Ozark Highlands Radio

This week, another special road trip episode. OHR visits Rogers, Arkansas’ Railyard Live Concert Series featuring post-folk newgrass phenomenon Arkansauce, recorded live at Butterfield Stage in Railyard Park in historic downtown Rogers. Also, an interview with Rogers Arts & Culture Coordinator Kinya Christian.

Rogers, Arkansas’ Railyard Live Concert Series began in 2021. Held on the city’s Butterfield Stage next to Railyard Park in historic downtown Rogers, it features live concerts every weekend throughout the Spring, Summer, and Fall. All of the Railyard Live events are either free to the public or at very low cost of admission. The concert series features a wide array of musical styles and interests designed to appeal to the diverse population of Rogers and invite them to experience the newly revitalized Railyard Entertainment District. The Ozark Folk Center State Park and the City of Rogers, Arkansas partnered to bring Ozark Highlands Radio to capture a little slice of this modern Ozark culture.

“Arkansauce is Tom Andersen on bass, Zac Archuleta on guitar, Ethan Bush on mandolin, and Adams Collins on banjo. Their music features improvisational string leads matched with complex melodies, intriguing rhythms, and deep thumping bass grooves. Each member sings lead and harmony parts as well as contributes to the lyrics, which offer authentic, intelligent songwriting with hard-hitting hooks. “We are a band that spends most of our time in the back of a van hurtling toward long nights, good times, and a destiny unknown,” says Ethan. “Our inspiration is gathered by events unfolding in our own adventures in real time. These days, the desire to create, inspire, and redefine within our scene seems to be the main driving force behind our music.” The melodies of the Ozark Mountains' rolling hills and raging rivers can be heard in this progressive string quartet’s distinct blend of newgrass.”

https://www.arkansaucemusic.com/info

In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1981 archival recording of Ozark originals The Bill Sky Family Trio performing the traditional song “Twilight is Stealing” from the Ozark Folk Center State Park archives.

In this week’s guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater traces the peregrination of the tune “John Stenson’s No. 2.”

This week, another special road trip episode. OHR visits Rogers, Arkansas’ Railyard Live Concert Series featuring Eureka Springs folk orchestra, Eureka Strings, recorded live at Butterfield Stage in Railyard Park in historic downtown Rogers. Also, an interview with Eureka Strings’ bassist, Dave Gesualdo.

Rogers, Arkansas’ Railyard Live Concert Series began in 2021. Held on the city’s Butterfield Stage next to Railyard Park in historic downtown Rogers, it features live concerts every weekend throughout the Spring, Summer, and Fall. All of the Railyard Live events are either free to the public or at very low cost of admission. The concert series features a wide array of musical styles and interests designed to appeal to the diverse population of Rogers and invite them to experience the newly revitalized Railyard Entertainment District. The Ozark Folk Center State Park and the City of Rogers, Arkansas partnered to bring Ozark Highlands Radio to capture a little slice of this modern Ozark culture.

Eureka Strings is a folk orchestra. A seven piece menagerie of instrumentation and musical styles based in Eureka Springs, Arkansas. The band features Dave Gesualdo on bass, Warren Dietzel on drums, Damian Sisca on keys, Alex Hawf on mandolin & vocals, Dylan Hawf on fiddle, Bear Morrison on guitar & vocals, and Sophia Clarke on guitar & vocals. Their sound is difficult to define, first appearing as a mild mannered country/southern rock band. But when they quickly begin to color outside of those lines, the listener finds Eureka Strings is a full blown genre bending psychedelic musical experience. Original southern twang and brutal folk candor meld with angular jazz chords, space grass virtuosity, southern rock energy, and slap bass to create an infectious country-fried Funkadelic-esque party on the stage.

In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1981 archival recording of Ozark originals The Sylamore Creek Quartet performing an unknown tune from the Ozark Folk Center State Park archives.

In this week’s guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater discusses the themes of conundrums and impossible tasks in traditional music.

This week, a special road trip episode. OHR visits Rogers, Arkansas’ Railyard Live Concert Series featuring singer-songwriters Will Gunselman & Ashtyn Barbaree recorded live at Butterfield Stage in Railyard Park in historic downtown Rogers. Also, an interview with Ozark original Will Gunselman.

Rogers, Arkansas’ Railyard Live Concert Series began in 2021. Held on the city’s Butterfield Stage next to Railyard Park in historic downtown Rogers, it features live concerts every weekend throughout the Spring, Summer, and Fall. All of the Railyard Live events are either free to the public or at very low cost of admission. The concert series features a wide array of musical styles and interests designed to appeal to the diverse population of Rogers and invite them to experience the newly revitalized Railyard Entertainment District. The Ozark Folk Center State Park and the City of Rogers, Arkansas partnered to bring Ozark Highlands Radio to capture a little slice of this modern Ozark culture.

Will Gunselman is a singer-songwriter from Bella Vista, Arkansas. Will’s vivid writer’s voice along with his unique style invents an honest and authentic Ozark story. Honing his art through decades of live performance, Will has crafted a simple sound that is modern and relatable but reveals a rich patina of life lived. Although plaintive, his music, rooted in folk, country and blues, dwells on the positive nature of experience and seeking joy in the everyday. Like traversing the river Will ardently describes in his song Buffalo River Run, sitting with a set of his music is a journey bent with scenic vistas of the soul.

Ashtyn Barbaree is an internationally touring gritty Americana singer-songwriter and multi-instrumentalist from Fayetteville, Arkansas. Sweet, soulful, charming and relatable, her lyrics have found their way into the hearts of folks from all walks of life. She has a smokey, yet silky voice accompanied with harmonies, guitar, tenor 8-string ukulele, upright bass, pedal steel, drums and piano. 

https://www.ashtynbarbaree.com/about

In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1981 archival recording of bluegrasser Lenny Wallace performing the tune “Take Your Shoes Off Moses,” from the Ozark Folk Center State Park archives.

In this week’s guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater explores the theme of riddles and trick questions in traditional folk music.

This week, a special road trip episode. OHR visits Rogers, Arkansas’ Railyard Live Concert Series featuring Eureka Springs hard-driving folk quartet, Front Porch, recorded live at Butterfield Stage in Railyard Park in historic downtown Rogers. Also, commentary from Rogers Arts & Culture Coordinator Kinya Christian on the exciting things happening in the Rogers Entertainment District.

Rogers, Arkansas’ Railyard Live Concert Series began in 2021. Held on the city’s Butterfield Stage next to Railyard Park in historic downtown Rogers, it features live concerts every weekend throughout the Spring, Summer, and Fall. All of the Railyard Live events are either free to the public or at very low cost of admission. The concert series features a wide array of musical styles and interests designed to appeal to the diverse population of Rogers and invite them to experience the newly revitalized Railyard Entertainment District. The Ozark Folk Center State Park and the City of Rogers, Arkansas partnered to bring Ozark Highlands Radio to capture a little slice of this modern Ozark culture.

Front Porch is a hard driving four piece folk ensemble. Self described as “contemporary bluegrass, old time and mayhem from Northwest Arkansas,” the band is based in Eureka Springs. Front Porch is Petey Wesley on banjo & fiddle, John Henry Holthus on guitar, Alex Hawf on mandolin, and Cameron Keeling rounding out the low end with upright bass. In true bluegrass fashion, all the guys in the band sing, but that’s where the traditional ends. Front Porch performs with all the usual ingredients of bluegrass and folk but bakes them up into a post-punk old-time acid jazz barn-burning bluegrass fusion that will have you jumping.

In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1981 archival recording of Ozark original Uncle Floyd Holland performing the tune “Nellie Gray,” from the Ozark Folk Center State Park archives.

In this week’s guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater explores variations of the traditional folk song “Polly Put the Kettle On.”

This week, a special road trip episode. OHR visits Rogers, Arkansas’ Railyard Live Concert Series featuring their Ozark Folk Jamboree. A compilation of seven bands recorded live over two days at the City of Rogers’ Butterfield Stage. Also, commentary from Rogers Arts & Culture Coordinator Kinya Christian.

Rogers, Arkansas’ Railyard Live Concert Series began in 2021. Held on the city’s Butterfield Stage next to Railyard Park in historic downtown Rogers, it features live concerts every weekend throughout the Spring, Summer, and Fall. All of the Railyard Live events are either free to the public or at a very low cost of admission. The concert series features a wide array of musical styles and interests designed to appeal to the diverse population of Rogers and invite them to experience the newly revitalized Railyard Entertainment District. The Ozark Folk Center State Park and the City of Rogers, Arkansas partnered to bring Ozark Highlands Radio to capture a little slice of this modern Ozark culture.

OHR producer Jeff Glover sits down with Arts & Culture Coordinator Kinya Christian to discuss what’s going on in Rogers, Arkansas’ Railyard Entertainment District and why. Musicians featured on the show are all local to Northwest Arkansas. They include Chucky Waggs, Ashtyn Barbaree, Rachel Ammons, Will Gunselman, Front Porch, Eureka Strings, and Arkansauce.

In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a recording of Ozark original one woman band Rachel Ammons giving a very unconventional performance of the song “Shady Grove,” at the Rogers, Arkansas Railyard Live Ozark Folk Jamboree.

This week, a titanic trio of certified country blues guitar masters recorded live at Ozark Folk Center State Park. Also, commentary from these blues maestros.

Country blues, also known as folk blues, rural blues, backwoods blues or down home blues, is one of the earliest forms of blues music. It’s performed primarily as a solo vocal with acoustic finger style guitar accompaniment. Country blues was developed in the rural Southern United States in the early 20th century and stands in contrast primarily to the urban blues style, especially in the pre-world war two era. Artists such as Blind Lemon Jefferson, Charley Patton, and Blind Willie McTell were among the first to record blues songs in the 1920s. Country blues ran parallel to urban blues, which was popular in cities.

Featured on this episode of Ozark Highlands Radio are renowned old-time singer and multi-instrumentalist Jerron “Blind Boy” Paxton, award winning Carolina Chocolate Drops veteran Hubby Jenkins, and celebrated bluesicologist & Reverend Gary Davis protege’ Roy Bookbinder.

Jerron "Blind Boy" Paxton is an American musician from Los Angeles. A vocalist and multi-instrumentalist, Paxton's style draws from blues and jazz music before World War II and was influenced by Fats Waller and "Blind" Lemon Jefferson. According to Will Friedwald in the Wall Street Journal, Paxton is "virtually the only music-maker of his generation—playing guitar, banjo, piano and violin, among other implements—to fully assimilate the blues idiom of the 1920s and '30s, the blues of Bessie Smith and Lonnie Johnson.”

Hubby Jenkins is a talented multi-instrumentalist, who endeavors to share his love and knowledge of old-time American music. Born and raised in Brooklyn, he delved into his Southern roots, following the thread of African American history that wove itself through country blues, ragtime, fiddle and banjo, and traditional jazz. After years of busking around the country and making a name for himself, Hubby became acquainted with the Carolina Chocolate Drops. Since 2010 he has been an integral part of the Grammy award winning Carolina Chocolate Drops and continues to make solo performances.

Guitarist Roy Book Binder has traveled the world as a solo performer for nearly 50 years. Roy’s career and playing style is heavily influenced by the late Reverend Gary Davis, who specialized in a unique style of guitar finger picking. Roy’s performances are as much a story of his life and experiences as they are a musical endeavor.

In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1981 archival recording of Ozark original Kenneth Rorie performing the tune “The Devil and the Farmers Wife,” from the Ozark Folk Center State Park archives.

In his segment “Back in the Hills,” writer, professor, and historian Dr. Brooks Blevins tells the story of Enoch Wolf, an adventitiously fortunate Arkansas Confederate Civil War officer whom, at the very end of the war, was spared an undeserved execution at the hands of his Union captors.

This week, it’s Dulcimer Jamboree time once again! Each year, dulcimer players from all over come to the Ozark Folk Center State Park in Mountain View, Arkansas for a weekend of learning, listening, and loving all things dulcimer. Each evening of the event features concerts by world renowned dulcimer teachers and performers. We’ll enjoy highlights recorded from these live performances featuring both mountain dulcimers and the more ancient hammered dulcimers.

Artists performing this year include: educator, songwriter and award winning mountain dulcimer maven Kara Barnard; hammered dulcimer prodigy Ben Haguewood accompanied by oldtime fiddle champion Kailee Spickes; ubiquitous hammered dulcimer performer and educator Ken Kolodner; hammered dulcimer master and educator Mary Lynn Michal; inimitable mountain dulcimer and auto-harp Jedi Karen Mueller; hammered dulcimer phenom Colin Beasley; multi-instrumentalist, folk singer, educator and Ozark original Pam Setser;

In this week’s “From the Vault” segment, musician, songwriter and Music Roots educator Kathy Jensen offers a 1981 archival recording of Ozark originals Tommy & Jean Simmons performing the tune “Greensleeves,” from the Ozark Folk Center State Park archives.

In his segment “Back in the Hills,” writer, professor, and historian Dr. Brooks Blevins explores scary Ozark Monster stories, featuring such horrifying beasts as the “Gowrow,” the “Highbehind” and the “Whangdoodle.”

This week, songs and stories from a trio of Grammy award winning world class songwriters recorded live at Ozark Folk Center State Park. Also, commentary from these three musical musketeers. Featured on this show are world renowned songwriter Roger Cook, award winning Memphis singer-songwriter Keith Sykes, and singer-songwriter and session musician Shawn Camp.

Born in Bristol, England, Roger Cook is recognized as one of the world’s greatest modern songwriters. During his lengthy international songwriting career, Roger has had more than 80 top 30 hits, including classics such as Something’s Gotten Hold Of My Heart – Gene Pitney, Something Tells Me – Cilla Black, Long Cool Woman In A Black Dress – The Hollies, and You’ve Got Your Troubles – The Fortunes. However, Roger is perhaps best known for his song I’d Like To Teach The World To Sing, which was recorded by the New Seekers and became the theme song for a long-running series of Coca-Cola commercials. - https://en.wikipedia.org/wiki/Roger_Cook_(songwriter)

Once upon a time in the summer of 1967, Keith Sykes hitchhiked to the Newport Folk Festival and saw Arlo Guthrie perform “Alice’s Restaurant.” In the fall of that year he got a copy of the album, learned the whole song and sang it at a Holiday Inn in Charleston, South Carolina. They hired him on the spot for a regular gig playing music in the hotel. In the more than 40 years that followed, he would become a troubadour and storyteller, a massively successful songwriter with more than 100 songs recorded by artists as diverse as Rosanne Cash and George Thorogood. He would tour every corner of America and play in just about every conceivable kind of venue, appear on Saturday Night Live and Austin City Limits, and host songwriter nights on Memphis’ legendary Beale Street with many of music’s most talented songwriters. He would join Jimmy Buffett’s Coral Reefer Band, tour the country and record the Volcano album – the title track for which he co-wrote with Jimmy. - http://www.keithsykes.com/

Some careers can be described with a couple of words but Shawn Camp's isn't one of them. A bold and distinctive singer and a songwriter who's provided material for artists ranging from Ralph Stanley, Del McCoury and Ricky Skaggs to Garth Brooks, Alan Jackson, Porter Wagoner, Loretta Lynn and Brooks & Dunn with hits such as “Two Pina Coladas” (Garth Brooks,) “Nobody But Me” (Blake Shelton,) “Would You Go With Me” (Josh Turner,) “River Of Love” (George Strait,) and Billy Currington’s hit single “Love Done Gone.)  Along with being a hit writer, he is a gifted multi-instrumentalist who's played as a touring/recording musician with everyone from Jerry Reed, Trisha Yearwood, Shelby Lynn and Alan Jackson to the Osborne Brothers, Guy Clark and John Prine.  Camp also co-produced a compilation tribute album for his friend and hero Guy Clark which was #1 on the Americana Charts for several weeks in the spring of 2012 and voted Americana Album Of The Year 2012. - https://shawncamp.com/bio

In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1981 archival recording of Ozark original Buddy Lancaster performing the tune “Fire on the Mountain,” from the Ozark Folk Center State Park archives.

In this week’s guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater explores regional variations of the traditional folk song “Going to the West.”

This week, a collection of consummate cow poke crooners recorded live at Ozark Folk Center State Park. Also, commentary from these bovine balladeers. Included on this show are Grammy nominated cowboy performer Don Edwards, inimitable cowboy poet & humorist Glenn Ohrlin, and Arkansas original cowgirl, singer, songwriter, actress and Country Music Hall of Fame superstar Patsy Montana.

One of America’s best loved and most enduring cowboy singers, Don Edwards is indeed an American treasure. His love and passion for traditional cowboy songs is second to none and has earned him a fan base worldwide. He knows the songs, the stories, and even some of the old trails that made the old West famous. Accompanied by his trusty guitar, Don takes us on a trip back in time when cowboy singers and songs echoed through the trails, taverns, and cattle drive camps of yesterday.

Born in Minneapolis, MN in 1926, Glenn Ohrlin was a veteran of the cattle industry and worked the rodeo circuit, both while being an acquisitive singer, poet, & story teller. Glenn put his extensive knowledge and years of experience collecting Western folk songs into a book, “The Hell Bound Train,” as well as performing his authentic style of cowboy poetry & prose. Ohrlin performed at cowboy poetry gatherings across America, and at the Kennedy Center in Washington D.C. In the 1970’s, Glenn moved to Mountain View, Arkansas, where he continued his music career, lending regular performances at the Ozark Folk Center. We at the Ozark Folk Center State Park reap the benefit of having years of Glenn’s live performance recordings in our archives.

Patsy Montana was an American country music singer, songwriter and actress. Montana was the first female country performer to have a million-selling single with her signature song "I Want to Be a Cowboy's Sweetheart,” and is a member of the Country Music Hall of Fame. She was a mainstay on the National Barn Dance on Chicago radio station WLS for many years. Born “Ruby Blevins” in Beaudry, Arkansas, the 11th child and first daughter of a farmer, Patsy attended schools in President Bill Clinton's hometown of Hope, Arkansas. She was influenced early on by the music of Jimmie Rodgers, and paved the way for women in the male dominated world of country music.

In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1981 archival recording of Ozark original Dean Hinesley performing the tune “Letter Edged in Black,” from the Ozark Folk Center State Park archives.

In his segment “Back in the Hills,” writer, professor, and historian Dr. Brooks Blevins discusses the origin of some odd words and pronunciations in the native dialect of Ozarkian.

This week, a collection of stringbands and stringband music both traditional and modern recorded live at Ozark Folk Center State Park. Also, commentary by musicians from these solely stringed outfits.

A stringband is an old-time music ensemble made up solely of string instruments. Stringbands were extremely popular in 1920s and 30s America and were the forerunners of modern country and bluegrass bands. Early old-time stringbands were comprised mainly of a fiddle, a banjo and acoustic guitar. They may have also been joined by other instruments including spoons, washboard, jug, harmonica, mountain or hammered dulcimer, autoharp and bones. Eventually, other stringed instruments began to be added to the fiddle-banjo duo that was essential to dance music of the early United States. These other instruments included mandolin and double bass or washtub bass. Such an assemblage of instrumentation became known simply as a “stringband.”

Featured on this stringband show are Ozark originals The Lazy Goat Stringband, Possum Juice, The Leatherwoods, The Upjumpers, and Harmony. Also featured are Shenandoah Valley old-time supergroup, The Steel Wheels and Minnesota stringband sensation, The Roe Family Singers.

In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1981 archival recording of Ozark originals Lloyd & Floyd Armstrong performing the song “Dust on the Bible,” from the Ozark Folk Center State Park archives.

In his segment “Back in the Hills,” writer, professor, and historian Dr. Brooks Blevins explores how to speak Ozarkian and the origins of Ozark vernacular.