busy by traveling throughout the country for workshops, concerts and other special events, playing his huge repertoire of old time fiddle and banjo tunes. Billy has literally become the embodiment of his Scot-Irish ancestors by continuing their traditional approach to life.  Billy continues to collect and play a huge repertoire of old-time fiddle tunes.  He has already made a sizeable and significant contribution to our American musical culture and there is no end in sight!  Billy has shared the stage with such noteworthy musicians as Joe Burke, John Koener, John Hartford, The Fiddle Puppets, Mike Seeger, De Dannan, Bill Monroe and more!  - http://www.banjobilly.net/about-us/

In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1974 archival recording of Ozark original Larry Poff performing the tune “900 Miles,” from the Ozark Folk Center State Park archives.

In his segment “Back in the Hills,” writer, professor, and historian Dr. Brooks Blevins examines the gradual disappearance of traditional Ozarkian language in the modern Ozark region through the lens of his friendship and conversations with Ozark scholar Dr. Audrey Thompson.

This week, a celebration of 50 years of the Ozark Folk Center State Park presented through archival audio from its 1973 grand opening as well as interviews of key park figures and commentary by historian and writer Charley Sandage.

The University of Arkansas Cooperative Extension Service, in an early attempt to preserve the vanishing heritage of the Ozark Mountains, assisted local craftsmen and musicians to form the Ozark Foothills Crafts Guild in 1962. The guild started with 30 members and grew to a membership of over 300 master craftsmen and musicians. In 1963 the guild, in cooperation with local civic organizations, education advocate Bessie Moore, and renowned Ozark singer-songwriter Jimmy Driftwood organized the first Arkansas Folk Festival which attracted approximately 15,000 people. The festival became an annual event and within a few years was attracting almost 100,000 people to Mountain View. Because of the success of the annual festival the guild realized that they needed a permanent home. The guild, in cooperation with local government, obtained a grant from the United States Economic Development Administration to establish a private commercial craft center at Mountain View. Prior to its opening in the Spring of 1973, the state of Arkansas recognized the potential of the project and folded the Ozark Folk Center into the state park system and provided additional funding.

Ozark Folk Center State Park is dedicated to perpetuating the music, crafts, and culture of the Ozarks. Located in Mountain View, Arkansas, and open mid-April to late-October, the park offers visitors an opportunity to watch artisans work, to stroll through the Heritage Herb Garden, and to hear live Southern mountain music.

In the Craft Village at the Ozark Folk Center, more than 20 working artisans demonstrate, create, and sell handmade items. Handcrafted items like leather purses and goods, baskets, brooms, stained glass, ironwork, pottery, knives, weavings, quilts, wood carvings, spun yarn, soap, candles, and more are made onsite. Artisans also host workshops throughout the year for a more immersive crafting experience with personal attention and hands-on instruction.

The Heritage Herb Garden is where old-time pass-along plants, medicinal herbs, native plants, and edible herbs are grown. The Garden functions as a living classroom for workshops and programs. Events celebrating both culinary and medicinal herbs are held in May and October.

Music is at the heart of this park. Fiddle, banjo, guitar, mandolin, dulcimer, and autoharp are just some of the instruments that combine to produce that enduring Ozark Mountain sound. The Ozark Highlands Theater hosts live concerts and special events, bringing legendary artists from all facets of Americana music to the stage. Workshops are also available at scheduled times for musicians and dancers of all skill levels.

In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1973 archival recording of Ozark original Jimmy Driftwood singing is famous song “The Battle of New Orleans,” at the park’s grand opening from the Ozark Folk Center State Park archives.

This week, singer, multi-instrumentalist, podcaster, story teller and musicologist Nicholas Edward Williams recorded live at Ozark Folk Center State Park.

“Host of the popular roots music history podcast American Songcatcher, Nicholas Edward Williams is a multi-instrumentalist and storyteller who is dedicated to 'playing it forward' by preserving the songs and styles that have shaped our country: ragtime, Piedmont blues, traditional folk, old time and early country. Williams has spent the last 15 years touring around the US, the UK, Western Europe and Australia, blending the roots music spectrum in his own style. He's opened for Taj Mahal, The Wood Brothers, Dom Flemons, CAAMP, John Paul White, Town Mountain, John Craigie, Rachel Baiman and Lucy Daucus, and has performed at festival stages on three continents. William's debut record As I Go Ramblin' Around made the International Folk Radio DJ Charts in 2019 with the #6 Top Album, #7 Top Song. His critically acclaimed sophomore release Folk Songs For Old Times' Sake unveiled in November of 2021 and has been heralded by the likes of Grammy-winning musician David Holt who said: ‘With tasteful guitar arrangements and a voice that draws you right in, Nicholas’ recordings roll along like a mountain stream.”

https://nicholasedwardwilliams.com/about/

In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1981 archival recording of Ozark original Sam Younger performing the tune “Mississippi Sawyer,” from the Ozark Folk Center State Park archives.

In his segment “Back in the Hills,” writer, professor, and historian Dr. Brooks Blevins investigates the history of tourism in the entertainment Mecca of the Ozarks: Branson, Missouri.

This week, bluegrass superstar, beloved television personality and founder of the legendary bluegrass group the Dillards, Rodney Dillard, recorded live at Ozark Folk Center State Park. Rodney is accompanied on this show by multi instrumentalist George Giddens, Gary Smith on upright bass, Corey Walker on guitar, and Beverly Cotton Dillard on clawhammer banjo.

“Rodney Dillard has had a long and varied career resulting so far in two Grammy Nominations, induction into the International Bluegrass Music Hall of Fame, a well-known acting stint on the Andy Griffith Show, many other movie, commercials and TV appearances, recipient of The Outstanding Missourian Award, and worldwide acclaim for his over 50 years of recording both traditional Bluegrass and his own brand of ‘DILLARDGRASS.’  Rodney Dillard as founding member of the legendary group, ‘THE DILLARDS’ (aka the Darlings) is seen nearly everyday somewhere in the world thanks to the still enormous popularity of The ANDY GRIFFITH SHOW reruns. Rodney continued to modernize and innovate the sound of Bluegrass as he wrote and collaborated to write such now classic songs as ‘There Is a Time, The Darlin Boys, Ebo Walker, and Dooley.’

By the late 1960′s Rodney had transformed the Dillards into the driving force creating new sounds in the West Coast music environment. Later, called ‘The Father of Country Rock,’ Rodney was among the first Bluegrass musicians to ‘electrify’ traditional Bluegrass instruments while also adding drums, steel guitar, and orchestra. The band’s unique flare for song writing and arrangement affected a broad range of important future musicians in the Bluegrass and Pop music world alike. Rodney is credited with helping set the stage for the ‘Country Rock’ movement and burgeoning progressive sounds of Bluegrass.”

- https://rodneydillard.tv/bio/

In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1981 archival recording of Ozark originals Jean and Pam Simmons performing the song “Scotland the Brave,” from the Ozark Folk Center State Park archives.

In his segment “Back in the Hills,” writer, professor, and historian Dr. Brooks Blevins investigates the history of tourism in the entertainment Mecca of the Ozarks: Branson, Missouri.

This week, renowned Mississippi blues guitarist and singer Alvin Youngblood Hart recorded live at Ozark Folk Center State Park.

Alvin Youngblood Hart was born in Oakland, California in 1963 and spent some time in Carroll County, Mississippi in his youth, where he was influenced by the Mississippi country blues performed by his relatives. Hart is known as one of the world's foremost practitioners of country blues. He is also known as a faithful torchbearer for 1960s and 1970s guitar rock as well as western swing and traditional country. His style has been compared to Lead Belly and Spade Cooley. Bluesman Taj Mahal once said about Hart: "The boy has got thunder in his hands." Hart himself said, "I guess my big break came when I opened for Taj Mahal for four nights at Yoshi’s." His debut album, Big Mama's Door, was released in 1996 on Okeh Records. In 2003, Hart's album Down in the Alley was nominated for a Grammy Award for Best Traditional Blues Album.

In his segment “Back in the Hills,” writer, professor, and historian Dr. Brooks Blevins investigates the history of tourism in the entertainment Mecca of the Ozarks: Branson, Missouri.

This week, acoustic ragtime and early jazz quintet the Lovestruck Balladeers recorded live at Ozark Folk Center State Park. Also, interviews with this fascinating group’s fearless leader, Jake Sanders.

“The Lovestruck Balladeers enchant audiences with their masterful performances and inspired repertoire of ragtime, jazz and beautiful songs from around the world. They might whip out a lost melody from a forgotten mandolin folio or they might play a Mexican waltz. They might push into a renegade rearrangement of a swing standard or get down with a country rag. They are the five scorpion sons of a West Virginia dance hall, a Little Italy tourist attraction and a Oaxacan birthday party. Together or on their own paths, this stellar band of traveling musicians has traversed the country and the globe, carrying traditional styles into modern times. The versatile quintet features twin fiddles, clarinet, guitars, a mandolin trio, upright bass, banjo, piano and vocal harmonies. Their repertoire is a rare repository of American and international music seldom heard beyond the walls of low-lit dance halls at the edge of the known world. Hailing from across the United States and Canada, The Lovestruck Balladeers are: Jake Sanders, Aaron Jonah Lewis, Dennis Lichtman, Sean Cronin and Dalton Ridenhour.”

https://www.lovestruckballadeers.com/

In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1981 archival recording of Ozark originals Tommy Simmons & Dean Hinesley performing the song “Sinking Creek,” from the Ozark Folk Center State Park archives.

In his segment “Back in the Hills,” writer, professor, and historian Dr. Brooks Blevins investigates the history of “big fellers” and tall tales in the Ozarks. You’ve heard of Paul Bunyan, the legendary giant lumberjack, but have you heard of Blinky Bluejohn of the Ozarks? Brooks fills us in on this Ozark original “big feller.”

This week, award winning country & Western swing trio The Farmer & Adele recorded live at Ozark Folk Center State Park. Also, interviews with these rhythmic wranglers.

“With the sounds of classic songwriting in their music and the future in their sights, The Farmer & Adele are reimagining the modern cowboy/cowgirl while respecting its beginnings. Based out of Nashville, TN, The Farmer & Adele – led by Grace Adele and Keenan Wade – leads the pack of a new wave of musicians revitalizing western swing music. With a star-studded record, award nominations and their own morning radio show, The Farmer & Adele are a one-two punch of classic meets modern.

“The Farmer & Adele have quickly rooted themselves into the fabric of music communities near and far. Their debut album, Into the Wide Open Sky, was selected to be featured as part of Nashville Public Library’s Boombox series, a closely curated music collection highlighting the best artists in Nashville. Most recently, the band was awarded Best Western Swing Group by the Ameripolitan Music Awards. Also, their annual Country and Western Christmas Party tour is a beloved tradition that travels annually nationwide, featuring classic Christmas tunes, original holiday songs and their own take on The Nutcracker with a western swing twist. The band is also featured regularly on 650 AM WSM as the house band during the station’s Grand Ole Opry pre-show and live radio spot coverage.”

https://www.everybodylovesthefarmerandadele.com/story

In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1994 archival recording of Ozark originals the Apple Family performing the tune “Who’s Gonna Dance with Sally Ann,” from the Ozark Folk Center State Park archives.

Author, folklorist and songwriter Charley Sandage presents an historical portrait of the people, events and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. In this episode, Charley profiles early country music superstar and Arkansas native Patsy Montana.

This week, Grammy Award winning oldtime singer, songwriter, multi-instrumentalist and Smithsonian Folkways recording artist Dom Flemons with renowned cowboy poet, singer-songwriter, multi-instrumentalist and archivist Andy Hedges recorded live at Ozark Folk Center State Park in Mountain View, Arkansas. Also, interviews with Dom & Andy.

“GRAMMY Award Winner, Two-Time EMMY Nominee, 2020 United States Artists Fellow- Dom Flemons is originally from Phoenix, Arizona and currently lives in the Washington, D.C. area with his wife Vania Kinard and their daughter Cheyanne Love. He has branded the moniker ‘The American Songster’ since his repertoire of music covers over 100 years of early American popular music. Flemons is a songwriter, multi-instrumentalist, producer, actor, music scholar, historian, and record collector. He is considered an expert player on the banjo, guitar, harmonica, jug, percussion, quills, fife and rhythm bones. Flemons was selected for the prestigious 2020 United States Artists Fellowship Award for the Traditional Arts category which was generously supported by The Andrew W. Mellon Foundation. He currently serves as a Governor on the Board of Directors for the Washington, D.C Chapter of the Recording Academy. In 2018, Flemons released a solo album titled ‘Dom Flemons Presents Black Cowboys’ on GRAMMY Award-winning record label Smithsonian Folkways and received a GRAMMY Nomination for ‘Best Folk Album’ at the 61st GRAMMY Awards. This recording is part of the African American Legacy Recordings series, co-produced with the Smithsonian National Museum of African American History and Culture in Washington, D.C.” - https://theamericansongster.com/about/

“Andy Hedges is a songster, reciter, storyteller, guitarist, and collector of cowboy songs and poems. The son of an Italian schoolteacher and a rodeo cowboy turned preacher, Andy was born in Lubbock, Texas, in the spring of 1980. He grew up in the small community of Tokio, Texas, where his family paid rent on an old farmhouse by looking after a few head of cattle. It was there that Andy fell in love with traditional music by listening to his father’s cassettes of cowboy songs.

“Andy’s vast and varied repertoire includes classic cowboy poetry recitations, obscure cowboy songs, dust bowl ballads, and blues. He also hosts a podcast, Cowboy Crossroads which features in-depth interviews with fellow musicians and poets. Andy has performed many times with folk legend Ramblin’ Jack Elliott and the duo’s performance at the 60th Newport Folk Festival was named one of the ’10 Best Things We Saw’ by Rolling Stone.” - https://andyhedges.com/about

Together Dom and Andy explore the songs of the old west and often overlooked music of African American Cowboys in this rare and special performance.

In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1975 archival recording of Ozark original fiddler Charley Richardson performing the tune “Gold Rush,” from the Ozark Folk Center State Park archives.

Author, folklorist and songwriter Charley Sandage presents an historical portrait of the people, events and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. In this episode, Charley profiles our very own Ozark original cowboy poet Glenn Ohrlin with an archival recording of Glenn reciting the classic Wallace McRae poem “Reincarnation.”

This week, it’s Dulcimer Jamboree 2022! Each year, dulcimer players from all over come to the Ozark Folk Center State Park in Mountain View, Arkansas for a weekend of learning, listening, and loving all things dulcimer. Each evening of the event features concerts by world renowned dulcimer teachers and performers. We’ll enjoy highlights recorded from these live performances featuring both mountain dulcimers and the more ancient hammered dulcimers.

Artists performing this year include: hammered dulcimer prodigy Ben Haguewood accompanied by oldtime fiddle champion Kailee Spickes; multi-award winning mountain dulcimer maven Duane Porterfield; educator and mountain dulcimer phenom Erin Mae; ubiquitous hammered dulcimer performer, educator and luthier Rick Thum; hammered dulcimer master and educator Janis Huff accompanied by multi-instrumentalist Spike Huff; multi-instrumentalist, folk singer, traditional dancer, writer, educator and OHR guest host Aubrey Atwater; Ozark original hammered dulcimer champion and educator Joe Jewell; inimitable mountain dulcimer educator, showman and Jedi Bing Futch.

In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark original hammered dulcimer master Jay Round performing a medley of Irish folk tunes from the Ozark Folk Center State Park archives.

Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. This episode brings us a portrait of The Meadowcreek Project, a sustainable agriculture & education facility located in the Ozarks.

This week, legendary award winning Texas cowboy singer-songwriter and poet Pipp Gillette recorded live at Ozark Folk Center State Park in Mountain View, Arkansas. Also, interviews with this canorous cow-poke.

“Pipp Gillette lives and works on the family ranch near Lovelady, Texas, where his grandfather started raising cattle and cotton in 1912.  Pipp and his late brother Guy received the Western Heritage Award for Outstanding Traditional Western Album of 2011 and the 2013 Western Heritage Award for Outstanding Original Western Composition for their performance of the Waddie Mitchell song "Trade Off.” Drawing on a lifelong interest in Western history and music, Pipp plays traditional cowboy music on guitar, banjo, harmonica and bones.  Pipp’s first solo CD, Singing Songs by Waddie and Pipp received the Western Heritage Award for Outstanding Traditional Western Album of 2016. His newest CD, PippGillette with Lloyd Wright was released fall 2018.” Pipp is accompanied in this performance by Lloyd Wright.

https://www.campstreetcafe.com/guy&pipp.htm

In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers a 1975 archival recording of Ozark original Freeman Thomas performing the song “The Cowboy and the Wheel,” from the Ozark Folk Center State Park archives.

Author and historian Brooks Blevins provides a native’s view of the people, music, and colorful events that shape the Ozark region. This week, Brooks presents a profile of Oscar Gilbert, the husband of famed folk singer Ollie Gilbert. Also, we’ll hear an archival recording of Oscar singing the classic “Ballad of Cole Younger.”