Creation Lake (Scribner, 2024) is a novel about a secret agent, a thirty-four-year-old American woman of ruthless tactics, bold opinions, and clean beauty, who is sent to do dirty work in France.

"Sadie Smith" is how the narrator introduces herself to her lover, to the rural commune of French subversives on whom she is keeping tabs, and to the reader. Sadie has met her love, Lucien, a young and well-born Parisian, by "cold bump"--making him believe the encounter was accidental. Like everyone Sadie targets, Lucien is useful to her and used by her. Sadie operates by strategy and dissimulation, based on what her "contacts"--shadowy figures in business and government--instruct. First, these contacts want her to incite provocation. Then they want more.

In this region of centuries-old farms and ancient caves, Sadie becomes entranced by a mysterious figure named Bruno Lacombe, a mentor to the young activists who communicates only by email. Bruno believes that the path to emancipation from what ails modern life is not revolt, but a return to the ancient past.

Just as Sadie is certain she's the seductress and puppet master of those she surveils, Bruno Lacombe is seducing her with his ingenious counter-histories, his artful laments, his own tragic story.

Written in short, vaulting sections, Rachel Kushner's rendition of "noir" is taut and dazzling. Creation Lake is Kushner's finest achievement yet as a novelist, a work of high art, high comedy, and unforgettable pleasure.

Rachel Kushner is the author of the novels CREATION LAKE, THE MARS ROOM, THE FLAMETHROWERS, and TELEX FROM CUBA, a book of short stories, THE STRANGE CASE OF RACHEL K, and THE HARD CROWD: ESSAYS 2000-2020. She has won the Prix Médicis and been a finalist for the Booker Prize, the National Book Critics Circle Award, the Folio Prize, the James Tait Black Prize, the Dayton Literary Peace Prize, and is now three times a finalist for the National Book Award in Fiction. She is a Guggenheim Foundation Fellow and the recipient of the Harold D. Vursell Memorial Award from the American Academy of Arts and Letters.

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Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is forthcoming with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.

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