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Caius Lucius asks Cymbeline to ransom his servant, a British boy (who is, of course, the disguised Imogen). Cymbeline does not recognize her but orders her freed and offers to give her any privilege within his power to grant. She speaks with him in private, and Belarius and his sons marvel at seeing the adopted brother they thought was dead. Cymbeline returns and asks Iachimo to step forward. Imogen demands to know where he got the ring on his finger. Iachimo confesses how he used trickery to win the bet with Posthumus. Posthumus emerges from the crowd and attacks Iachimo. When Imogen tries to intervene, Posthumus hits her, thinking she’s a boy. Pisanio scolds Posthumus. Imogen, revealing her true identity, turns on Pisanio for trying to poison her. The old doctor Cornelius intervenes, explaining how the Queen tricked Pisanio into thinking the poison was a healing potion and that he (Cornelius) secretly changed the ingredients to make it non-lethal. Posthumus embraces his wife. As everyone begins to piece it all together, Guiderius (Polydore) confesses that he killed Cloten. When Cymbeline orders that Guiderius be put to death for killing the prince, Belarius reveals himself as the banished courtier and tells the king that Guiderius and Arviragus are the sons that were stolen from him long ago. Cymbeline, overcome with happiness, forgives Belarius and welcomes him back to court. Meanwhile, Iachimo offers his life to Posthumus as payment for his sins, but Posthumus graciously forgives him. Together, everyone works to interpret the prophecy that Jupiter left in the book Posthumus found beside him that morning. The joyful king frees the Roman prisoners and vows to resume the tribute payments. Everyone goes to give thanks to the gods and to celebrate a lasting peace.
The PLAY ON PODCAST SERIES, “CYMBELINE”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by ANDREA THOME. All episodes were directed by RAKESH PALISETTY and are based on the NATIONAL ASIAN AMERICAN THEATRE COMPANY’S stage production directed by STEPHEN BROWN-FRIED. Radio play by CATHERINE EATON.
Executive Producer: MICHAEL GOODFRIEND
This podcast was recorded under a SAG-AFTRA AGREEMENT.
PURVA BEDI as SICILIUS, LORD AND CAIUS LUCIUS
ANNIE FANG as ARVIRAGUS, FRENCHMAN, LADY AND THE WRITER
CHRISTINE TOY JOHNSON as CYMBELINE
ANNA ISHIDA as IACHIMO, ROMAN SOLDIER, AND JAILOR
NAREA KANG as CORNELIUS, MOTHER, SOOTHSAYER, LORD AND MESSENGER
MARIA-CHRISTINA OLIVERAS as THE QUEEN AND BELARIUS
SARAH SUZUKI as PHILARIO, GUIDERIUS, AND COMPANION
JEENA YI as CLOTEN AND ROMAN SOLDIER
JULYANA SOELISTYO as PISANIO AND JUPITER
Casting by THE TELSEY OFFICE: KARYN CASL, CSA.
Voice and Text Coach: JULIE FOH
Mix and Sound Design by LINDSAY JONES. Original Music Composition by CAROLINE ENG and LINDSAY JONES, with additional composition, orchestration and arrangement by STEPHEN BROWN-FRIED. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES).
The Play On Podcast Series “CYMBELINE” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.
Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you’ll find interviews with the artists, producers and engineers who brought it all to life. And remember: “FALSEHOOD IS WORSE IN KINGS THAN BEGGARS!”
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