Cathryn Miller has had an interest in making things out of paper since early childhood, and still believes that anything —except, perhaps, internal combustion engines— can be made out of paper. After being sidetracked in adult life by a short career as a theatrical designer, then a twenty year career as a textile artist, Miller returned to playing with paper in 1994. Since then, as Byopia Press, Miller has published limited editions of conventional books and produced multiple artist’s books, altered books, and paper toys. Through the Byopia Press weekly blog, she offers frequent DIY projects for readers as well as sharing her own works in progress.

Molly Grosse is co-founder of Rock Paper Store and an artist who works in a variety of mediums. Prior to founding Rock Paper Store, she worked as a wedding photographer, and her initial explorations with the paper were wedding products, like party favor boxes, invitations or waterproof flowers. Now we’ll be talking about what Rock Paper is, but once Molly dove into the process of making this paper from rocks (which her mother invented), she began exploring the best way to mix colors and create interesting combinations. She had an aha moment when she realized that the unique colors would make her product an ideal art paper, and she’s been focusing on selling sheets of rock paper ever since. Molly learns something new everyday from the wonderful community she has built on social media, and she is always impressed with the beautiful and creative ways that artists are using Rock Paper.

I interviewed Nicole Magistro, the author/publisher and Alice Feagan, the illustrator of the picture book, Read Island. Join a very brave girl and her furry friends on an adventure to Read Island! Through the power of imagination and the pleasure of reading, this curious trio set sail for a magical island made of books. On their way they discover a joyful collection of animals converging by sea and land, just in time for an unforgettable story hour.

Nicole Magistro is the author and publisher of Read Island. She is a professional reader and amateur mother who lives in the mountains of Colorado. She owned The Bookworm of Edwards here in Colorado for 15 years, wrote thousands of book reviews and memorized a few too many bedtime stories. Her favorite place in the world is the real Read Island, which inspired this story. Magistro is also a mentor, journalist, consultant, and community leader.

Alice Feagan is a children's book creator known for her distinct cut-paper collage style in The Collectors and School Days Around the World. Her lifelong love of storytelling and art making led her to the world of picture books where she creates playful illustrations for children's books, magazines, apps, educational products, and games. When she is not making picture books, Alice can be found reading them with her two young sons.

Kelli Anderson is a designer and paper engineer whose work operates in the space between conceptual art, graphic design, and tech. Her whimsical books have featured a working paper planetarium, a pop-up pinhole camera, and a paper record player. Whenever she can, she uses humble, lo-fi materials to expose the invisible magic of the world and make abstract concepts real and tangible. Anderson's work puts forth the idea that lo-fi, handheld experiences can challenge the notion of tech as an inaccessible black box. Her first book, a functional pop-up camera titled, “This Book is a Camera,” was published by the Museum of Modern Art in 2016. Her paper record player invitation, her TED talk, and her work on Tinybop's "The Human Body" are widely-beloved for showcasing the possibility hiding in plain view in our world.

Maro Vandorou is a visual artist of Greek origin, who is living and working in California. Her formal training has a strong interdisciplinary character informed by studies in the visual arts, interaction design, literature, psychology, digital and computer technologies. Her work explores the process of transformation through installations of original photographic material, writings, and artists’ books. Her tools of choice are film cameras, Gampi – a rare Japanese handmade paper – and platinum–palladium printing.

As Storey’s publisher and editorial director, Deborah Balmuth heads up efforts to acquire and publish outstanding, long-lasting nonfiction books that support Story Publishing’s mission of promoting personal independence in harmony with the environment. She works with a group of passionate editors who seek out promotable authors with deep, hands-on knowledge and wisdom on topics ranging from gardening and farming to crafts, cooking, building, outdoor living, natural well-being, and creativity for both adults and children. Since joining Storey in 1993, Deborah has conceived and edited many best-selling titles that reflect her personal interests in herbal medicine, crafts, and nature journaling.

Radha Pandey is a papermaker and letterpress printer. She earned her MFA in Book Arts from the University of Iowa Center for the Book where she studied Letterpress printing, Bookbinding, and Papermaking with a focus on Western, Eastern and Indo-Islamic Papermaking techniques. Her artist’s books are held in numerous public collections, she has lectured and taught workshops on Indo-Islamic papermaking around the world, and she is currently working on an artists book inspired by Mughal miniature paintings of botanicals from the 17th century. Radha splits her time between India, where she grew up and Norway, where she and her partner Johan Solberg run Halden Bookworks.

Susan Kristoferson specializes in surface design processes on paper such as itajime (Japanese fold, clamp, and dye) and hand painted paste papers, She lives and works in Turner Valley, Alberta, in Canada, on hilltop with a view of the foothills and Rockies along with her husband and a small farm of chickens and sheep. Kristoferson is inspired by the long-distance view from her home and studio where she creates unique landscape “paintings” and abstract images using the papers she has made, painted, dyed, and collected during the past 40+ years.

Jerushia Graham is the Museum Coordinator for the Robert C. Williams Museum of Papermaking and a working artist. Graham is interested in creating spaces for socially-minded introspection and empathy through her artwork, workshops, and curatorial projects. The Atlanta-based printmaker, papermaker, book artist, and fiber artist who exhibits both nationally and internationally, and is a member of the Book/Print Artist/Scholar of Color, the Movable Book Society, and the North American Hand Papermakers. Graham served as the first VP of Exhibitions/Curatorial for the North American Hand Papermakers (2020-2021)  She has also been a guest curator for the Zora Neale Hurston Museum in Eatonville, FL and The Hudgens Center for Art and Learning in Duluth, GA.

Nicholas Cladis is an interdisciplinary artist and papermaker who lives and works in Iowa City, IA. He is the papermaking specialist at the University of Iowa Center for the Book, where he lectures and manages the Oakdale paper research facility. Cladis is an active researcher and practitioner of traditional and non-traditional papermaking processes. For six years he lived and worked in Echizen, Japan — an area with over 1,500 years of papermaking history — and continues to maintain an active relationship with the papermaking community there. He regularly contributes to the Future of Craft Villages research group at Fukui Prefectural University, and serves on the executive committee of Imadate Art Field, a non-profit arts organization based in Echizen.