Ozark Highlands Radio

This week, more songs out of style performed by various artists recorded live at Ozark Folk Center State Park. Songs can transcend musical styles and those styles can also transcend their traditional roots. “More Songs out of Style” continues our exploration of the movement of great songs across musical genres. We’ll hear modern songs remade into traditional acoustic styles.

Artists featured on “More Songs out of Style” include up and coming bluegrass sensation Sylamore Special, experimental bluegrass ensemble The Barefoot Movement, soulful bluegrass legend The Dave Adkins Band, guitar virtuoso Muriel Anderson, amazing sibling duo The Vogts Sisters, mountain dulcimer world champion Jeff Hames, bluegrass genre jumpers The Seldom Scene, mountain dulcimer guru & musical mad scientist Bing Futch, masters of harmony The Secret Sisters, as well as old-time music mavens, comedians, and all-around hooligans The Hogslop String Band.

In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark original mountain dulcimer master Elliot Hancock performing the tune “Hole in the Stocking” from the Ozark Folk Center State Park archives.

In this week’s guest host segment, renowned traditional folk musician, writer, and step dancer Aubrey Atwater discusses how songs change as they are passed on, learned, and performed by new artists. This episode traces the path of the traditional song “Red Rocking Chair” through some different performer’s styles.

This week, songs about saying goodbye performed by a variety of artists recorded live at Ozark Folk Center State Park in Mountain View, Arkansas.

Farewells have produced some of our most powerful and emotional works of art. Goodbye is a theme endlessly explored in paintings, sculpture, literature and film. Music is no different. In this episode, we’ll hear songs of farewell written for everything from beloved people, to places, careers, innocence, life, and even a horse. Featured are experimental folk ensemble Jayme Stone & the Lomax Project with Moira Smiley, renowned cowboy singer Don Edwards, the Paul Brock Band with Dennis Carey & Dave Curley, Smithsonian Folkways artists Anna & Elizabeth, Scottish fiddler Alasdair Fraser with cellist Natalie Haas, Texas swing and bluegrass phenomenon The Purple Hulls, John McEuen of the Nitty Gritty Dirt Band, Smithsonian Folkways artists Lula Wiles, traditional fiddler Bruce Molsky, folk singer and actor Joe Purdy & friends, and ubiquitous cowboy cadre Riders in the Sky.

In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark original Bob Blair performing the traditional song “Who Will Sing?” from the Ozark Folk Center State Park archives.

Renowned folk musician Aubrey Atwater presents songs about home. Leaving home, missing home, and going home are all themes of Aubrey’s segment this week.

This week, legendary songwriter, performer, folklorist, historian and Ozark original Jimmy Driftwood recorded live at Ozark Folk Center State Park. Dave Smith gives an historical portrait of the life of this remarkable Ozarker.

There was never a more popular, outspoken or controversial musician or personality to come out of Stone County, Arkansas than James Corbitt Morris (better known as Jimmy Driftwood.)  Driftwood was a driving force behind the creation of the Ozark Folk Center State Park and a successful singer songwriter who penned “The Battle of New Orleans” and “Tennessee Stud” among other notable songs. Jimmy helped put Stone County on the musical map and left a legacy that is still talked about to this day. Our program this week features special and seldom heard songs from some of Jimmy’s archival Ozark Folk Center performances.

Mark Jones' “From the Vault” segment offers an archival recording from the Ozark Folk Center State Park archives of Jimmy Driftwood demonstrating playing a tune on a hickory leaf.

Author and historian Brooks Blevins provides a native’s view of the people, music, and colorful events that shape the Ozark region. This week, Brooks presents a brief history of the very first Arkansas Folk Festival and folk singer Jimmy Driftwood’s efforts in starting the event that has been held annually in Mountain View, Arkansas since 1963.

This week, It’s Dulcimer Jamboree! A whole host of mountain & hammered dulcimer national champions recorded live at Ozark Folk Center State Park in Mountain View, Arkansas. Also, interviews with the some of these interesting and eclectic musicians.

For over 35 years, Ozark Folk Center State Park has hosted the annual Dulcimer Jamboree. The annual event takes place in mid-April and features three days of specialized instruction and performances from the country’s top mountain and hammered dulcimer players. The mountain dulcimer remains one of the more popular folk instruments today. Its celebration in the Mountain View, Arkansas area as a core folk instrument has never waned over the years, with an active community of players and instrument makers. With origins dating back to Biblical times, the hammered dulcimer is an unique instrument in the percussion family. Like the mountain dulcimer, it found a home in the Ozark region among folk musicians and instrument makers alike. Music this week includes performances by Ted Yoder, Rick Thum, Bing Futch, Jeff Hames, Tull Glazener, Jess Dickinson, and Judson Steinback.

In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark original dulcimer master craftsman Lynn McSpadden and his wife Catherine performing the traditional tune “Castle Grand,” from the Ozark Folk Center State Park archives.

Renowned folk musician Aubrey Atwater profiles influential folk music icons Jean Ritchie and the Ritchie Family, exploring the traditional Appalachian music and dance that the Ritchie Family helped to perpetuate into the modern American folk lexicon. This episode focuses on Jean Ritchie’s introduction of the mountain dulcimer to the New York City folk revival of the 1960’s, and features Jean Ritchie performing an haunting version of the traditional song “Pretty Saro.”

This week, Ozark original multi-instrumentalist, composer, educator, audio engineer and OHR host, our very own Mark Jones recorded live at Ozark Folk Center State Park. Also, interviews with Mark as well as with his long time friend, country music superstar Marty Stewart.

Anyone who listens to Ozark Highlands Radio will be familiar with the fun loving and friendly voice of Mark Jones, the keeper of our “Vault.” In August of 2021, we lost Mark to Covid-19. His passing was a profound loss to all of us, both professionally and personally. Please join us as we pay tribute to the life and legacy of our dear friend, Mark Jones.

Mark Alan Jones was born in 1955 to Country Music Hall of Fame & Grand Ole Opry performers Louis "Grandpa" Jones and Ramona Jones in Nashville, Tennessee. As a young man, he toured across the country with his famous parents making appearances on the Grand Ole Opry and the television show "Hee Haw.” He performed with numerous other artists including the Willis Brothers, the Wright Brothers, and Jimmy Driftwood's Rackensack Folklore Society. He also worked as a sound engineer for the Statler Brothers.

Mark toured with renowned guitarist, Doyle Dykes, playing in churches throughout America. He was a regular performer at the Grandpa Jones Dinner Theatre in Mountain View, Arkansas, and was a founding member of the Arkansas Beanfest. Mark spent several years playing banjo and running sound and lights at Silver Dollar City and Shepherd of The Hills Outdoor Drama in Branson, Missouri. He also worked as a performer and sound engineer at the Ozark Folk Center in Mountain View, Arkansas.

Throughout his life, Mark taught private music lessons helping to preserve traditional folk music. Even though his life was deeply engrained in music, he enjoyed working with the intellectually disabled and often used his musical talent as a therapeutic tool. Mark is a 2021 inductee of the George D. Hay Society Hall of Honor.

In this week’s “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers archival recordings of himself and a few of his friends demonstrating his true passion, the clawhammer banjo. Hear Mark playing the tunes Mountain Whippoorwill, Cripple Creek and John Hardy, from the Ozark Folk Center State Park archives.

Author, folklorist and songwriter Charley Sandage presents an historical portrait of the people, events and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. This week, Charley celebrates 50 years of the Buffalo National River. This episode recalls early efforts to conserve and protect America’s first national river. Featured is an interview with long time area resident and photographer Ed Alexander, who’s father, Arkansas Game and Fish Commission biologist Harold Alexander was one of the early pioneers in seeking to protect the river.

This week, Nashville, TN based high energy neo-traditional oldtime music sensation The Hogslop String Band returns to Ozark Folk Center State Park. Also, interviews with this rowdy rabble.

“Staying true to tradition while maintaining a bold irreverence is something that rarely goes hand-in-hand but Hogslop String Band manages to walk that line. With their roots in old-time string band music and their energy based in wild rock-and-roll, you could almost call them punk purists.

It’s an unlikely combination, but given the talents of singer and fiddler Kevin Martin; guitarist, harmonica player and singer Gabriel Kelley; mandolin player and singer Will Harrison; banjo player and singer Daniel Binkley, and bassist and all-round entertainer Pickle, they pull it off with natural ease. The name alone hints at their wacky ways, but catching them live will give you a true sense of these bizarre, seemingly contradictory descriptions.

They thrive on crossing genres, casting off the confines of straight old-time and bluegrass, delving into a deep repertoire of rock, folk, psychedelic, and original numbers that can only be described as, 'The Hogslop Sound.' It’s clear that these boys are going places, and they've quickly become one of the most unique and exhilarating outfits on the scene today. 'It only gets weirder from here,' they often say from stage. They're not kidding.” - http://www.hogslopstringband.com

Author, folklorist and songwriter Charley Sandage presents an historical portrait of the people, events and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. This week, Charley continues our celebration of 50 years of the Buffalo National River. This episode describes the park staff and volunteer support structures as well as the immense logistical challenges of maintaining America’s first national river. Featured are interviews with Buffalo National River Chief of Interpretation Cassie Branstetter, area native and long time Buffalo National River staff member Zed Davenport, Buffalo National River Partners Board Chairperson Terrie Martindale, park ranger and interpreter Lauren Ray, and long time area resident and photographer Ed Alexander.

This week, Ozark original and Mountain View, Arkansas based seventeen year old award winning fiddle prodigy Mary Parker and her band of rising bluegrass superstars, Sylamore Special, recorded live at Ozark Folk Center State Park. Also, interviews with this up and coming fiddle wunderkind.

For over ten years now, Mary Parker has been a regular performer here at the Ozark Folk Center State Park. That’s extraordinary, considering that she’s only now seventeen years old. The middle in her family of nine children, Mary has distinguished herself as a world class oldtime and bluegrass fiddle player and vocalist. She’s won ten state fiddle championships, as well as numerous bluegrass competitions with her many different bands. Most recently, her band “Sylamore Special” won first place at the Youth in Bluegrass Competition in Branson, Missouri. With her seemingly indefatigable sunny disposition and a voracious appetite for learning new music, Mary appears destined to carry on her already auspicious career in music. Mary is joined in this performance by her award winning band “Sylamore Special.” The band features another championship musical prodigy, Lillyanne McCool on banjo, also bass player and vocalist Mercy Grace, guitar picker and vocalist Turner “Turnip” Atwell, and mandolinist & jig dancer Gordon “Sugar foot” Parker, Mary’s footstep following younger brother.

In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1981 archival recording of Mary Parker’s mentor and Ozark original fiddler Roger Fountain performing the tune “Listen to the Mockingbird,” from the Ozark Folk Center State Park archives.

Author, folklorist and songwriter Charley Sandage presents an historical portrait of the people, events and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. This week, Charley continues our celebration of 50 years of the Buffalo National River. This episode recounts the controversy over, and political maneuvering that resulted in the creation of America’s first national river. Featured are interviews with writer, professor, and regular Ozark Highlands Radio contributor Dr. Brooks Blevins, and Buffalo River area native and long time Buffalo National River staff member Zed Davenport.

This week, Gatlinburg, Tennessee based neo-traditional bluegrass quintet The Po' Ramblin’ Boys recorded live at Ozark Folk Center State Park. Also, interviews with Ramblin’ Boys guitarist and vocalist, Josh Rinkel.

“At a time when most people feel constantly distracted by technology and barraged by the news, authenticity and straightforward honesty are paramount. There’s something about the music of The Po’ Ramblin’ Boys that cuts right through the noise of the world and speaks plainly to the soul. Formed in the Smoky Mountains, The Po’ Ramblin’ Boys are at once exactly what you would expect and not at all what you would expect from a tattooed East Tennessee Bluegrass outfit. No strangers to hard work, the boys are as much at home riding in their restored Eagle tour bus as they are crawling underneath to fix it when it needs maintenance. But they take pride in being ambassadors of their genre, and the group has brought their music from rural bluegrass festival stages to the rock clubs of Europe, and even the GRAMMY Red Carpet, with stunning results. ‘I think to a certain extent everyone is just craving music that they can feel, and any music that feels real will reach any audience’ says CJ Lewandowski, the groups founder, ‘We want to put bluegrass right where it’s least expected.’ Perhaps this mindset is why the group earned the title of Emerging Artist of the Year at the 2018 IBMA Awards.”

https://www.theporamblinboys.com

In this week’s “From the Vault” segment, OHR producer Jeff Glover offers a 1981 archival recording of Ozark original Ervin Freeze performing the traditional song “Charming Betsy,” from the Ozark Folk Center State Park archives.

Author, folklorist and songwriter Charley Sandage presents an historical portrait of the people, events and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. In this episode, Charley continues our celebration of 50 years of the Buffalo National River with a profile of the Buffalo National River Partners, a civic organization that supports the river in innumerable ways.

This episode continues our tour of places “you shouldn’t miss” and other remarkable spots along the 135 miles of America’s first national river, as well as where to find information about park events, facilities and services. Featured are interviews with park ranger & interpreter and Buffalo National River Partners Board member Kevin Middleton and Buffalo National River Partners Board Chairperson Terrie Martindale.

In this special Ozark Highlands Radio series, author, folklorist and songwriter Charley Sandage celebrates 50 years of the Buffalo National River, America’s first national river. On March 1st, 1972, President Nixon signed the bill creating a new national park, the Buffalo National River. 2022, then, is a fiftieth anniversary, and Ozark Highlands Radio is joining the celebration. Everything that millions of visitors to the park have experienced on the Buffalo, or are planning to experience, will be here. The 135-mile jewel of a mountain river, the legendary bluffs, shoals for camping and swimming, forested trails to waterfalls, shelter caves, and historic sites, wildlife, including smallmouth bass and other species to challenge your fishing skills.

This series is made possible with cooperation from the Buffalo National River, the Arkansas Game and Fish Commission, Buffalo National River Partners, The Arkansas Department of Parks, Heritage & Tourism, Arkansas State Parks, Ozark Folk Center State Park, The Committee of One Hundred, Stone Bank, and the Arkansas Arts Council. For the Buffalo theme song written and performed by Charley Sandage with music by Tim Crouch.

This episode guides us on a tour of places “you shouldn’t miss” and other remarkable spots along the 135 miles of America’s first national river. Featured is an interview with park ranger & interpreter and Buffalo National River Partners Board member Kevin Middleton.

In this special Ozark Highlands Radio series, author, folklorist and songwriter Charley Sandage celebrates 50 years of the Buffalo National River, America’s first national river. On March 1st, 1972, President Nixon signed the bill creating a new national park, the Buffalo National River. 2022, then, is a fiftieth anniversary, and Ozark Highlands Radio is joining the celebration. Everything that millions of visitors to the park have experienced on the Buffalo, or are planning to experience, will be here. The 135-mile jewel of a mountain river, the legendary bluffs, shoals for camping and swimming, forested trails to waterfalls, shelter caves, and historic sites, wildlife, including smallmouth bass and other species to challenge your fishing skills.

This series is made possible with cooperation from the Buffalo National River, the Arkansas Game and Fish Commission, Buffalo National River Partners, The Arkansas Department of Parks, Heritage & Tourism, Arkansas State Parks, Ozark Folk Center State Park, The Committee of One Hundred, Stone Bank, and the Arkansas Arts Council. For the Buffalo theme song written and performed by Charley Sandage with music by Tim Crouch.