Before cable news and email and Twitter, it was the postal service that transmitted ideas and information across land, sea, and political divides. Kim speaks with National Postal Museum chief curator Dan Piazza about some of the messages that stamps themselves were communicating, including a few asides from Philatelist-in-Chief, Franklin D. Roosevelt.

We also pair some noteworthy stamps to original artwork that lives right here at the National Portrait Gallery.

See the portraits we discuss:

Benjamin Franklin by Duplessis

Franklin’s stamp

Roosevelt and the Little White House

Roosevelt at his desk

Susan B. Anthony, bronze bust

Susan B. Anthony, three cents

Susan B. Anthony, photograph

Susan B. Anthony, fifty cents

Jean Baptiste Pointe du Sable

Benjamin Banneker

José Andrés is the Michelin-starred chef known for jumping into action to feed people affected by hurricanes, wildfires, and most recently the war in Ukraine. But he’s also a huge admirer of a woman whose photograph lives at the National Portrait Gallery– the Civil War nurse Clara Barton. Museum director Kim Sajet talks with Andrés about his call for ‘longer tables,’ and also takes us down the block to Barton’s old digs to see how their stories overlap.

See Clara Barton’s portrait here.

The House committee investigation into the Jan. 6 attack on the Capitol has generated a lot of interest in one of the National Portrait Gallery’s latest commissions -- an official portrait of former President Donald Trump. So we decided to revisit an episode that takes a spin through the ‘America’s Presidents’ exhibition.

Director Kim Sajet digs into the thorny question of what a presidential portrait is meant to convey, especially if the president in question has been impeached. Should it carry the glow of prestige, or the markers of personal failings? Is this gallery hallowed ground, or a place to question power? "If you're in the business of showing these paintings," says Washington Post art critic Philip Kennicott, "you want to send people out a little hungry."

Also featuring former deputy director Carolyn Carr.

See the portraits we discuss here:

President James Buchanan

President Richard Nixon

President George H. W. Bush

President Bill Clinton

President George W. Bush

President Barack Obama

Atlantic editor Vann R. Newkirk II talks to Kim about the mutability of memory, as seen through two portraits of the abolitionist John Brown. He also explains how a photograph of his mom helped him to appreciate the fragility of democracy in the United States, and why he tries to keep a garden wherever he goes.

See the portraits we discuss:

George Washington Carver

John Brown daguerreotype

John Brown painting

Marylin Thurman Newkirk

Photography and the Civil War crashed into one another, making it affordable for soldiers to have their picture taken before going off to war. What Black soldiers communicated in these images was a desire not just for freedom, but for citizenship. But they didn't always control how their photographs were used.

Drs. Deborah Willis and Rhea Combs talk with Kim about the photographs taken of - and for - Civil War Soldiers. Because it turns out there’s a big difference.

See the portraits we discuss:

Harper’s Weekly special edition

Gordon after his escape

Peter with scarred back

Tintype of soldier

Soldier with painted backdrop

George Takei went boldly where no man had gone before when he broke racial stereotypes to play Mr. Sulu on Star Trek. But he's also lent his celebrity (and his sharp-witted Twitter feed) to a stack of social causes. George traces his activism to a single, searing injustice-- his internment as a Japanese-American during WWII. He was five years old.

See the portraits we discuss:

George Takei as Hikaru Sulu

Wayne Collins

They Called Us Enemy

Takei at Rohwer dedication ceremony

Dr. Chien-Shiung Wu was a towering figure in science whose parity experiment shattered our understanding of the physical world. She enjoyed rockstar status in China, met the pope, inspired an opera and even became a “Jeopardy!” question. But to Jada Yuan, she was grandma.

See the portraits we discuss:

Dr. Wu in the lab

Tsung-Dao Lee, Nobel Laureate

Chen-Ning Yang, Nobel Laureate

Dr. Wu on the forever stamp

Also, check out Jada Yuan’s article about her grandmother here!

Grassroots organizer Dolores Huerta talks to Kim about her first encounter with the deep poverty of California farmworkers in the 1950s, and how she took on the status quo (in a wrinkled sweater) during the landmark Delano Grape Strike. All the time, she fought on two fronts: resisting exploitation and also resisting sexism, sometimes from within the very labor movement she helped to launch.

See the portraits we discuss:

Huerta with ‘Huelga’ Sign

Huerta at Delano Grape Strike

Huerta with Fred Ross

Huerta by Barbara Carrasco

Gloria Steinem and Dorothy Pitman Hughes

Kim Sajet, director of the National Portrait Gallery, examines the stories of people who say “No” to the status quo. Guests this season include Dolores Huerta, who fought chauvinism within the very farmworkers movement she helped to launch, plus chef José Andrés, who has been building resilience “one meal at a time” in battle zones and areas struck by natural disaster. Tune in starting May 17.

Since it was founded over a long lunch in Boston in 1857, The Atlantic has featured presidents and poets, abolitionists and suffragists— men and women set on advancing The American Idea. This episode, Kim takes the magazine’s editor-in-chief, Jeffrey Goldberg, on an ‘Atlantic alumni’ tour, stopping in front of a bust of Martin Luther King Jr. and a life-size painting of Mark Twain.

Their conversation previews an upcoming collaboration between The Atlantic and the National Portrait Gallery that will look at the portraits of yesterday’s disruptors through today's lens.

See the portraits we discuss:

Harriet Beecher Stowe

Henry Wadsworth Longfellow

Julia Ward Howe

Mark Twain

Martin Luther King Jr.