Rachel Barton Pine's new album pairs Shostakovich's Violin Concerto No 1 with a new work by Earl Maneein called Dependent Arising, a heavy metal-influenced concerto written especially for her. In this week's Gramophone Podcast the violinist tells Editor Martin Cullingford about the recording, and explores some of the links between the two genres of music, classical and heavy metal. The album - called Dependent Arising - is available from Cedille. 

Rachel Barton Pine on links between classical and metal music

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Violinist James Ehnes talks about his new recording for Pentatone of Leonard Bernstein's Serenade and John Williams's Violin Concerto No 1.

James Ehnes on Leonard Bernstein and John Williams

Thomas Pitfield, born in Bolton in 1903 and whose life stretched to the very end of the 20th century – he died in 1999 – is one of those polymaths who embraced numerous different outlets: he was a composer, a poet, an illustrator, a calligrapher, a cabinet maker and a teacher. He is probably better known for the people he knew and taught – including John McCabe, John Ogdon and Ronald Stevenson – than in his own right. This new collection of songs is a good start to get to know a fine musical voice. James Jolly spoke, separately, to James Gilchrist and Nathan Williamson about this appealing composer.  This Gramophone Podcast is produced in association with Wigmore Hall.  

Nathan Williamson and James Gilchrist on the songs of Thomas Pitfield

Kirill Gerstein’s new album, timed for release mid-way between the anniversary of the death of Claude Debussy (March 25) and Armenian Genocide Remembrance Day (April 24), pairs music by Debussy and the Armenian, Komitas. Both composers were profoundly affected by the death and destruction surrounding them during the First World War, and both responded with music of multi-layered intensity. Gerstein links late Debussy piano music with Komitas’s piano works, as well as songs by each composer. 'Music in the Time of War' is released to stream and download by Platoon, and on two CDs with a substantial book of essays next month by Myrios. James Jolly spoke to Kirill Gerstein to learn about the project and why he brought together these two powerful musical voices in the same programme. This Gramophone Podcast is produced in association with Wigmore Hall.

Kirill Gerstein on 'Music in the Time of War'

Klaus Mäkelä has been named Riccardo Muti's successor at the helm of the Chicago Symphony Orchestra, a role he assumes in 2027 alongside the post of Chief Conductor of Amsterdam's Royal Concertgebouw Orchestra. Meanwhile, he remains committed to his two European orchestras, the Orchestre de Paris and the Oslo Philharmonic.  Following his Decca debut recording, of the complete Sibelius symphonies in Oslo, Mäkelä has made two much-admired recordings of music commissioned by Serge Diaghilev. The first of these, made with the Orchestre de Paris, was released early last year – Igor Stravinsky's The Rite of Spring and the complete Firebird ballet – and James Jolly spoke to the conductor by Zoom back in February 2023 as Klaus was in Cleveland conducting performances of Mahler's Fifth Symphony. Gramophone Podcasts are given in association with Wigmore Hall

Klaus Mäkelä on recording Stravinsky in Paris: From the Archive

This month's Gramophone Podcast explores the life and music of Franz Schubert. Editor Martin Cullingford talks to Richard Wigmore about this most remarkable of composers, one whose finest works, notably in the song, piano and chamber music genres, are today held to be among music's most beloved creations.

Rachel Barton Pine on links between classical and metal music

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