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EPISODE 107 - PAUL LAMBERT - VFX Supervisor
Team Deakins has a great conversation with Paul Lambert, VFX Supervisor (DUNE, FIRST MAN, BLADE RUNNER 2049). He walks us through the world of VFX and reveals the complexities. We talk about the VFX on Blade Runner 2049 and how some of them were achieved. He shares how he figured out the transparency of the character Joi. He also talks about his work on the film, First Man and tells us how a lot was accomplished. We talk about what makes a VFX shot work and what makes it fail. We also touch on the importance of continuity of lighting between the elements of the shot, the importance of the placement of the focus and the difficulty of scheduling the amount of time needed to create the shots. A fascinating look into the world of VFX!
By James Ellis Deakins, Roger Deakins4.9
10991,099 ratings
EPISODE 107 - PAUL LAMBERT - VFX Supervisor
Team Deakins has a great conversation with Paul Lambert, VFX Supervisor (DUNE, FIRST MAN, BLADE RUNNER 2049). He walks us through the world of VFX and reveals the complexities. We talk about the VFX on Blade Runner 2049 and how some of them were achieved. He shares how he figured out the transparency of the character Joi. He also talks about his work on the film, First Man and tells us how a lot was accomplished. We talk about what makes a VFX shot work and what makes it fail. We also touch on the importance of continuity of lighting between the elements of the shot, the importance of the placement of the focus and the difficulty of scheduling the amount of time needed to create the shots. A fascinating look into the world of VFX!

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