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Podnews Daily - podcast industry and podcasting news episodes

October 07Apple Podcasts highlights “Creators We Love” for Australia
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Apple Podcasts has published its 2026 edition of Creators We Love in Australia. The list is made to celebrate and spotlight the trailblazing Australian voices who bring Apple Podcasts to life. Apple Podcasts describe this year’s cohort as delivering "endless entertainment, mind-expanding education and deep community for their audiences". Shows are the ABC's All In The Mind, Mamamia's Mamamia Out Loud, Dyl & Friends from Clubby Sports, Steph and Laura from Shameless, and the indie show Pop Culture Parenting.
In June this year, Apple's list in the UK was all video shows, and all by Acast: promotion for a favoured format and a favoured publisher. At a time where Apple Podcasts is dropping country-specific recommendations, in our opinion it's a relief to see that Apple's new list in Australia is not merely a thinly-disguised promotion for a podcast publisher and format, and instead appears a genuine list of creators. Only one show is in video!
Selected creators get promotion within Apple Podcasts in Australia, and will be featured in Apple stores across the country. There is no promotion of these shows on paid-for media outside of Apple properties, however.
Only 2% of time listening to audio in a car is to podcasts, according to Canadian research. Signal Hill Insights released Audio on the Move, research showing that streaming services are rapidly catching up to AM/FM listening. One in four minutes spent listening to audio is done in a car in Canada.
The research also shows that only a tiny minority like AI-generated content, like podcasts or music.
Ausha launched video distribution to Apple Podcasts. The podcast host also supports YouTube.
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Gold supporters: Buzzsprout, Mowpod, Beehiiv, Podbean, The $100 MBA, The Podglomerate, Cloud10, audioBoom, Audiohook, Libsyn, Cohost, PAVE Studios, The Content Creator's Accountant, Podscribe, Sounds Profitable, Simplecast, RedCircle, Magid, Scicomm Media, Jar Podcast Solutions, Awesound, Acast, We Edit Podcasts, Podpage websites
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5 min
October 06Brand suitability for Amazon Ads DVA+
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First look: Barometer announced a brand suitability solution for Amazon Ads DVA+. Advertisers can activate Barometer's pre-bid brand suitability, to check that every podcast episode meets advertiser brand guidelines.
Amazon Ads DVA+ is a new way to produce display, video and audio campaigns, all in one place. Advertisers typically require brand suitability data to avoid putting their ads next to content they don't want to be associated with.
WME launched its own "Creator Labs", described as an in-house digital operations team that helps creators build and scale their businesses on YouTube and elsewhere. There are eleven people on the team.
Tomorrow, Oxford Road will run "The Deal Room" - a podcast upfront that isn't afraid to actually sell, according to CEO Dan Granger.
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4 min
October 05Podcast network Fable and Folly is to close
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The audio fiction podcast network Fable and Folly is to close at the end of this year. The network blames a change in podcast advertising for its closure. However, the network says: "The shows you love aren't going away; they're just heading to new homes. Through the end of the year, we're helping our producers migrate their shows and connect with new hosting and advertising partners, so the series you follow can keep going strong."
After we revealed that Apple Podcasts has dropped country-specific editorial in favour of an algorithmic selection, today we carry one example that shows the difference: it was National Day for Truth and Reconciliation in Canada last week. Unlike in March 2025, when Apple Podcasts ran a "Made in Canada" initiative, last week only one indigenous-made podcast was promoted by Apple Podcasts in Canada: from the not-entirely-unknown CBC.
Apple Podcasts might suggest that human curation remains at the heart of what they do - and that it's good news for creators since they can reach wider audiences than before because they're no longer locally-targeted. However, in our opinion, this is a loss to local producers: and belies a lack of understanding from Apple Podcasts about who pays for podcasting - since in many cases, sponsorship and branded content are sold on a country-by-country basis, where country-specific targeting is vital.
What would the happy couple like for a wedding present? How about a podcast? Will Coley produces podcasts that focus on a couple's relationship and upcoming wedding; in this piece from The New York Times, he explains how he makes the shows.
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6 min
October 02Apple Podcasts algorithm drops country-specific curation
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Apple Podcasts has always had an impressive set of region-specific editorial content, ensuring that locally-made shows, among other relevant podcasts, have been promoted to audiences. Until now. Podnews has learnt from multiple sources - amid increasing industry frustration - that Apple Podcasts is no longer showing a country-based editorially-curated view to users in the "Home" and "New" sections in the Apple Podcasts app. Instead, Apple is showing an algorithmic view for each user, designed to follow what the company calls user types: and no longer containing content that has been targeted by country.
One Podnews reader in Canada sent us a view of their signed-in Apple Podcasts "New" section, which no longer contains any Canadian-produced shows above the fold - and noting that colleagues and friends all had different shows in this view. This is in spite of threatened Canadian content laws which would require a certain percentage of Canadian-made shows to appear in podcast apps. It's not just a Canadian thing - Podnews's Editor notes that in his "new" section, there isn't a single piece of Australian content promoted to him, but instead highlighting promoted shows adjacent to what he already listens to. We understand that all Apple Podcasts users now get an algorithmic view.
The new algorithmic approach removes what Apple Podcasts was uniquely good at: locally knowledgeable teams highlighting serendipitous shows that were locally and culturally relevant. It was a unique editorial part of Apple Podcasts that benefited both listeners and content creators. One producer tells us that "with this shift, Apple becomes just another platform that serves each user's echo chamber of taste." Another producer suggested that the algorithmic suggestions are fine, but the older country-specific content was valuable. “Why not show both?”
For creators that pitch new shows for highlighting in Apple Podcasts, the changes are especially troublesome. Apple's podcast feature request form was changed in June or July - though Apple Podcasts hasn't updated the page that links to it - and it no longer contains a way to target a geographical audience. "It's all global now," says one producer to us, having confirmed this new behaviour with Apple directly. Another podcast producer in the UK tells Podnews that, due to this algorithmic view, it’s no longer possible to even know whether a show has been selected for promotion.
Apple Podcasts gave us a statement, made on background, suggesting in effect that nothing's changed, and that the company's editorial approach remains consistent. The statement is at odds with what the company has directly told producers, and what's visible in the app. It seems a curious own goal: as a podcast producer in Canada tells us, "I now get more Canadian recommendations in Spotify".
The winners of the British Podcast Awards were announced. The industry’s top prize, Podcast of the Year, was awarded to Prison Radio Association’s Hold or Fold, which also took home Best Factual Podcast. Bill Nighy was crowned Best Host.
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5 min
October 01Reach of podcasts stays steady: The Podcast Landscape 2026
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Sounds Profitable's Podcast Landscape 2026 was released. Overall reach of podcasts remains steady at 74% of all Americans; but 34% of podcast consumers say they started consuming podcasts within the past year, up from 28% in 2025. As we heard at Podcast Movement a few weeks ago, in its first year carrying podcasts, Netflix was named by 21% of podcast consumers as a platform they had used in the past 12 months, placing it third behind YouTube (63%) and Spotify (33%), and ahead of Apple Podcasts (15%).
The winners of the Black Podcasting Awards were announced. The special occasion celebrated 66 award wins across 57 categories, earned by 44 podcasts, spanning comedy, true crime, business, faith, and everything in between. The Legend Award was won by Kevin Y Brown; we've a full list of the winners.
Oxford Road published the top performing shows for B2B advertising campaigns. It reminds us that listeners don't just listen to business podcasts - and that you need to find them based on what they listen to, rather than merely the subject of the podcast.
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4 min
September 30Podcast Movement NYC puts all sessions online
Sponsored by The Podglomerate. Better thumbnails. Smarter clips. More viewers. Bring your video podcast questions to The Podglomerate’s webinar later today, featuring YouTube Podcasts’ Strategic Partner Manager. Register here.
Happy International Podcast Day! Podigee has shared a short film, The Voice Carries to celebrate podcasts, the people who make them, and to everyone who listens.
Just in time for International Podcast Day, Podcast Movement has posted the sessions from Podcast Movement NYC, now available for free. There are 82 different sessions to watch, from every stage at the event. Next year, Podcast Week NYC will be held Sep 13-17; Podcast Movement Evolutions is Mar 15-16 at SXSW.
Podcast hosting company Podigee released what it calls a "fundamentally redesigned platform" to celebrate International Podcast Day, with audio and video recording, full video distribution, and advanced analytics. The company is wholly based in the EU, and follows European privacy rules.
In the UK, Radiocentre released Sounds Profits, a piece of research showing that by diverting a small amount of existing adspend away from PPC or paid social towards audio, you can increase your total campaign ROI significantly. The research also shows that audio can increase brand trust, so other parts of campaigns work better.
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6 min
September 29Was Inception Point AI just a PR stunt?
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Exclusive: Inception Point AI's thousands of AI-made podcasts could just have been a publicity stunt, according to a new episode of The Lead Balloon podcast, to be released today. CEO Jeanine Wright is interviewed on the show, saying that some publicity was "a PR strategy to get attention". We learn that the Quiet Please network now only has 300 active shows, which they're no longer trying to monetise. Wright tells Podnews that "the catalog itself was never a stunt, and we never chased volume for publicity." Also in Lead Balloon she gives a definition of AI slop: folks "using AI tools to make as much content as they can with as little expense as possible, in order to be able to monetize the delta." Sounds familiar. The company is now branded as Liquid Studios, which now suggests that it "transforms existing content, not generates from a blank page".
The biggest podcast advertiser is going international - BetterHelp has appointed Media Bodies to focus on international podcast advertising. Media Bodies will work alongside BetterHelp to develop, launch and scale campaigns across 10 international markets, combining global strategy and performance data with local market expertise.
The Apple iPhone might not be giving your headphones the best audio quality - because it doesn't support the latest Bluetooth audio codecs. A new Bluetooth dongle from Questyle could unlock better audio quality - and also much lower latency, which might be useful for recording podcasts without the delay you get with a normal Bluetooth connection.
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5 min
September 28Patreon removes “per-creation” memberships: goes monthly only
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Patreon is removing a legacy "per-creation" membership, forcing creators to move to charging a per-month fee instead. A "per-creation" membership was particularly useful for some podcasters, especially audio drama producers, who don't make "always-on" material. Paolo from GrowthMasteryHub takes a closer look - and notes that the hard part isn't just choosing your new price.
Congratulations to Jack Laurence, who has just passed 1.5 million downloads for his (audio-only) podcast What I Survived. He shares his download breakdown in a LinkedIn post.
Apple spent thousands on a front-cover wraparound of London newspaper Metro to promote its new Apple Music Hall in London. Not to sound cranky, but we're unaware of any money spent promoting Apple Podcasts over the last five years.
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5 min
September 25YouTube reveals new features
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YouTube made a number of announcements at Made on YouTube, the company's annual event.
YouTube is to add a voice likeness detection tool, to help creators sign up for deepfake detection. The company is also launching A/B video testing, where different videos can be tried to see which work better.
YouTube Music premium subscribers will get a "new personalized AI-audio guide available in the YouTube Music app that delivers a quick, weekly spoken preview of recommended podcasts and digs into why you’ll like them, before jumping into the suggested episodes — completely eyes-optional and hands-free".
Live video on YouTube get an update, too, with co-hosting, live reactions, and live auto-dubbing.
Apple Podcasts Connect seems to have quietly tweaked its listening figures for certain dates. We understand that Apple Podcasts noticed a discrepancy and reprocessed the data.
Data we screenshotted on Sep 16 appeared to claim, on average, that listeners were consuming 176% of our Jul 9 show. Now, the same data we screenshotted today suggests average consumption of that episode was 85%. Similarly, our Jul 6 show had "average consumption" of 166%; but now that number is 83%.
It's notable that the number of "plays" has significantly declined on both affected episodes, as well as the consumption data. However, our Jul 1 show still suggests average consumption of 127% (which, we'd suggest, probably isn't true).
Our podcast is comparatively short, but we're aware of other, significantly larger, podcasts that have shown the same over-consumption issue.
Goalhanger's accounts for 2025 are now available in the UK's Companies House. The accounts contain a lot of detail on how the company operates; including a breakdown of the £37mn (US $49mn) revenue: 67% from advertising, 25% from memberships, 4% from events, and 2% from "commissions" (presumably affiliate deals). The company had 54 staff, and earned 38% of its revenue from the UK, and 46% from the US (from Spotify, it appears).
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6 min
September 24Why help the big gatekeepers?
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"I’m not sure why we are feeding our content to one of the biggest gatekeepers in media." Sounds Profitable's Tom Webster has published an overview of his talk at Podcast Movement last week. "You can put your show on YouTube or on Spotify, promote it there, and as long as you don’t violate the terms of service, you stay there. You cannot put your show on Netflix. The podcasts that are on Netflix are, frankly, the shows that don’t need the help; they were already the upper echelon by audience, which is precisely why Netflix picked them." He adds: "We are potentially making a deal with the devil when we put our programming on Netflix, because ultimately we don’t matter to Netflix, and I’d like us to focus on the places where we do."
A lot is said about the benefits of open RSS. One is that you can publish, almost anonymously, on all the big podcast players: especially if you have a story to tell. In Slip Three, the audio has been treated to disguise the voice of the host - who is somewhere at sea, hiding from the authorities, after what he calls an incident where four men died. It's an intriguing listen, with more of the mystery to discover.
The shortlist has been announced for the International Women's Podcast Awards. There were almost 500 entries received this year; it was judged by over 80 people across the world. Winners will be announced on Oct 8.
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