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By Tony Roig
4.8
198198 ratings
The podcast currently has 358 episodes available.
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A ceramics instructor swapped a ball for a "priceless" vase and watched his class tense up. Nobody forgot how to catch. They just became afraid of what dropping it would mean. That shift happens in pickleball too. Early on, the game is just fun. Then the expectations arrive, and the same missed shot that meant nothing now feels like a big deal. This week I talk about how expectations change how you interpret what happens on the court, and why setting them before you play protects the enjoyment that makes this sport worth coming back to. In the Riff: improvement frustration. Working hard on the wrong thing (the third shot drop is a common example) can leave you wondering where the payoff is. I explain the block-by-block approach we use in Your Pickleball Coach, and why locking in one block before moving to the next builds a positive loop that lasts. Your Pickleball Coach: https://yourpickleball.coach If cost is an obstacle, email [email protected] and we will work with you.

There is a lot going on in a pickleball game. Four players, several rallies inside every rally, the lob, the dink, the banger, the volley you got jammed on. And underneath all of it, a conversation running in your head about the score, your partner, the wind, the shot you should have made. That's all sound. No silence anywhere. The week before a live coaching call, Tony visited an art exhibit called "Silence Before Sound." One room, roughly the size of a small house, held three pieces of art. That was intentional. They could have filled it, but filling it would have defeated the point. Your brain works on the same principle. Give it three things to see, and it sees all three. Give it fifty-three, and it sees none of them. In this episode, Tony connects negative space to the Tap Into Your Flow series inside the Tony Roig Pickleball project, shares what players reported after using The Blue Danube as an anchor, and offers a practice you can start before your next session. Not on the court. In the car, before you get out. Learn more about Your Pickleball Coach at https://yourpickleball.coach

Christine Hobson retired at 60. Two days later, she ran her first marathon. She has run more than 100 since. Every continent. A world record in Antarctica. And when she describes it, she does not lead with the marathons. She leads with what the first one taught her: she had been underestimating herself the whole time. That is the topic this week. We do this as humans. We try something, it does not go well, and we file it away as evidence. Enough of those and we start building a case against ourselves. I hear it constantly when I suggest pickleball to somebody. I'm too old. I'm too out of shape. I'm too late. Fill in the blank. There is a second story in the episode that lands the same point from a different angle. A woman on a date says, almost by accident, that in another universe she would be a stand-up comedian. She had never said it out loud before. Her date asks the obvious question back: why not in this universe? She gave him the list of reasons. He kept peeling them back. She became a stand-up comedian. So here is the pickleball version. You have a picture of yourself out on the court. The player who sees the game better, who puts the ball where they meant to put it, who feels good walking on. If that player is a 3.5 and you are a 2.5, there is nothing structural stopping you. Not tomorrow. Maybe not in six months. But in eighteen months, with a clear plan and a clear sense of what you are working on, absolutely. To be sure, some things really do impede you. Bad information impedes you. Bad guidance impedes you. Coming at the game from a purely technical angle, where you need to know the exact paddle angle and exactly where each toe points, impedes you, because that is not how the brain learns to play. Those are real. Everything else on your list, you put there. And to be clear, none of this is a directive. Nobody needs to reach a level. If you are happy playing exactly the way you play now, that is a fine place to be. But if there is a version of you out ahead that you actually want, do not be the one blocking the path. **The riff: two ways to handle adversity** Missing a shot is an adverse event. Small on the scale of adversity, but real inside the game. First situation. My partner and I are stacked. The return of serve comes back hard, with spin, into the far corner. He has to cover a lot of ground and hit a very difficult backhand. He catches the top of the net. Good effort, hard shot, no issue. He apologizes. I tell him there is nothing to apologize for, that it was a great return and a tough ask from that position, and that I am not upset. He apologizes again. Then he says it: I shouldn't miss that. He processed it the same way today that he processed it a few years ago. It is a loop, and it costs him something every time. Second situation. Last game of the day, court one, score somewhere in the fours, evenly matched. My focus wandered off. I do not know where it went, but it left. I missed a few shots I do not normally miss. I could have hunkered down and demanded that focus come back. But there is no switch to flip. Ebbs and flows in attention are the most natural thing in the world. They happen to full-time professional athletes in every sport. So I told my partner: pick me up, I'll be back in a few minutes. And I was. We lost that game, but we tightened it up and made it competitive down the stretch. Same category of event. Two very different relationships with it. The second one gives you a calmer mind, and a calmer mind sees the court better and hits the next ball better. That is not a soft benefit. That is the mechanism. **Extra coaching tip** Notice who your partner is apologizing to. When a player says sorry after a difficult miss, they are usually not apologizing to you. They are apologizing to the version of themselves who was supposed to make that shot. That is why reassurance from you does not land. You cannot answer an expectation you did not set. What you can do is name the difficulty of the shot out loud, once, and then move on to the next point with your own body language completely neutral. You are not arguing with their standard. You are just declining to feed it. Be well, Tony

Episode 309: Use the Force Luke (and Leia) A floater comes at you. It's just hanging there in space, waiting. Game point. Everybody on the next court has stopped to watch. You bring the paddle up, you swing, and the ball goes straight into the net. You have to be kidding me. So what happened? The natural response of any athlete is to go to mechanics. I mishit it. Something in my swing broke down. Something in my grip, my footwork, my paddle face. I'm going to suggest to you that more often than not, that miss was not mechanical. It was mental. And I don't mean mental in the way we usually mean it. I'm not talking about focus, or nerves, or staying present. I'm talking about your decisions, or the absence of them, about the shot you just hit. Run through three questions. One. Did you have a clear idea of where you wanted the ball to cross the net? A target. A specific space over the tape. If the answer is no, or I'm not sure, then you did not hit an intentional shot. You hit an unintentional one. You swung the paddle forward, and whatever happened, happened. When the ball lands in the net, it's hard to be upset about it. Where were you sending it? Two. Did you pick a spot with enough cushion? If you're aiming a quarter inch over the net, you have already baked the net into the shot. It sits inside the range of outcomes you selected. Give yourself paddle width over the net, at minimum. You'll still catch the tape once in a while. It will be much rarer. Three. Did you feed that information to your processing unit? Your processing unit is your brain. The decision only helps if it gets delivered before you swing. Miss any one of those, and the error was mental. Do all three, with real margin, and still find the net, then yes, now we can talk about mechanics. Footwork, swing, grip, something. But that's the second place to look, not the first. Here's where the Star Wars part comes in. In the movies, the Force is telekinesis. You move an object with your mind. You don't touch it. You just decide, and it goes. You can't do that on a pickleball court. Not directly. But you can do it indirectly, and that's the whole idea. Your mind makes the decision. Your mind hands that decision to your body. Your body sends the ball. If that connection isn't there, the ball goes wherever it goes. So if you want to fix the shot, start with the mind. — The Riff: Gratitude Most of you interact with this sport as a player. Some of you also interact with it as a student of the game, which is a different thing altogether. There are players who just want to go out and hit the ball, and that's perfectly fine, but they usually aren't listening to this podcast. There are other ways in, too. Fan of the pro game. Organizer. Referee. Tournament volunteer. The person who texts three other players on a Thursday to make sure Friday morning happens. That last one matters more than it gets credit for. I'm thankful for the people here who organize our play. David, Paul, Tyson, Stephanie. If I'm forgetting somebody, forgive me. It's been a long day of content creation. Because of them, I get to play on a Wednesday, or a Friday, or a Saturday. I'm thankful for the facilities, too. Pickle and Pint in Largo, Florida lets me shoot my videos there and cooperates with every project I bring them. None of that happens unless somebody decides to build courts, operate them, and pay for them. And I'm thankful for you. My coaching would be for nothing without players who listen, who watch, who read, who came in early and founded the community. All of it is what lets me do the thing I love doing with this sport. I like playing. I love coaching. Thank you, from me and from the whole team here at Tony Roig Pickleball. Be well, Tony

Episode 308: The Definitive Guide to Out Ball Disputes Here's the situation. Score is 10-9-2. Your team is serving. You hit a volley, crisp, and it lands right on the line. A hair in or a hair out. Your opponent calls it out. You're sure it was in. What now? Most of us go straight to the challenge. That instinct makes sense. You saw what you saw, the point mattered, and nobody likes losing a game on a call they don't agree with. But before you say anything, run through a few questions. Who created the situation? You did. You hit the ball so close to the line that your friend was put in an impossible spot. Unless you believe they're cheating you, they made the best call they could in a situation you handed them. Where is this conversation going? They say out. You say you saw it in. They say they saw it out. Then what? Even if nobody escalates, the temperature on that court already changed the second you opened your mouth. Is there enough riding on it? Is this point worth spending your friendship capital on? Are you 100% sure you're right? Would you bet your life on it? I clipped a call like this recently and zoomed all the way in. I still couldn't tell you. I wouldn't bet a dollar on it. And if we want to play by the rules, the rules are clear about whose call it is. Theirs. Last one. Flip it around. They serve, you call their ball out, and they come at you about it. How does that feel? Work through those questions, and the answer shows up on its own. Move on. Don't pause. Don't look twice. Toss the ball, serve, carry on. In competitive play with a referee, an appeal is fine. That's what referees are for. An appeal is not a dispute. And here's the part that matters most. Those same filters work off the court. Is it worth the cost? Where is this going? Am I sure? How would this feel from the other side? That's a useful screen for a lot of disagreements that have nothing to do with pickleball. You're out there to play, see your friends, and have a good time. Protect that. In the riff, I take you behind the scenes on the new course we're building here at Tony Roig Pickleball. It starts from a premise I want you to sit with: you are a capable, intelligent adult, and you can learn to navigate this game yourself. My job is to transfer what I know to you. Yours is to go play. A thank you to the founding members who have joined us. This coaching, including this podcast, is possible because of you. It means a lot. Be well, Tony
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