Paper Talk

Nicholas Cladis is an interdisciplinary artist and papermaker who lives and works in Iowa City, IA. He is the papermaking specialist at the University of Iowa Center for the Book, where he lectures and manages the Oakdale paper research facility. Cladis is an active researcher and practitioner of traditional and non-traditional papermaking processes. For six years he lived and worked in Echizen, Japan — an area with over 1,500 years of papermaking history — and continues to maintain an active relationship with the papermaking community there. He regularly contributes to the Future of Craft Villages research group at Fukui Prefectural University, and serves on the executive committee of Imadate Art Field, a non-profit arts organization based in Echizen.

Entrepreneur, educator and origami artist Miri Golan hopes to use her installations as a catalyst to unite people of different religious and cultural backgrounds. Many of her works use the book as a symbol of education, wisdom, and spirituality—ideas that can be used to help bring people on opposite sides of conflicts together. Her sculptures incorporate a variety of spiritual texts in unexpected ways and suggest that despite religious differences, people are fundamentally the same.

She is the founder of the Israeli Origami Center and Folding Together, an organization that encourages Israeli and Palestinian children and adults to fold paper forms as a team, turning origami into a collaborative expression of hope for a more peaceful world. She also designed and developed a mathematics curriculum called Origametria that has been accepted into the curriculum by the Israeli Ministry of Education, in which children learn geometry principles by folding origami models. Enjoy our conversation!

June Tyler has been a visual artist for over 40 years and been involved in papermaking for 32 years. Her studio, Pondside Pulp and Paper was established in 1995 in Norwich, NY, where she has offered workshops during the summer and fall months. Tyler has spent most of her professional career teaching at various colleges, as well as offering workshops at her studio and other venues. Tyler likes to work in a variety of media: Painting, drawing, printmaking, artist books, papermaking, sculpture and mixed media, depending on the idea or imagery she is pondering at the time. Her work has been shown in solo, group and juried exhibitions.

Paul Jackson is a professional paper artist, paper engineer, writer and teacher since 1983, who specializes in origami and the folded arts.  Jackson has written more than 40 books, the first of which were origami books for adults and children, and his more recent books have been about the application of folding techniques into design, a subject he has taught in more than 80 Universities and Colleges in 13 countries, to design students of many disciplines, including Fashion, Architecture, Ceramics, Jewelery, Product Design and Textiles. Jackson was born in England and moved to Israel when he married the Israeli origami artist and educator, Miri Golan, founder of the Israeli Origami Center (1993). Miri and Paul founded the Folding Together project and the Origametria program, which involves using origami to teach geometry.  In 2018, Origametria was accepted by the Israeli Ministry of Education into the National Mathematics Curriculum and is studied weekly by 30,000+ children of Primary School age.

Amy Richard is a native of Miami, Florida. After working for many years as an artist/illustrator, science writer and educator, a fascination with hand papermaking processes led her to complete an MFA in Book Arts at the University of Iowa. Her focus was on Japanese-style papermaking, along with the history, traditions, and the spiritual/ healing aspects of the practice. Heavily influenced by the cycles of life, much of Richard’s work is a response to the metaphysical energy exhibited in nature, particularly within the detritus or "relics" that remain after life is gone. Using the inner bark [bast fibers] from specific plants, Richard strives to capture nature’s vibrancy in her sculptures, prints, paintings and artist books.

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Sierra Nevada-based visual artist Andie Thrams uses watercolors in wildland forests to create paintings and artist’s books that explore mystery, reverence, and delight, while grappling with vanishing habitats. Merging the lineages of illuminated manuscripts and natural history field journals with a contemporary art and science awareness, her imagery weaves intricate botanical detail into rich layers of shape, color, and hand-lettered text to evoke the complex interconnections within ecosystems of the Greater West.

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Jackie Radford is a papermaker and bookbinder working in her studio near Charlotte, NC. Radford’s work is heavily influenced by the texture and sensory nature of the materials she works with — she needs to feel them as much as see them. During the COVID pandemic, she immersed herself in making paper with pure cotton rag, pulling over 5,000 sheets of handmade paper. The slow, meditative practice of papermaking provided an anchor during the turbulence of a global pandemic, and she is now busy trying to keep up with orders on Etsy.

Matthew Reinhart is a world-renowned children's book author, illustrator and paper engineer, known best for cutting and folding paper into gravity-defying pops in his acclaimed pop-up books.

Mindell Dubansky is head of the Sherman Fairchild Center for Book Conservation, Watson Library, The Metropolitan Museum of Art, where she is Preservation Librarian and book conservator. She writes on the book arts, particularly in the areas of 19th century publisher’s bindings, hand papermaking, bookbinding, the history of book-shaped objects and American decorative paper arts.

Erica Spitzer Rasmussen is an artist who creates handmade paper garments and small editions of hand-bound books. Her current work explores family stories and issues of identity. Her work has been featured in such magazines as FiberArts, Surface Design Journal, American Craft and Hand Papermaking.  Rasmussen teaches studio arts as a full professor at Metropolitan State University in St. Paul, Minnesota (USA).  Her artwork is exhibited and collected internationally.