PORTRAITS

Kim Sajet, director of the National Portrait Gallery, draws back the curtain on the artwork that tells the story of the United States— from a presidential portrait with a shadow of scandal hanging over it, to a $3 bill featuring George Washington in a toga. Tune in starting March 23 as Kim chats with historians, journalists and educators to reveal key American figures as the flawed, complex, and at times, unexpectedly relatable human beings they were.

Operatic soprano Renée Fleming has been called ‘the people’s diva,’ performing at key moments in our nation’s story, like when she sang at ground zero after 9/11. For this special episode, she talks with Kim about how music can help us mourn, heal, and celebrate as we send off a particularly tough 2020 and nestle into the holidays. She also describes a few portraits that hold special meaning for her, because portraits are what we’re all about!

See the portraits we discuss:

Renée Fleming by Annie Leibovitz is here.

Denyce Graves and Marc Mostovoy by Nelson Shanks is here.

Leontyne Price by Bradley Phillips is here.

Special thanks to Dr. Lonnie Bunch, Secretary of the Smithsonian, and the Smithsonian National Board for making this podcast possible.

Born just two years after the abolition of slavery, Madam C.J. Walker built a business empire by marketing her homemade haircare formula to the black community. Along the way, she became the United States’ first female self-made millionaire.

Our guests, Janine Sherman Barrois and Elle Johnson, helped bring Walker’s story to millions of viewers in the Netflix limited series, “Self Made.” They discuss Walker’s barrier-busting entrepreneurship, as well as her decision to use her own portrait as part of her brand.

See her trademark photograph here: https://npg.si.edu/object/npg_NPG.2008.20

We look at a black and white photograph that encapsulates a very American story— about the magic that can happen when you throw together people from different backgrounds and languages and… beats. The concoction that resulted is known as Latin Boogaloo.

Eduardo Díaz, director of the Smithsonian Latino Center, explains how one of the genre’s pioneers, Joe Bataan, got his degree in ‘streetology’ and went on to establish himself as the King of Latin Soul.

See the photo we discuss on our website:

https://npg.si.edu/podcasts/joe-bataan

The sitter was rapper LL Cool J. The artist was Kehinde Wiley, who's made a name for himself by portraying African American men and women in regal poses taken from art history.

In this episode, LL Cool J recounts what happened when they met, and why he turned to a 100-year-old masterpiece depicting the richest person in modern history-- John D. Rockefeller Sr.-- for his power pose. He also discusses how portraits can help build new paradigms in the face of systemic racism.

Stepping in to complete the picture, art historian Richard Ormond draws a line from a gilded age of luxury and elegance to a celebration of hip hop royalty.

See the paintings we discuss here:

https://npg.si.edu/podcasts/rockefeller-pose

As a portrait artist, Robert McCurdy has painted some of the most famous and visionary people of our time-- the Dalai Lama, Nelson Mandela, Toni Morrison. But first he tells them, "It's not about you."

The goal, he says, is to create a photorealistic image with no expression and no implied past or future, so the viewer and the subject can simply encounter one another. The true subject, he says, is the gaze.

See the portraits we discuss on our website: https://npg.si.edu/podcasts/robert-mccurdy-portraits

After 'walking away' from slavery, abolitionist Sojourner Truth chose her own name, told her own story at speaking engagements, and sued for her young son's freedom. (She won.) The Gallery’s senior historian, Gwendolyn DuBois Shaw, says there’s something else she took control of— her portrait.

You can see the carte de visite we discuss here: https://npg.si.edu/object/npg_NPG.79.209

It commands attention among the more sober portraits in the Presidents’ gallery, interrupting a room of men in dark suits with an explosion of green and gold. Chief curator Brandon Fortune recounts the tragic backstory behind this standout portrait of President John F. Kennedy by one of the few women who gained a foothold in the abstract expressionist movement— Elaine de Kooning.

You can see de Kooning’s remarkable painting on our website:

https://npg.si.edu/object/npg_NPG.99.75

Ruben Salazar was one of the first Latinx journalists to rise through the ranks of a major U.S. newspaper. Initially, he was careful to avoid being pigeonholed as a reporter on minority issues, but eventually he became known for digging into stories about police brutality and racial profiling— subjects also championed by the Chicano Movement. Curator Taína Caragol takes us through his life, frame by frame, and explains why some call him a martyr.

See the portraits we talk about on our website:

https://npg.si.edu/podcasts/ruben-salazar

Librarian of Congress Carla Hayden and film director Kasi Lemmons love Harriet Tubman, but they weren't in love with her portrait as an older woman in a heavy dark dress. Then Hayden got a call.

See the photographs we talk about here:

https://npg.si.edu/podcasts/harriet-tubman