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Makram Ayache’s play “The Green Line” blends together two queer storylines in Lebanon — one taking place in 2018, and the other in 1978 during the Lebanon Civil War. Makram wrote the play as a way to explore what it means to be a queer Lebanese Canadian. A new production will be staged in Toronto later this month at Buddies in Bad Times Theatre. Ahead of that, Makram sits down with guest host Talia Schlanger to talk about “The Green Line,” how it was informed by his own travels to Lebanon and what he learned about grief from his younger self.
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Makram Ayache’s play “The Green Line” blends together two queer storylines in Lebanon — one taking place in 2018, and the other in 1978 during the Lebanon Civil War. Makram wrote the play as a way to explore what it means to be a queer Lebanese Canadian. A new production will be staged in Toronto later this month at Buddies in Bad Times Theatre. Ahead of that, Makram sits down with guest host Talia Schlanger to talk about “The Green Line,” how it was informed by his own travels to Lebanon and what he learned about grief from his younger self.
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