Writers, comedians, magicians and con-men experts Nicholas J Johnson and Lawrence Leung join us as we meet the distressingly named Moist von Lipwig in his 2004 debut, Terry Pratchett’s 33rd Discworld novel, Going Postal!

Con-man Moist von Lipwig (aka Albert Spangler) thinks he’s come to the end of the line when he’s hanged by order of Lord Vetinari, Patrician of Ankh-Morpork. But while the world believes him hanged, the city’s tyrant has actually saved him for something bigger: he wants Moist to revitalise the city’s derelict post office. It seems like a hopeless task with no chance of success or escape, what with the mountains of mail, unsatisfactory staff, golem parole officer, and the communications monopoly of the Grand Trunk Sempahore Company, run by the piratical Reacher Gilt. But every con-man needs a challenge…

Pratchett’s first Moist book is a great in to the Discworld at large, with a gripping self-contained story of new technology vs old, capitalism vs the public good, and one man’s lifetime of criminal habits vs his better nature. As well as Moist himself, it introduces such memorable characters as Mr Pump, Stanley the pin collector, and the one and only Adorabelle Dearheart. (Everyone in this book has an amazing name.) It’s not a short book, and we struggle to cover all its themes, twists and turns. Do you love Moist von Lipwig? Could you get over his name? Could you operate a Clacks tower? And just how deep did Vetinari’s plan go, anyway? Join the discussion using the hashtag #Pratchat38.

Guest Nicholas J Johnson is an author, magician and expert in scams and swindles, earning himself the nickname “Australia’s Honest Con-Man”. His new children’s book, the “autobiographical” Tricky Nick, features magic and time travel and all sorts, and is available now from Pan Macmillan. Find out more about Nick’s live performances and workshops at conman.com.au, or follow him on Twitter at @countlustig.

Guest Lawrence Leung is a comedian, screenwriter and actor, known to Australian audiences from his roles in Offspring and Top of the Lake, and his own shows including Lawrence Leung’s Choose-Your-Own-Adventure and Maximum Choppage, and the feature film Sucker. Find out all the latest about Lawrence, including when you can catch his live-streamed comedy shows, at lawrenceleung.com, or you can follow him on Twitter at @Lawrence_Leung.

You can find episode notes and errata on our web site.

Our plan to cover Sir Terry’s short fiction was via live shows, but since that hasn’t worked out for us this year, in January we’re going to discuss 1998’s short witches story, The Sea and Little Fishes. We’ll also be welcoming our first international guest: Marc Burrows, author of the Pratchett biography The Magic of Terry Pratchett! Send us your questions via social media using the hashtag #Pratchat39.

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

Author Will Kostakis returns to face time travel, unexploded bombs and a tangle of timelines in Terry Pratchett’s final Johnny Maxwell book from 1996, Johnny and the Bomb!

When Johnny and his misfit friends look after homeless eccentric Mrs Tachyon’s shopping trolley, they soon discover she has a complicated relationship with time. Johnny, Yo-less, Wobbler, Bigmac and Kirsty travel back to World War II, on the eve of the “Blackbury Blitz”. Johnny knows bombs are meant to destroy Paradise Street – but can he and his friends do anything about it? Do they even have the right? And how will they get back ho- hang on. Where’s Wobbler?

Pratchett’s first book focussing on time travel also touches on the worries of teenagers, local history, racism, sexism and the nature of fate and destiny. It might seem weighty for a children’s book, but children think about this stuff all the time! Did you follow all the time travel shenanigans? How do you think Pratchett’s handling of these issues compares to modern middle grade fiction – or even his own previous Johnny books? And if you could go back in time, would you try and change things for the better? Join the discussion using the hashtag #Pratchat37.

Returning guest Will Kostakis is a writer and award-winning author. Since we last saw him in #Pratchat18, “Sundog Gazillionaire“, he’s published his first fantasy YA novel, Monuments, and its sequel, Rebel Gods. His new novella, The Greatest Hit, is out now from Lothian Children’s Books as part of the Australia Reads initiative. Find out more about Will at willkostakis.com, or follow him on Twitter at @willkostakis.

You can find the full show notes and errata for this episode on our web site.

As mentioned at the end of this episode, the fiction anthology Collisions from Liminal Magazine is out now, featuring Liz’s story “The Voyeur”! Order it from your local bookshop. And we also announced that the Australian Discworld Convention in Sydney has had to be postponed from 2021 to 2022. Find out more at ausdwcon.org.

Next month we see out the year with a favourite, as we time travel about ten Discworld books ahead to meet Moist von Lipwig in Going Postal! We’ve invited two experts on con artistry to discuss it with us: writer and magician Nicholas J Johnson, and comedian and actor Lawrence Leung! Get your questions in via social media using the hashtag #Pratchat38.

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

Star of the stage Gillian Cosgriff joins Liz and Ben to cower in fear before that most horrifying of beasts: the magpie! Yes, it’s time for Terry Pratchett’s twenty-third Discworld novel, 1998’s Carpe Jugulum.

The new princess of Lancre has been officially named! But all has not gone well: new priest Mightily Oats took Queen Magrat’s notes on the naming a little too literally. King Verence has been a little too liberal with which nobility he invited. And most worryingly of all, Granny Weatherwax – supposed to be the baby’s godmother – is nowhere to be found. As the forward-looking Count de Magpyr and his family effortlessly dominate the wills of all about them (with the notable exception of two-minded Agnes Nitt), can the fractured witches pull together a full coven and save the day? And what on the Disc is going on in the mews?

The fifth and last of the books to star the original coven of Granny Weatherwax, Nanny Ogg and now-Queen Magrat Garlick shakes things up even more than its predecessors. Young witch Agnes Nitt’s inner voice is now a fully independent personality, while Nanny and Granny clash over their roles and responsibilities, and Magrat brings her child along to coven meetings. Pratchett also takes aim at every vampire tradition and cliche from curtain-twitching to shying away from holy symbols, pitting the modern vampire against his more monstrous predecessors. And on top of that, he introduces two enduring fan favourites: the first of many Discworld Igors, and the tiny “pictsies” of the Nac mac Feegle!

What did you you think? Does Carpe Jugulum make beautiful music? Is Pratchett’s ongoing need to make fat jokes too distracting? When he came up with the idea of vampires who turn into and control magpies instead of bats, do you think he realised how horrifying that would seem to Australians? Use the hashtag #Pratchat36 on social media to join the conversation!

Guest Gillian Cosgriff is an actor, singer and cabaret star most recently seen as part of the Australian cast of Harry Potter and the Cursed Child. Gill’s career has included musical comedy, musical theatre and – as mentioned briefly in our Maskerade episode – opera! Find out more about her talents at gilliancosgriff.com, or you can look up some of her music on Youtube or buy her albums on Bandcamp. (Do so on a Bandcamp Friday if you want to make sure all your money goes to supporting the artist!) You can also follow Gill on Twitter at @gilliancosgriff.

Next time, we finish off Pratchett’s other children’s trilogy as Johnny and his gang go out with a bang in Johnny and the Bomb. Joining us is returning guest, author Will Kostakis! Send us your questions using the hashtag #Pratchat37, or send us an email at [email protected].

You’ll find the full notes and errata for this episode on our web site.

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

Liz, Ben and science communicator Anna Ahveninen have the weird sensation of being a specimen in a jar as they discuss Terry Pratchett’s 1999 collaboration with biologist Jack Cohen and mathematician Ian Stewart, The Science of Discworld.

Research wizard Ponder Stibbons splits the magical equivalent of the atom, but the experiment fills Unseen University with dangerous raw magic. To use it up, sentient thinking machine Hex initiates “the Roundworld Project” – the creation of a reality devoid of magic. This universe in a bottle has no narrative imperative, only one kind of light, and not a single star turtle. What it does have are rocks, flaming balls of gas and rules. This all seems very unnatural to the wizards, so there’s only one thing to do: poke it with a stick and see what happens…

After reading one too many “Science of Star Trek” books, science writers and Pratchett fans Jack and Ian joined forces with Sir Terry to write a book in which they would use the wizards’ exploration of a bottle universe to explore our own, and the science that explains it. The concept was a bit of a gamble, and no-one wanted to publish it at first, but it proved a big hit, spawning three sequels. The Science of Discworld concentrates on the beginning and evolution of the universe and the history of life on Earth, with plenty of asides about the nature of science and how it is taught (including the now famous concept of “lies-to-children”). In between these essays, the Unseen University wizards poke our own “Roundworld” with a big stick and try to make sense of a world without magic – in part by forcing Rincewind into the role of virtual astronaut.

What did you learn from The Science of Discworld? Do you enjoy the alternating fantasy and science chapters? How does it compare to the other “The Science of” books? And does the science still stand up, eighteen years after the revised edition of 2002? Use the hashtag #Pratchat35 on social media to join the conversation!

Guest Anna Ahveninen is a science communicator, writer and (ex) chemist who currently works at the Australian Academy of Science. You can follow her on Twitter at @Lady_Beaker. Anna also wanted to give a shout out to the STEMMinist Book Club (the second M is for Medicine), who you can also find on Twitter at @stemminist, and on Goodreads.

Turns out we jumped the gun a little with Collisions – the Liminal magazine fiction anthology won’t be published until November! We’ll remind you in a couple of episodes.

Next month it’s back to the Ramtops for our favourite coven’s last hurrah, as Lancre is invaded by vampires in Carpe Jugulum! We’ll be joined by actor, singer and cabaret star Gillian Cosgriff. Get your questions in via social media using the hashtag #Pratchat36, or send us an email at [email protected].

You’ll find the full notes and errata for this episode on our web site.

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

Liz and Ben (who had microphone issues this episode) introduce children’s author Oliver Phommavanh to the world of Terry Pratchett with Johnny Maxwell’s return, in 1993’s Johnny and the Dead.

Twelve-year-old Johnny Maxwell is enduring Phase Three of the Trying Times between his parents, which involves living with his Mum at his Grandad’s place. His shortcut home from school takes him through an old rundown cemetery, where he knocks on a tomb door – and discovers he can see dead people. As Johnny gets to know them, the dead discover the Council has sold their cemetery for development – and they want Johnny to put a stop to it. While the gang delve into the history of Blackbury and discover a whole new side to their boring hometown, the dead begin to wonder if there might be more to life after life – earning the disapproving scowl of Mr Eric Grimm…

Content note: this episode contains discussion of (fictional) suicide, from around 1:34:00 to 1:40:00. If you or anyone you know needs help, use the Wikipedia list of crisis lines to find one local to you.

Johnny Maxwell and (most of) his friends are back, this time dealing with the mundane as well as the fantastical. Touching on themes of history, tradition, belief and capitalism, Pratchett makes a very different kind of “boy sees dead people” story as Johnny tries to save the local cemetery. There’s lots of Pratchett philosophy in here, like his well-known positive attitude towards death as a part of life. It’s also full of his trademark little jokes and asides, some of which feel very, well…early nineties.

So what do you think? Has this aged well since 1993? Do the lessons about the past and present, living and dead still ring true? Do the trials and tribulations of a small English town translate to 2020 and wherever you live? Use the hashtag #Pratchat34 on social media to join the conversation!

Guest Oliver Phommavanh is a children’s author, teacher and stand-up comedian based in Sydney. At the time of recording he’d written ten books, including the semi-autobiographical Thai-riffic and Con-Nerd, and his next book was the short story collection Brain Freeze in September 2020. (Please consider supporting your local bookshop by ordering his books from them!) You can find out more about Oliver at his web site, oliverwriter.com, and find him on Instagram and Twitter as @oliverwinfree.

Next month we’re celebrating National Science Week in Australia by reading Pratchett’s collaboration with science writers Ian Stewart and Jack Cohen, The Science of Discworld! We’ll be joined by science communicator and chemist Anna Ahveninen of the Australian Academy of Science! Get your questions in via the hashtag #Pratchat35 by science week, which starts August 15, 2020.

You’ll find the full notes and errata for this episode on our web site.

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

Liz, Ben and writer Michelle Law go on a surprisingly dark ride in Terry Pratchett’s skewed take on the Pied Piper, 2001’s Discworld for Younger Readers book, The Amazing Maurice and His Educated Rodents.

Everyone knows that the best way to get rid of rats is to pay the Piper – even Maurice, and he’s a talking cat. So when he met a Clan of similarly smart talking rats, all he needed was a stupid-looking kid who could play and he had the makings of the perfect con… At least, until the rats (and the kid) decide that what they’re doing is unethical. Maurice convinces them to pull one last scam in a tiny Überwald town, but all is not well in Bad Blintz: the mayor’s daughter immediately sees there’s something odd about Maurice and the kid, and the town is convinced they already have a plague of rats – but the Clan can’t find a single one…

After two trilogies of children’s books set in our own world, and before he invented Tiffany Aching, Pratchett tried getting kids into the Discworld with a story of talking animals, plucky kids and unspeakable evil. The Amazing Maurice explores some weighty ethics, punctures the safety of Enid Blyton, questions the lessons taught by the Brothers Grim, and goes to some very dark places, metaphorically and literally. All born out of a footnote joke he wrote for Reaper Man a decade before!

Is this really a children’s book? Would you let your kids read it? Is it a terrible mistake, or is it maybe the greatest book Pratchett ever wrote? And most importantly: what’s your rat name? Use the hashtag #Pratchat33 on social media to join the conversation!

Guest Michelle Law is an award-winning playwright, screenwriter and actor based in Sydney. Her work includes the 2017 smash hit play Single Asian Female, the SBS TV series Homecoming Queens and contributed to numerous magazines and books. Michelle’s next play will be Miss Peony for Sydney’s Belvoir Theatre, and she has a story in the anthology After Australia from Affirm Press. You can find out more about Michelle at her web site, michelle-law.com, and follow her on Twitter at @ms_michellelaw.

Next month we complete our hat-trick of Pratchetts for younger readers by returning to the English town of Blackbury to catch up with Johnny Maxwell in 1993’s Johnny and the Dead. We’ll be joined by children’s author Oliver Phommovanh! Get your questions in via the hashtag #Pratchat34 by July 21st 2020.

You’ll find the full notes and errata for this episode on our web site.

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

Liz, Ben and librarian Meaghan Dew come down from the mountains to a land of sheep, chalk and tiny blue warriors, and meet the youngest witch ever, in Terry Pratchett’s 2003 Discworld for Younger Readers book, The Wee Free Men.

Nine-year-old farm girl Tiffany Aching lives on The Chalk, a lowland area famous for its sheep and…er…sheep products. It’s not famous for attacks from mythical river monsters, so when one turns up she lures it with her brother as bait and hits it over the head with a frying pan. Searching for answers, she meets the very real witch Miss Tick, and realises that’s what she wants to be. In her first truly witchy move, she disobeys Miss Tick’s advice and tries to take on the Queen of the Fairies, who has kidnapped her baby brother. Luckily she’s already met and impressed the Nac Mac Feegle – a clan of tiny blue “pictsies” with a love for fightin’, stealin’ and drinkin’…

After the end of the Witches series in Carpe Jugulum*, Pratchett launched a new protagonist destined to become one of his most beloved characters. Tiffany Aching is practical, serious, thoughtful and wilful, with a steely gaze and a mind so sharp she might cut someone else (she certainly knows which bit to hold onto). Pratchett weaves the story of a young girl stepping into some big – and tiny – shoes with themes of grief, family, community, belief and the stories we tell…oh, and a tiny blue and red whirlwind of swearing, violence and other Scottish stereotypes known as the Nac Mac Feegle.

Do these two things mesh well for you? Is this Tiffany’s finest hour, or just a taste of what’s to come for her? And was Granny Aching a witch, a shepherd, or something else entirely by the end? Use the hashtag #Pratchat32 on social media to join the conversation!

* Carpe Jugulum is coming soon(ish) to a Pratchat episode near you!

Guest Meaghan Dew is a librarian and podcaster. For around seven years, Meaghan hosted and produced the podcast for Australian arts and culture magazine Kill Your Darlings. Meaghan currently works as a librarian in Melbourne, and produces her library’s podcast program.

Ben was reading the The Illustrated Wee Free Men, the 2008 hardcover edition of the book with full-colour illustrations by artist Stephen Player – and a few extras from Terry. Player advises that the colours are off in the printed book, but you can see many of the original illustrations on his web site.

Next month we travel to an entirely different rural area of the Disc for more younger readers adventure, in 2000’s The Amazing Maurice and His Educated Rodents. We’ll be joined by writer and screenwriter Michelle Law! Get your questions in via the hashtag #Pratchat33 by June 20th 2020.

You’ll find the full notes and errata for this episode on our web site.

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

In episode 31, Liz, Ben and returning guest Joel Martin step sideways into the infinite earths of Terry Pratchett’s 2012 collaboration with Stephen Baxter, The Long Earth.

In 2015, plans for a strange but simple box-shaped device called a “Stepper”, powered by a potato, are posted online. Kids all over the world build them and discover that the boxes let them step “East” or “West” into other Earths. There are thousands of such worlds – perhaps millions – all subtly different. But they do have one thing in common: there are no humans on any of them. Fifteen years after “Step Day”, human society is irrevocably altered, and experienced far-stepper Joshua Valienté is offered a new job: to step further from Earth than even he has ever been, and explore the mysteries of the Long Earth in the company of a Tibetan motorcycle repairman reincarnated as a supercomputer…

Based on ideas from Pratchett’s 1986 short story “The High Meggas”, written before the popularity of The Colour of Magic led him down a particular leg of the trousers of time, The Long Earth is the first in a series of five novels set in a near future world forever changed by the existence of limitless worlds next door. An epic journey across millions of worlds, Pratchett chose to work with his friend Stephen Baxter, a prolific science fiction author whose work encompasses hard future sci-fi, speculative evolution, alternate history and sequels to classic novels by the likes of H. G. Wells and Arthur C. Clarke. That all seems quite a distance from comic fantasy – but the pairing just works. So – it’s five years since Step Day. Would you visit another Earth? Could you pick which bits were Pratchett, and which Baxter? And what kind of potato is in your stepper box? Use the hashtag #Pratchat31 on social media to join the conversation!

Guest Joel Martin is a writer, editor and podcaster who previously appeared on Pratchat in episode 14, discussing the book that derailed the Long Earth back in 1986, The Colour of Magic. Joel is also the director of the Speculate speculative fiction festival (specfic.com.au). His latest work is the short story “Hunting Time” in Strange Stories Vol. 1, scheduled to be published this month by 42books. Joel’s writing podcast, The Morning Bell, is currently on hiatus, but you can find the full back catalogue at themorningbell.com.au. Find out more about him at thepenofjoel.com.

Next month we’re stepping back onto the Disc to meet adventurous nine-year-old Tiffany Aching, in 2003’s The Wee Free Men! Get your questions in via the hashtag #Pratchat32 by around May 23rd.

You’ll find the full notes and errata for this episode on our web site.

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

For our thirtieth episode, Liz and Ben take a break from reading books and instead read your comments and questions, looking back on both Terry Pratchett’s work and their own.

Which one of Dibbler’s schemes would you fall for? What’s your least favourite Discworld novel? Are there any good Pratchett-inspired games? What line would you quote to sum up Pratchett’s style of humour? We want to hear your answers to all the questions you asked us! Use the hashtag #Pratchat30 on social media to join the conversation.

You can find Elizabeth on Twitter as @elizabethflux, where you will find links to her articles and some very good puns. (Ben is flinching already.) You can also find her (and her impractical outfits) on Instagram as @elizabethtiernan.

You can find Ben and his projects via his web site benmckenzie.com.au, on Twitter at @McKenzie_Ben and Instagram at @notongotham. For creative story-based activities, check out the social media of 100 Story Building; they’re on Twitter at @100StoryB.

Next month’s episode we’re returning to our original plan for this month: we’ll be reading Pratchett’s 2012 parallel universes collaboration with Stephen Baxter, The Long Earth, the first in a series of five novels. Get your questions in via the hashtag #Pratchat31 by late April!

You’ll find the full notes and errata for this episode on our web site.

Want to help us get to the end of our six(ish) year mission and read every Pratchett book – and more? You can support us with a tip, or a subscription for as little as $2 a month, and that’s cuttin’ our own throats! See our Support Us page for details.

We’ve made a change in our schedule! Our next book will indeed be The Long Earth, as announced last episode, but we’ll be postponing that to May. Our thirtieth episode, #Pratchat30, will instead feature Liz and Ben answering your broader Pratchett questions. Listen or read on for more information.

If you’re new to Pratchett, this is your chance to ask how or why to get into his work, and of course to invite the inevitable argu- er, discussion about where to start.

If you’re new to Pratchat, this is your chance to ask more questions about books we’ve already covered – see our Episodes page for a list! We also welcome comments and feedback on our previous discussions: what did we get wrong? What do you want more of?

And for everyone, this is a chance to give us your questions and comments about Pratchett’s work as covered so far on the podcast: questions that aren’t tied to a specific book, or span many of them. We want to hear them all! But please, no spoilers for books we’ve not yet covered. Check the Books page if you’re not sure.

We’re recording on April 3rd, 2020, so get your questions in by then via social media (use the hashtag #Pratchat30) or by email to [email protected].

We hope you understand our need for this change in the schedule, but we’ll still see you on the 7Ath! And as always, a big thanks to all our listeners, and especially to our subscribers. Your help means more right now than usual, and we’re very grateful for it. If you’d like to support the production of Pratchat, find out more on our Support Us page.