Andrew Dewar was born in Toronto in 1961, and has degrees in Journalism, Japanese Studies, and Library Science. He has lived in Japan since 1988. Since completing his Ph.D. studies at Keio University in Tokyo, he has taught at several colleges, and for the past decade has been principal of Tokai Daiichi Kindergarten as well as professor and Library Director at Tokai Gakuin University in Gifu, Japan. Soon after arriving in Japan, he rediscovered his childhood love of paper airplanes, and has been flying, designing, and publishing for more than three decades. He also teaches papercraft at schools, community centers, and museums around the country. He has more than 40 publications in English and Japanese.

Megan Singleton is a practicing artist, educator, and mother located in St. Louis, Missouri. The investigation of ecological relationships within society and the landscape is the basis of her work. As an interdisciplinary artist, she creates works that resonate with the materiality and rhythms of the natural world. Her creative practice intertwines sculpture, handmade paper, found objects, photography, and books arts. Singleton received her MFA in sculpture from Louisiana Sate University and her BFA in Photography form Webster University in St.Louis. She actively exhibits and was the recipient of the St. Louis Regional Arts Commission Artist Fellowship Grant, the Smelser-Vallion Visiting Artist Fellowship in Taos, NM and has participated in Artist Residencies across the US.

Simon Arizpe is an award winning pop-up book designer, paper engineer and illustrator based in Brooklyn, NY. His work received the 2018-2019 Meggendorfer Prize, the highest honor in pop-up book design, as well as the Award of Excellence from the Society of Illustrators. A graduate of The Pratt Institute, Arizpe worked for over 10 years as the senior paper engineer at several of the top pop-up book studios in the world before opening his own pop-up book studio in 2014. Working on every aspect of pop-up book design: from concept and engineering to mass production and printing on over 35 projects. Arizpe has also designed several award winning holiday cards for Museum of Modern Art Design Store. In addition to his design work, Arizpe is the professor of paper engineering at The Pratt Institute and  Parsons School of Design in New York City.

Helen Hiebert is the author of six instructional books on papermaking and papercrafts and is widely respected as a generous teacher and mentor. Working from her studio in Colorado, Helen hosts classes and retreats, and extends her outreach by teaching online. Her weekly Sunday Paper Blog keeps the field up-to-date regarding a wide range of paper artists and paper-related news. Her monthly Paper Talk podcast series features recorded interviews with papermakers, paper artists, paper engineers, designers, and entrepreneurs. Helen’s contributions as an artist, author, and teacher have had a significant and important impact on the papermaking community.

Susan Ruptash is a Toronto washi artist who works in a variety of paper arts including explorations of handmade heritage washi, printmaking and bookmaking, building on a lifelong fascination with the properties and possibilities of paper. Ruptash’s career as an architect has informed her explorations of structure, form, materiality and process. She is a member of Propeller Art Gallery, Open Studio, and the Canadian Bookbinders and Book Artists Guild. Ruptash’s work often includes embedded efforts that may not be readily apparent on viewing, but contribute to the finished piece through a curiosity and respect for the materials. For this reason, many of her works appear minimalist at first glance.

Roberto Mannino explores form with an abstract, process oriented, non-realistic approach. In Papermaking the very fact that there is a molecular change from liquid to solid implies the presence of natural energies that are embedded in the process itself. His hands-on practice enables him to have a dialogue with the nature of things in relation to his own personal motivations.

Bruce Foster has paper engineered over 65 pop-up books, over 100 pop-up cards, and at least a dozen other unpublished works. Originally from southern Louisiana, Bruce attended art school at The University of Tennessee in Knoxville, earning his BFA with honors and returning later for graduate studies in studio art. Eventually settling in Houston, TX, he worked as a graphic designer and art director before discovering and launching a career in movable books in 1989, although it was not until 2005 that he had enough work to take it full time.

Sara Garden Armstrong is a visual artist whose decades-long practice embraces a wide range of scales and techniques, from large site-specific sculpture to artist’s books. Lyrical, nature-based biomorphic abstraction characterizes the work, focusing on life processes and systems. It addresses organic change and transformation, while exploring properties of materials. Armstrong received her Master of Fine Arts from the University of Alabama and a Master of Art Education from UAB. After living in New York City for 36 years, in 2017 she returned to Birmingham, where she currently lives and works.

Russell Maret is a book artist and letter designer working in New York City. He began printing in San Francisco as a teenager before apprenticing with Peter Koch in Berkeley and Firefly Press in Somerville, Massachusetts. He set up his own press at the Center for Book Arts, New York in 1993 and has been printing and publishing ever since. In 1996 Russell began teaching himself to design letterforms, leading to a twelve year study of letterforms before he completed his first typeface in 2008. In 2011, he began working to convert some of his type designs into new metal typefaces for letterpress printing. Since then he has produced four metal typefaces and four suites of metal ornaments.

Tom Balbo has spent most of his life in and around Cleveland, Ohio. His earliest work was primarily in ceramics and printmaking. As his interest in papermaking grew, his work turned towards expressing his artistic creativity in this area. Over the past 40 years, Balbo's work has been exhibited and shown in a large number of shows and galleries, and he has garnered numerous awards and critical attention for his artwork. In 2008, Balbo founded The Morgan Art of Paper Conservatory and Educational Foundation in Cleveland, Ohio along with other local artists. He continue to work in paper, printmaking, and ceramics and divides his time between creating in his studio and as the Artistic Director at the Morgan Conservatory.