John came into the Get Back project only one fully formed new song, "All I Want Is You," later re-named as "Dig A Pony." After a possibly initial ambivalent reaction, the band tightened it up as the first song recorded in their own Apple Studios. It eventually found it's true home on the rooftop of Apple on a cold January day, where the band nailed it in one rock solid take. The song lumbers and moves in weird ways, almost like a giant kind of stomping slowly, while John delivers a fantastic vocal of some kind of wordplay I've never really understood. Musically, it's just so good though. The riff is classic rock guitar at it's core, held down by the most perfect subdued drumming from Ringo, and a jagged and refined yet unexpected solo from George. It's such an odd song, but it feels so good, you can't not love it.

Joining us this week is New Orleans-based songwriter and producer Nicholas Dayton! Nick writes songs for Sesame Street, which is maybe the coolest job you could ever have. He's also done some acting, and been seen on 30 Rock and Nickoldeon. Add to that he plays bass in a 60s cover band AND an Elton John tribute? It's like a found a long lost sibling! Join us as we chat about hearing Big Bird sing a song you wrote, Lin-Manuel Miranda, 60s music, and so much more!

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Thousands of words have been written about Bob Dylan's influence on the Beatles. Despite all those words, one need look no further than "You've Got to Hide Your Love Away" from the Help! album. Taking the folk trademark of heavily strummed 6 and 12 string acoustic and nylon string guitars, minimal instrumentation, the song finds John delivering (up to this point) one of his most introspective lyrics with a brilliantly intimate and weary vocal performance. The arrangement is mature and subtle, never taking the focus off the lyric. It's real "3 chords and the truth" stuff, and it's fantastic.

Joining us this week is the legendary Steven Page! Steven made a name for himself as lead singer and co-founder of Barenaked Ladies before embarking on seriously busy solo career. His 2022 album Excelsior! is fantastic, as his the debut from his Canadian version of the Travelling Wilburys, the Trans-Canada Highwaymen. Check it all out at stevenpage.com

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Upon rejoining the band following his departure in the Get Back sessions, George pulled his more serious material, most of which would end up on All Things Must Pass. Along with his blusey and lightweight "For You Blue," he also brought in a stomping little piano song he wrote during the sessions, "Old Brown Shoe." It wouldn't find a home for a few months until the band needed a b-side to "The Ballad of John & Yoko," and even then, it remains one of the more obscure songs in the Beatles catalogue. But that said, I've always loved it. George sings like he's really having fun with it, and whoever the hell is playing whatever on this song (it's all very murky and mysterious) is really killing it. But what's he singing about? George's shoe game was pretty solid after all. Maybe it's about stepping out with a new love? Maybe it's about leaving someone...or someone(s)?

It's always a pleasure to welcome our old pal Sean Nelson back to RTB! Sean is best known as the singer of the band Harvey Danger, who's song "Flagpole Sitta" is one of the 90s defining songs, and the tip of the iceburg of a ton of great music in their catalogue that you'd do yourselves a favor to dig into (along with is own solo work). He's also now the host of his own podcast, The Wonder of It All, a deep dive in to the pros and cons of success. He's a great conversationalist so it only makes sense his podcast would be fantastic. Be sure to subscribe to it and tune in!

What do you think of Old Brown Shoe at #84? Too high? Too low? Let us know in the comments on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Be sure to check out ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.rankingthebeatles.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and grab a Rank Your Own Beatles poster, some of our new Revolver-themed merch, a shirt, a jumper, whatever you like! And if you're digging what we do, don't forget to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy Us A Coffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!

As a songwriter, I could never imagine at this point in my life, putting out song a wrote at 16 or 17. I don't ever want anyone to hear that. But then again, I'm not the Beatles, who were able to resurrect one of the earliest songs in their repertoire, from well before they were even The Beatles. Though the song was in their early setlists for a long time, it never found a home on a Beatles record, even after taking a shot at recording it in 1963. But when nostalgia reared it's head during the Let It Be sessions, this song came back to the fore, and with Billy Preston in tow, it found a new life a scorching little rock song that fit the bill for the Get Back project perfectly. It's the most rocking moment of the whole month, and in their performance on the rooftop that day, for a couple of minutes, you see these world-weary men return back to the young, hopeful, driven boys they were when they first started. Even if the song has no real meaning, it's a fantastic moment with real electricity to it.

Joining us this week are Allison and Erika from BC The Beatles, one of our favorite Beatles podcasts. We chat about their own Beatles journeys, the Beatles' invention of meta-nostalgia, Paul's sock game, Cruisin' Classics, and much more! If you're not listening to BC The Beatles, I dunno what you're waiting for, get on it! Listen here, or anywhere you get podcasts, and follow them on Facebook, Twitter, or Instagram.

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Though the Lennon & McCartney songwriting team found it harder and harder to truly write songs together from scratch as they got busier and busier, with "Baby's In Black," they were able to get "nose-to-nose" and write something truly different from what was expected at the time. A 3/4 time waltz with a melancholy lyric (possibly inspired by Astrid Kirchherr's mourning for Stu Sutcliffe), the first song they recorded for the Beatles For Sale album was a far cry from the uptempo Beatlemania rave ups of A Hard Day's Night or the Cavern-era screamers on their first two LPs. The song shows tremendous growth and bravery for daring to do the unexpected, and gives a brilliant example of John and Paul's best Everly Brothers-esque harmonies. It's a song they were very proud of, as evidenced by the fact that that once it was out, it stayed in their live show until the end of their touring days. Even in the jaded-slugging-it-out-un-enthusiastically shows of 1966, John and Paul seem to genuinely delight in being so close on one mic and singing in harmony for the entire song. It's a real gem that likely doesn't get it's due since it's a waltz in the 3rd song slot on what some consider their "worst" album.

This week, we close the circle on the RTB X 2Legs meet up by welcoming Andy Nicholes to the show! After having his co-host Tom Hunyady on the last episode, it only seemed appropriate to have Andy on as well. We love 2 Legs, and Andy was great on the panels we saw him on at the Fest for Beatles Fans, so we're big fans. He joins us to talk about bootlegs, solo fandom, growing up as fans in the 90s, and so much more! Be sure to check out 2Legs anywhere you get podcasts and follow them on Facebook!

For you Julia stans, she's not with us this week unfortunately. She'll be back we promise. To make it up to you, be sure to listen through to the end of the episode for a little bonus treat.

What do you think about "Baby's In Black" at #86? Too high? Too low? Or just right? Let us know in the comments on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Be sure to check out ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.rankingthebeatles.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and grab a Rank Your Own Beatles poster, a shirt, a jumper, whatever you like! And if you're digging what we do, don't forget to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy Us A Coffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!

In many ways, Paul McCartney is the ultimate storyteller. He's got an unparalleled ability to craft characters and a situations that are so vivid, you can't easily tell when he's hiding his own feelings and life stories in them. So when we writes a song where he's totally upfront about a situation, no story, no characters, you can bet it's something important to him. And that's what he's doing with "You Never Give Me Your Money" from Abbey Road. Maybe the first time we get. real glimpse of the Paul who can take various fragments and create a composition with different movements, the song discusses his frustration with the Beatles' inner-organization fighting over their financial situation. One might think a song with such a specific perspective would make it hard to connect to, but Paul's vocal is so on point and so emotive and authentic, it's easy to connect to. It's also, imho, the auditory blueprint for Abbey Road, crystal clear guitars, signature drum fills, sparkling sonics, it's a true gem of the catalogue.

Joining us this week is someone who knows McCartney pretty darn well, Tom Hunyady, co-host of 2Legs, A Solo Paul McCartney Podcast, as well Talk More Talk, A Solo Beatles Videocast. Tom's been deep-diving into Paul's catalogue for a long, long time, and we're big fans of his shows, so when we had a chance to connect at the Fest for Beatles Fans, we couldn't have been happier. Tom joins us (with a BIG discrepancy in our ranking) to discuss the Beatles podcast landscape, One Hand Clapping, recognizing Paul's genius, and more. Be sure to check out 2Legs and Talk More Talk to follow what Tom's doing!

What do you think about "You Never Give Me Your Money" at #87? Too high? Too low? Or just right? Let us know in the comments on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Be sure to check out ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.rankingthebeatles.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and grab a Rank Your Own Beatles poster, a shirt, a jumper, whatever you like! And if you're digging what we do, don't forget to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy Us A Coffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!

The journey of "No Reply" is a curious one. A song John seemed to not think much of, and originally offered to another Brian Epstein-managed artist, it also was possibly slated to be the final song recorded for A Hard Day's Night. If not for Ringo's tonsillitis, who knows what would've happened with it. After spending some time with it though, and working it into a bit more interesting arrangement, it turned out to be the lead off track to the band's 4th album, and a real signpost to where the band was headed. More introspective than what had come before it, and a much less energetic album opener than Beatles fans were expecting, No Reply is a real sneaky song. It's filled with great melody and harmony, possibly one of the best bridges the band ever recorded, and it's all done very economically. Not a second is wasted on this song. It shows a real growth that the band is starting to go through, with John painting a brilliant scene throughout the song. It's a fantastic and unique way to start a Beatles record, and a song that doesn't get nearly enough love.

Joining us this week is musician and journalist Jeff Slate. You may have read his articles in Rolling Stone, Billboard, or the New Yorker, or heard him as guest DJ on Sirius XM or KLOS. He's got a brand new record out, The Last Day of Summer with a laundry list of great players joining him. It's a fantastic pop rock album, we can't recommend it enough. He'll be on the road this November supporting the Wallflowers on the East Coast so don't miss it! We chat with Jeff about working with the Elephant's Memory band, being challenged by Pete Townsend, John's toilet demo, Weekend Wilburys, and more! Check out all things Jeff at www.jeffslatehq.com or follow him on Twitter or Facebook!

What do you think about "No Reply" at #88? Too high? Too low? Or just right? Let us know in the comments on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Be sure to check out ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.rankingthebeatles.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and grab a Rank Your Own Beatles poster, a shirt, a jumper, whatever you like! And if you're digging what we do, don't forget to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy Us A Coffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!

After spending a year and half out firmly planted in psychedelia, The Beatles returned to Earth at the beginning of 1968 with "Lady Madonna," a Paul-penned tune that pays tribute to the strength of women, a topic he mines throughout his career. The song also serves an homage to New Orleans' piano legend and rock and roll trail blazer Fats Domino, and marks maybe the first time the band created their own intentional throwback to the early rock and roll of their youth. It's a grooving song with a fantastic shuffle from Ringo, some great faux-horn vocals from George and Paul. It always feels like a little slice of home to me, perhaps because New Orleans music is at the root of the song.

To talk about New Orleans piano music, there are few better than Davis Rogan. Davis is known internationally as a master of the artform, and one of New Orleans' classic larger than life personalities. That personality is so big, it spawned a main character on HBO's popular Treme series. He's worked in radio, worked as a music teacher, been at the forefront of the hybrid of brass music, funk and hip-hop with his band All That. We chat with Davis about reapproaching the Beatles music after music education, Fats Domino, synthesizing New Orleans music, Alex Chilton, and much more! Check out Davis at davisrogan.com and Facebook.com/DavisRoganMusic to see if he's coming to your neck of the woods!

What do you think about "Lady Madonna" at #89? Too high? Too low? Or just right? Let us know in the comments on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Be sure to check out ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.rankingthebeatles.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and grab a Rank Your Own Beatles poster, a shirt, a jumper, whatever you like! And if you're digging what we do, don't forget to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy Us A Coffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!

There seems to be somewhat of a misconception of The Beatles having a really big "Indian period." In reality, there's only 3 songs that really fit that bill, and the 3rd a final one, "The Inner Light," may be the most open hearted and enlightened one. After being inspired/challenged by a scholar he met on the David Frost show, George took lyrics from the Tao Te Ching and created a gorgous song that found it's home on the b-side of the Lady Madonna single. Recorded in Bombay while working on the Wonderwall Music soundtrack, George created an authentic and beautiful song with a gorgeous lyric, that gets sprinkled with a kiss of the Beatles magic at the end, one line of 3 part harmony that reminds the listener "oh yeah, it's The Beatles." It's an unappreciated, somewhat unknown tune that should get more love than it usually does.

We're joined this week by an absolute ray of sunshine, the lovely Caitlin Larkin! Caitlin is a DJ on the Sirius XM Beatles Channel who got her job after a campaign of posting a series of faux-radio promos on Tik Tok and catching the ear of the Sirius folks. She's a joy to listen to, has great taste in what she chooses to play, and is one the nicest folks in all of Beatle-fandom. We have a blast talking about old Napster throwbacks, what goes on behind the scenes at the Beatles channel, Liverpool tears, and the magical Beatles quiz book. Be sure to listen to Caitlin weekdays on the Sirius XM Beatles Channel from 12-1 EST, and follow her on Facebook, Twitter, and Instagram.

What do you think about "The Inner Light" at #90? Too high? Too low? Or just right? Let us know in the comments on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Be sure to check out ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.rankingthebeatles.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and grab a Rank Your Own Beatles poster, a shirt, a jumper, whatever you like! And if you're digging what we do, don't forget to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy Us A Coffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!

The longest titled song in the Beatles' catalogue is also one that maybe flies a bit below the radar. Buried on side 3 of the White album, "Everybody's Got Something To Hide Except Me and My Monkey" is one of the heaviest rockers in the back half of their career. Inspired by the Maharishi, and also possibly by a growing drug issue, John leads the band through a frantic and hard tune with lyrics that maybe don't quite make sense. George's playing is at his heaviest and most guitar-hero, as if he's trying to claim his spot in the late 60s guitar world. There's so much to love on this track, from Paul's whoops and firebell frenzy to the brilliant beat swapping intro. This is one that I think can surprise people who don't think the Beatles could REALLY rock.

Speaking of monkeys, we're super excited to be joined this week by Brian Marchese, host of the podcast "Where's That Sound Coming From? presents 'Questions But No Answers,'" a brilliant show diving deep into the song catalogue of the late, great Michael Nesmith. If you've listened to our show, you know I love the Nez and the Monkees, so I was thrilled to have Brian join to talk about what inspired him to create his show, as well as his own history with Beatles. Be sure to check out "Questions But No Answers" anywhere you get podcasts, and follow along on Facebook and Instagram.

Wanna check out my own personal Nez playlist and see what makes his stuff so special? Here you go!

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