Episode 9 in our series on the great essays is about Joan Didion's 'The White Album' (1979), her haunting, impressionistic account of the fracturing of America in the late 1960s. From Jim Morrison to the Manson murders, Didion offers a series of snapshots of a society coming apart in ways no one seemed to understand. But what was true, what was imagined, and where did the real sickness lie?

More on Joan Didion from the LRB archive:

Thomas Powers on Didion and California:

'The thing that California taught her to fear most was snakes, especially rattlesnakes...This gets close to Didion's core anxiety: watching for something that could be anywhere, was easily overlooked, could kill you or a child playing in the garden – just like that.'

Mary-Kay Wilmers on Didion and memory:

'Reassurance is something Didion doesn't need. She is talking to herself, weighing up the past, going over old stories, keeping herself company. Staging herself.'

Martin Amis on Didion's style:

'The Californian emptiness arrives and Miss Didion attempts to evolve a style, or manner, to answer to it. Here comes divorces, breakdowns, suicide bids, spliced-up paragraphs, 40-word chapters and italicised wedges of prose that used to be called "fractured".'

Patricia Lockwood on reading Didion now:

'To revisit Slouching Towards Bethlehem or The White Album is to read an old up-to-the-minute relevance renewed. Inside these essays the coming revolution feels neither terrifying nor exhilarating but familiar – if you are a reader of Joan Didion, you have been studying it all your life.'

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Episode 8 in our history of the great essays is about Susan Sontag’s ‘Against Interpretation’ (1963). What was interpretation and why was Sontag so against it? David explores how an argument about art, criticism and the avant-garde can be applied to contemporary politics and can even explain the monstrous appeal of Donald Trump.

Sontag in the LRB:

Terry Castle on Sontag and friendship 

‘At its best, our relationship was rather like the one between Dame Edna and her feeble sidekick Madge – or possibly Stalin and Malenkov.’

James Wolcott on Sontag and polemics

‘The upside of Sontag’s downside was that her ire was generated by the same power supply that electrified her battle for principles that others only espoused.’

Mark Grief on Sontag and identity

‘One of the most appealing things about Susan Sontag was that she didn’t ask to be liked. Sontag’s persona was not personal. It was superior.’

Joanna Biggs on Sontag and Paris

‘Paris let her say no to an academic life, but not to a life of ideas. The best thinking was done in cafes, or in bed, or at the movies, not in libraries.’

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Episode 7 in our series on the great essays is about James Baldwin’s ‘Notes of a Native Son’ (1955), an essay that combines autobiography with a searing indictment of America’s racial politics. At its heart it tells the story of Baldwin’s relationship with his father, but it is also about fear, cruelty, violence and the terrible compromises of a country at war. What happens when North and South collide?

More on Baldwin from the LRB:

Michael Wood on Baldwin and power 

‘James Baldwin’s thinking recalls Virginia Woolf’s view of the way that women have been used as mirrors by men.’

Colm Toibin on reading Baldwin

‘James Baldwin’s legacy is both powerful and fluid, allowing it to fit whatever category each reader requires, allowing it to influence each reader in a way that tells us as much about the reader as it does about Baldwin.’

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Episode 6 in our series on the great essays is about Simone Weil’s ‘Human Personality’ (1943). Written shortly before her death aged just 34, it is an uncompromising repudiation of the building blocks of modern life: democracy, rights, personal identity, scientific progress – all these are rejected. What does Weil have to put in their place? The answer is radical and surprising.

Read ‘Human Personality’ here

For more on Weil from the LRB archive:

Toril Moi on living like Weil 

‘If we take Weil as seriously as she took herself, our nice lives will fall apart.’

Alan Bennett on Kafka and Weil

‘Many parents, one imagines, would echo the words of Madame Weil, the mother of Simone Weil, a child every bit as trying as Kafka must have been. Questioned about her pride in the posthumous fame of her ascetic daughter, Madame Weil said: “Oh! How much I would have preferred her to be happy.”’ 

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Episode 5 in our series on the great essays is about George Orwell. His wartime essay ‘The Lion and the Unicorn’ (1941) is about what it does – and doesn’t – mean to be English. How did the English manage to resist fascism? How are the English going to defeat fascism? These were two different questions with two very different answers: hypocrisy and socialism. David takes the story from there to Brexit and back again.

For more on Orwell from the LRB:

Samuel Hynes on Orwell and politics

‘He was not, in fact, really a political thinker at all: he had no ideology, he proposed no plan of political action, and he was never able to relate himself comfortably to any political party.’

Julian Symons on Orwell and fame

‘If George Orwell had died in 1939 he would be recorded in literary histories of the period as an interesting maverick who wrote some not very successful novels.’

Terry Eagleton on Orwell and experience

‘Orwell detested those, mostly on the left, who theorised about situations without having experienced them, a common empiricist prejudice. There is no need to have your legs chopped off to sympathise with the legless.’

More from the History of Ideas:

Judith Shklar on Hypocrisy

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Episode 4 in our series on the great essays is about Virginia Woolf’s masterpiece ‘A Room of One’s Own’ (1929). David discusses how an essay on the conditions for women writing fiction ends up being about so much else besides: anger, power, sex, modernity, independence and transcendence. And how, despite all that, it still manages to be as fresh and funny as anything written since.

Read more on Virginia Woolf in the LRB:

Jacqueline Rose on Woolf and madness

‘It is, one might say, a central paradox of modern family life that its members are required to mould themselves in each other’s image and yet to know, as separate individuals or egos, exactly who they are.’

Gillian Beer on Woolf and reality

‘The “real world” for Virginia Woolf was not solely the liberal humanist world of personal and social relationships: it was the hauntingly difficult world of Einsteinian physics and Wittgenstein’s private languages.’

Rosemary Hill on Woolf and domesticity

‘Woolf, who had once found it humiliating to do her own shopping, spent the last morning of her life dusting with Louie, before she put her duster down and went to drown herself.’

John Bayley on Woolf and writing

‘For Virginia Woolf wish-fulfilment was in words themselves, that protected her from herself and from society.’

Listen to David’s History of Ideas episode about Max Weber’s ‘The Profession and Vocation of Politics’.

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Episode three in our series about the great political essays is about Thoreau’s ‘Civil Disobedience’ (1849), a ringing call to resistance against democratic idiocy. Thoreau wanted to resist slavery and unjust wars. How can one citizen turn the tide against majority opinion? Was Thoreau a visionary or a hypocrite? And what do his arguments say about environmental civil disobedience today?

Read Thoreau’s essay here

From the LRB:

Paul Laity on Thoreau and self-sufficiency

Jeremy Harding on XR and civil disobedience 

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Episode two in our series on the great essays is about David Hume. How can eighteenth-century arguments about the national debt help make sense of American politics today? When does public borrowing become a recipe for national disaster? Who is really in charge of the public finances: the government or the bankers, Washington, D.C. or Wall Street? And what has all this got to do with Hume’s arguments for the morality of suicide?

Read Hume’s original essay ‘Of Public Credit’ here.

For more on Hume from the archive of the LRB:

Jonathan Rée on Hume’s voracious appetites: ‘“The Corpulence of his whole person was better fitted to communicate the Idea of the Turtle-Eating Alderman than of a refined Philosopher,” as a friend put it.’

Fara Dabhoiwala on Hume and mockery: ‘David Hume often resorted to ridicule to undermine hypocrisy or superstition, even if he doubted its capacity to settle controversial questions, arguing that mockery was as likely to distort as to reveal the truth.’

John Dunn on Hume and us: ‘Hume is in some ways so very modern . . . But just because he is in some ways so close to us, it is easy to lose the sense that in many others his beliefs and experiences stand at some little distance from our own.’

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For our last episode before Christmas David answers some of your questions about the History of Ideas series – What would Dickens have made of Trump? How would reparations work? Which essays are missing from the list? 

Coming up: the whole series on the great essays, one a day, every day, starting on Christmas Day.

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