Paper Talk

Kelsey Pike is a production papermaker based in Kansas City, Missouri. She learned papermaking and started her brand Sustainable Paper And Craft while attending the local art institute in 2010 and since then she’s sold over 100 thousand sheets of paper. She specializes in papers specifically designed for artists and makers, made from recycled fabric and other sustainable fibers. She’s currently searching for a long term apprentice who will work with her in the studio for the next few years to learn the tedious and back-breaking process.

John Sullivan started Logos Graphics 46 years ago when he moved to San Francisco, CA. The shop transitioned from offset lithography to letterpress in 2000, and it was letterpress printing that sparked Sullivan's interest in the subtleties of paper. As digital presses captured a larger portion of the print market. there was a narrowing of paper texture, color and thickness. Ten years ago Sullivan started saving the off-cuts from Cranes Lettra 100% cotton paper, then beating, coloring and forming that cotton pulp into new paper for short run broadsides. Five years ago, he added a CNC router to the shop, which opened the door to carving 3 dimensional molds for cast paper. After seeing Brian Queen’s 3D printed mold, deckle and laid mold surfaces, Sullivan acquired a 3D printer and has been creating moulds and deckles with interchangeable screen surfaces up to 16 x 20, plus assorted shaped deckles.

Paula Beardell Krieg is an artist and educator who uses paper for drawings, decoration, and building. She loves to explore the internal structure of books, including the patterns of folds, the sewing and knotting of bindings, and how everything fits together. Krieg’s work lies at the intersection of art and math, using color and line to illuminate symmetries and geometry in and on paper. She often collaborates with classroom teachers to design projects for arts-in-education classes and writes about her work in classrooms, as well as her own adventures with paper.

This is Part 2 of my interview with Nicole Donnelly. Find Part 1 here.

Nicole Donnelly is a hand papermaker and visual artist specializing in sculptural paper artworks and invasive plant papers. She is the President of the International Association of Hand Papermakers and Paper Artists (IAPMA), 2015-2021; and the founder of the creative papermaking studio paperTHINKtank. She is master papermaker for The Brodsky Center at PAFA (2019- present) and for The Brandywine Workshop & Archives (2018-present). She teaches paper and book arts at the Pennsylvania Academy of Fine Art and other institutions.

Nicole Donnelly is a hand papermaker and visual artist specializing in sculptural paper artworks and invasive plant papers. She is the President of the International Association of Hand Papermakers and Paper Artists (IAPMA), 2015-2021; and the founder of the creative papermaking studio paperTHINKtank. She is master papermaker for The Brodsky Center at PAFA (2019- present) and for The Brandywine Workshop & Archives (2018-present). She teaches paper and book arts at the Pennsylvania Academy of Fine Art and other institutions.

Rosston Meyer is a designer, paper engineer and publisher who creates pop up books under the name Poposition Press. Working mostly with contemporary visual artists, Rosston has self published over 20 pop up books, cards and pop up art prints since he started Poposition in 2013. Published titles include The Pop Up Art Book, The Necronomicon Pop Up Book and Dimensional Cannabis: The Pop Up Book of Marijauna which is a collaboration with six different paper engineers. He is one of just a handful of people in the world that self publishes pop up books, entirely managing each project from design to production to marketing to distribution.

Susan Joy Share is an Alaska based visual artist, bookbinder and performer. Her passion for the book form, its structural variations, materials and potential for movement blends with her interest in sculpture, painting, sewing and collage. Susan creates an array of wearable books, figures and architectural forms. Her innovative, early performances with foldout sculpture connected the book with the human body.

Meg Black is an artist and art historian who studies historical works of art and connects her work to the great artists who have come down to us through the ages. The subject of her work is nature and its impact on our sensory experience, and she studies how artists have recorded nature, and considers these approaches in her own designs. She doesn’t try to copy the natural world as she sees it but, rather, as she feels it. Black’s paintings and wall reliefs are made with abaca, a fiber that she is constantly discovering the potential for and is challenged by. She finds that the texture of this material provides an almost three-dimensional quality to the surface of her work, mimicking nature in all its splendor.

HELEN FREDERICK is recognized as a distinguished artist, curator, educator, coordinator of international projects, and as founder of Pyramid Atlantic, a center for contemporary printmaking, hand papermaking, and the art of the book. As an advocate for, and an active participant in the Washington, D.C. metropolitan area arts scene, she has served on the directorial boards of alternative art spaces, various local and national boards and national peer-review panels. Her work has been exhibited at The Phillips Collection in Washington, D.C., and the Museum of Modern Art in Kyoto, Japan, and is in collections of the Whitney Museum and Brooklyn Museum in New York, the National Gallery of Art and Smithsonian American Art Museum in Washington, D.C., among many others. She has received theSouthern Graphic Council International Printmaker Emeritus Award, the College Art Association Distinguished Teacher Award, and was invited into the Feminist Art Basearchive, the Brooklyn Museum of Art. Frederick is an alumnus of the Rhode Island School of Design and a Professor Emerita in the School of Art at George Mason University. Throughout her life, Frederick’s passion for diverse cultures and histories has led her to travel to observe the material cultures of many societies, their skills and ideas and to make connections among disparate cultural traditions. She has fulfilled speaking engagements around the world, always emphasizing collaboration across disciplines.  She serves as the organizational curator for the Kala Chaupal Trust, New Delhi, India.

Eugenie Barron was born in 1952, growing up in St. Louis, Missouri. She studied art and anthropology at the University of Missouri, Columbia campus before becoming a piano tuner/technician as well as studying hand papermaking as a craft and an artist. In 1979 she moved to New York City to study with Douglass Morse Howell and further her interest in papermaking. There she developed her skills, lecturing, curating, and teaching, primarily in the city and around the Hudson Valley of NY, where she has maintained several homes and working studios. She is currently semi-retired in Catskill, NY, yet she tries to maintain a connection with her contemporaries in both papermaking and the world of piano technology. Since beginning retirement she has been deviating into Garage Band and singing, which is quite an endeavor, given her voice and computer skills.