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By Radiotopia
In 2004, a racial controversy erupted at a small, mostly white performing arts high school in rural Massachusetts. There were protests. TV news crews. A tense all-school assembly. And then, an anno
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The podcast currently has 164 episodes available.
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Welcome to September. Public media has had a rough summer. On July 18th, Congress passed the Rescissions Act of 2025, which eliminated $1.1 billion in funding for the Corporation for Public Broadcasting. Then on August 1st, CPB announced they would be winding down operations. When folks talk about these cuts, they usually talk about the vital public services public media provides, such as emergency alerts. But we'd be remiss if we didn't also talk about how NPR is an audio storytelling powerhouse. Throughout the month, we've partnered with our friends at NPR to present four pieces that represent the breadth and depth of their incredible reporting. We hope you enjoy. **************************** In the mid-1980s, an OBGYN in Brazil noticed that far fewer pregnant women at his hospital were dying from abortion complications. It wasn't a coincidence. Brazilian women had made a discovery that allowed them to safely have abortions at home, despite the country's abortion restrictions. That discovery eventually spread across the globe. Embedded+ supporters get first access and sponsor-free listening for every Embedded series. Sign up at plus.npr.org/embedded. Learn about your ad choices: dovetail.prx.org/ad-choices

When Ian Coss decided to get married, every living member of his family who had ever been married had also gotten divorced: parents, grandparents, and all his aunts and uncles on both sides — some of them twice. Today, he has questions: What is the value of a lifetime commitment? Are we doomed to recycle the patterns of behavior we get from our ancestors? Are we all just better off alone? Forever is a Long Time is a five-episode series from CBC’s Personally that weaves reflection and original music through Ian’s conversations with his wife and divorced family members — a look at love with people who have made mistakes. Get lost in someone else’s life. From a mysterious childhood spent on the run, to a courageous escape from domestic violence, each season of Personally invites you to explore the human experience in all its complexity, one story — or season — at a time. This is what it sounds like to be human. More episodes of Personally can be found here: https://link.mgln.ai/fialt-wdtw Learn about your ad choices: dovetail.prx.org/ad-choices

Jazmine holds space for Ms. Lorraine as she shares her story of substance abuse, inspiring a conversation about grace and self-acceptance. Meanwhile, back in the 70s, a younger Lorraine confesses her substance abuse to Ella, generating a difficult impasse between the two. Red for Revolution is created, written, and directed by Jana Naomi Smith with Musical Direction by Tammy L. Hall and Sound Design by Collin Gerald Thomas. Original Music by Tammy L. Hall and Jana Naomi Smith and performed by Renée Wilson, Loretta Devine, and Jordan Hull featuring the Red for Revolution band, Tammy L. Hall on piano, Kofy Brown on electric Bass, Ruth Davies on acoustic Bass, Ruthie Price on drums, Kristen Strom on saxophone and flute, and Vicki Randle on percussion. Cover art by Shefon N. Taylor. The series is executive produced by Renée Wilson, Jana Naomi Smith, and Meta Mana Media with associate producers Jordan Hull, Adrian Snegg, and Vanessa E. Williams. All episodes produced by Liz McBee. The Red for Revolution team would like to thank each person who helped bring this project to life. Please visit redforrevolution.com for the complete credit and gratitude list. For additional resources and to sign up for our newsletter visit redforrevolution.com. This audio drama was recorded under the SAG-AFTRA 2020 New Media Principal Performer Contract. Episode Four Cast: Jordan Hull a s Jazmine James S. Epatha Merkerson as Ella Ali (Present Day) Loretta Devine as Lorraine Giovanni (Present Day) Renée Wilson as Lorraine Giovanni (1970s) Rutina Wesley as Ella Ali (1970s) Aunjanue Ellis-Taylor as Delores Ali Danny Glover as Howard Ali Caro Guzman as Kathy David Alan Graf as Dean McKenna Xavier Miles Temple as Robber adrienne maree brown as series sonic guide Music Featured: “He Looked Beyond My Fault” Written by Dottie Rambo Performed by Loretta Devine Courtesy of Tomorrowland Music, Designer Music, Brandee-Vah Publishing, Capitol CMG Publishing For Radiotopia Presents, Yooree Losordo is the Managing Producer. Audrey Mardavich is the Executive Producer. Red for Revolution is part of Radiotopia Presents, a podcast feed that debuts limited-run, artist-owned series from new and original voices. Learn about your ad choices: dovetail.prx.org/ad-choices

A heads up for listeners, this episode contains references to sexual assault as well as content that may not be appropriate for younger ears. What does S-E-X look like with a B-O-T? Three app users open up about sex with AI chatbots and the ways that chatbots provide space to explore queer identity, BDSM, and solve marital issues… even when some of their spouses are in the dark about these private virtual lives. Bot Love is written by Anna Oakes, Mark Pagán, and Diego Senior. Hosted and produced by Anna Oakes and Diego Senior. Mark Pagán is the senior producer. Curtis Fox is the story editor. Sound design by Terence Bernardo and Rebecca Seidel. Bei Wang and Katrina Carter are the associate producers. Cover art by Diego Patiño. Theme song by Maria Linares. Transcripts by Erin Wade. Bot Love was created by Diego Senior. Support for this project was provided in part by the Ideas Lab at the Berman Institute of Bioethics, Johns Hopkins University. Special thanks to The Moth, Lauren Arora Hutchinson, Director of the Ideas Lab, and Josh Wilcox at the Brooklyn Podcasting Studio, where we recorded these episodes. For Radiotopia Presents, Mark Pagán is the senior producer. Yooree Losordo is the managing producer. Audrey Mardavich is the Executive Producer. It’s a production of PRX’s Radiotopia and part of Radiotopia Presents, a podcast feed that debuts limited-run, artist-owned series from new and original voices. For La Central Podcasts, Diego Senior is the Executive Producer. Learn more about Bot Love at radiotopiapresents.fm and discover more shows from across the Radiotopia network at radiotopia.fm. Learn about your ad choices: dovetail.prx.org/ad-choices

Coming up next on Radiotopia Presents: My Mother Made Me. My Mother Made Me is a series from Radiotopia Presents, where writer Jason Reynolds and his mother, Isabell, explore their shared history, how she raised him, and what they’re teaching each other. It’s a love letter to their connection, an homage to parent-child friendship, and a testament to how growth can be perpetual, despite age or circumstance. Across four episodes, Jason and Isabell go deep – into birth, death and spirituality… but they also keep it light: pushing a cart through Costco, birthday lunches, and hitting the casino together. That’s just how they do. My Mother Made Me is a production of PRX’s Radiotopia and part of Radiotopia Presents, a podcast feed that debuts limited-run, artist-owned series from new and original voices. It is written and narrated by Jason Reynolds with his mother, Isabell Reynolds. The series is produced by Mark Pagán and edited by Julie Shapiro, with production support from Yooree Losordo. Julie Shapiro and Audrey Mardavich are Executive Producers for Radiotopia Presents. Special thanks to LeVar Burton. Cover art by Jason Griffin. Theme song by Christian Reynolds. Mixing, sound design and additional original music is by Ian Coss. Learn more about My Mother Made Me at radiotopiapresents.fm and discover more shows from across the Radiotopia network at radiotopia.fm. Learn about your ad choices: dovetail.prx.org/ad-choices
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