Chris Feil and Joe Reid return to join Katey for a broad overview of the most exciting films ahead this year, from new work from greats like Paul Thomas Anderson, Celine Song and Yorgos Lanthimos to, yes, Wicked: For Good. They also continue their annual tradition of making irresponsibly early best picture predictions, and share some hopes that Colin Farrell, Paul Mescal, Andrew Scott and even some non-Irish actors will have a huge year ahead of them.

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With the 97th Academy Awards finally in the rearview, Katey gathers a murderers' row of former guests to share their final takeaway from this topsy turvy season. Answering the question "What did you learn from this year's Oscars?" are Esther Zuckerman, Jordan Hoffman, Richard Rushfield, Tyler Coates, Michael Shulman, Sam Adams, Rebecca Ford, Shirley Li, Matt Patches, David Canfield, Chris Murphy, Sean Fennessey, Alison Brower, and Chris Feil. Join us, and then you never have to think about this year's Oscars again.

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Anora wins big, Conan wins over the crowd, and everyone wonders what's next for Demi Moore. It's the morning-after Oscars report with Katey and Tyler, with highlights from the red carpet, the Anora after-party, and everything in between.

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Katey and Joe Reid go through their final picks in all 23 Oscar categories, from the guaranteed wins to the true toss-up categories — and of course, the eternally unpredictable best picture race. Then Katey talks to Oscar executive producers Raj Kapoor and Katy Mullan about the frantic final days before the show, what to expect from Conan O'Brien's first time as host, and how some classic Oscar traditions will be turned on their head this year.

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Dan D'Addario, Variety's chief correspondent and the author of the upcoming book The Talent, joins Katey to take stock of this year's Oscar season as final voting ends, and ponder which actors did the best job of giving what Dan calls "the performance after the performance" on the campaign trail. Dan's new novel The Talent, out in bookstores February 25, follows five best actress nominees across a fictional awards season, which brings up the question: why is the best actress race the one that captivates Oscar obsessives year after year?

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Find out more about Dan's book The Talent.

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Your Guide to the Oscar-Nominated Shorts with Chris Feil, Plus Monica Barbaro's Voice Lessons

Chris Feil and Katey watched all fifteen of the Oscar-nominated short films, and though we recommend you see them yourself in theaters, we've also got a cheat sheet for how to pick them in your Oscar pool. Then Katey talks to Monica Barbaro about becoming a singer to play Joan Baez in A Complete Unknown, and the advice about taking care of your voice that she learned — and if her voice coach asks, she's definitely still following them. 

Speaking of Oscar pools! Join the Prestige Junkie Oscar Pool and test your mettle against the Ankler staff and some of our favorite pundits. 

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Kyle Buchanan joins Katey, who has lost most of her voice after a big awards season weekend in Los Angeles, to break down three huge recent victories for Sean Baker’s Anora— and what, if anything, might still be standing between it and best picture. They also look back at the outsized role played this awards season by online fans, and whether that will be the new normal going forward.

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David Sims joins Katey to look broadly at the best picture field after the Emilia Perez fallout, the Complete Unknown surge, and everything else that’s made this season so impossible to predict. What actually deserves to win best picture after all this? What will look like a good win in 10 years? We get into all of it.

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After a whirlwind few days of scandal and seemingly endless interviews from Emilia Pérez star Karla Sofia Gascón, Slate's Sam Adams join Katey to figure out how it all played out, how fervent fan bases have played outsize roles in this awards season, and where Emilia Pérez's Oscar hopes can go from here. Then Katey talks to Anora's director, writer, co-producer and editor Sean Baker about his very particular way of making movies, how he challenged himself with Anora and where he'll go from here.

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The Ringer's Joanna Robinson returns to join Katey and look at the Oscar success of not just The Substance but also Nosferatu, and why it's good for everyone when there's a popular genre movie that the Oscars can already embrace. Then, The Brutalist director Brady Corbet calls from London, where he reflects on the long promotional campaign he's still in the middle of, what the future of Hollywood and AI should actually look like, and what he'll do on March 3 when this awards season rush is all over.

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