It's no secret that John Lennon was often trying to fill the hole left his parents' absence. His need of a father figure had definite impacts on his relationships with men his senior and of perceived power, like Brian Epstein and George Martin. The same could be said about Maharishi Mahesh Yogi. Once turned on to his teaching, John immediately dove into his teachings of transcendental meditation and was eager to study at his ashram. Stories (along with video and pictures) show John jockeying for proximity to the guru, most comically when he made his way into the lone passenger seat of the Maharishi's helicopter ride, later telling the others he hoped that he might "slip him the secret." So when it appeared that Maharishi may not be the more-than-mystical figure they'd thought him to be, John's wrath was quick and sharp. It was in the taxi ride out of Rishikesh that he began singing a VERY explicit melody to himself about Maharishi, George Harrison asking him not to be quite so brutal in his lyrics. In changing the subject from a man accused of sexual misconduct to "Sexy Sadie," an imaginary woman who made a fool of everyone, he may be doing a disservice to both the song and himself. That said, it's a fine song, however, to me, it feels uncomfortable in inself, never quite settling in. The recording was incredibly labored over, hours and hours of overdubs, arrangements and effects recorded and removed. In that light, it makes one wonder if that's maybe an attempt to distract from a story John maybe wasn't quite as upset about months later.

Joining us this week from the future (and the past) in his New Zealand home is musician Elroy Finn. While on a pandemic-induced break from touring in Crowded House (he's the youngest son of Neil Finn), he wrote, recorded, produced, and mixed his debut solo album, "ELROY." It's a vibey, mellow collection of synthy-psychedelic melody, and we highly recommend it! We chat with Elroy about different Beatles records soundtracking different parts of your life, growing up in a musical household, whether this is a replaceable song on the White Album, meeting Paul, and much more! Be sure to check out his record, follow him on Facebook at facebook.com/elroyelroyelroy and on Instagram @elroytf!

 What do you think? Too high? Too low? Just right? Let us know in the comments on Facebook https://www.facebook.com/rankingthebeatles, Instagram @rankingthebeatles, or Twitter @rankingbeatles! Be sure to check out RTB's official website, www.rankingthebeatles.com and our brand new webstore!! RANK YOUR OWN BEATLES with our new RTB poster!  Pick up a tshirt, coffee cup, tote bag, and more! Enjoying the show, and wanna show your support? Buy Us A Coffee!

OK WE'RE FINALLY HERE!! Let's get down to it. During the creation of the White Album as tensions built among the ranks of the Beatles, the members often found themselves working on their own tracks in different studios, sometimes bringing in other members as needed, or working by themselves. While John and Ringo tended to a mix session for Revolution 9, which Paul hadn't been a part of, Paul was in another studio overseeing overdubs on his own "Mother Nature's Son." Following work on that tune, and feeling a creative streak, Paul demoed a (still) unheard song, "Etcetera," and then began building a track based on a guitar riff he came up with in Rishikesh. Adding additional guitars, percussion, and wild vocal acrobatics, Paul and the staff of Abbey Road finish the evening by mixing this weird track, and using their hand against the tape machine to manipulate the speed of the song, giving it it's even weirder sonic warble. In about an hour "Wild Honey Pie" was born, a track that had no real precedent in 1968, as far as it it's experimental nature and sound. It's weird, disjointed, grooves, and works within itself in ways that don't always make sense in passing listens. In headphones, it reveals how dual guitars weave together to form this strange, almost atonal melody, while the man who, at the time, had arguably the greatest voice in popular music throws his voice around in ways others wish they could. It's Paul at his experimental best, giving you just enough to do be different and not overstay its' welcome, and it's the beginning of a through-line that appears throughout his career, whether in his early home solo works, the synthy-strangeness of McCartney II, his collabs with producer Youth as The Fireman, all the way up to his tape loops and sounds he created for his Rockdown album, McCartney III. As Julia puts it, "Wild Honey Pie" walked so "Temporary Secretary" could run. But fear not, listener, Julia's just as perplexed at this ranking as you might be. 

Joining us this week to talk about this track is the fantastic Phoebe Lorde, one of the hosts of Another Kind of Mind, which, in our humble opinion, is one of the best Beatle-pods around. Challenging well-worn tropes and narratives about the band, and examining their history with more nuance and deeper, more candid discussion, AKOM is part of a rejuvenation of the discussion of the legacy of the Beatles, refreshing the story and opening it up to new light after all these years. We're big, big fans. With Phoebe along for the ride, we touch on all kinds of points, like trying to break through historical biases in the Beatles' story, finding the space to be creative, defining "experimentation," the weirdness of 1964 Beatles songs on an album called "Beatles 65," and much more! Be sure to listen and subscribe to Another Kind of Mind anywhere you get podcasts, and follow along on their socials on Twitter @akompodcast and on Facebook https://www.facebook.com/anotherkindofmindpod.

What do you think? Too high? Too low? Just right? Let us know in the comments on Facebook https://www.facebook.com/rankingthebeatles, Instagram @rankingthebeatles, or Twitter @rankingbeatles! Be sure to check out RTB's official website, www.rankingthebeatles.com! Enjoying the show, and wanna show your support? Buy Us A Coffee!

After enjoying the anonymity of traveling incognito during the Beatles 1966 post-touring break, Paul came up with the idea of creating alter ego for The Beatles as a band, allowing them the freedom to do whatever they wanted, without the weight of the Beatles name attached. Once the project began with that idea in mind, he (along with Beatles' tour manager and assistant Mal Evans) wrote what would essentially be the intro, fanfare, and title track of the album of same name for Sgt. Pepper's Lonely Hearts Club Band ("the band"). It's a loose, heavy rocker, with really interesting harmonies, a fantastic Paul vocal, fantastic Paul guitar, and a killer drum sound from Ringo. With some help from George Martin, they really create a movie of the mind, starting with the murmur of the crowd, the tuning of instruments, laughter, applause. And it all segues into the spotlight for Ringo, "With A Little Help From My Friends." A song custom tailored to Ringo's strongest points as a vocalist, as well as his personality, this song really cements the persona of Ringo as everyone's lovable uncle. It's also probably more of a biographical song for the drummer, as he so often talks of his love of playing and being with others, he truly craves that camaraderie of friendship and community. It's his signature song, and for good reason, you can't not smile when listening to it.

Returning to the show this week to talk about these songs, as well as berate Jonathan for many-a-previous rankings, is our pal Sam Whiles of the "Paul or Nothing" and "Macca In Your Attic" podcasts! Sam chats with us about the dawn of Paul's creative dominance in the Beatles, Beatle podcast tshirts, whether the concept of Sgt. Pepper is genius or pretentious, and the idea of songs versus tracks. We also touch on emotional response versus energy response, presidential impressions, and the Kim Kardashian of the Beatles story! Be sure to check out "Paul or Nothing" and "Macca In Your Attic," and follow Sam on Twitter @McCartneyPod and Instagram @paul_mccartney_pod. He's one of the best!

What do you think? Too high? Too low? Just right? Let us know in the comments on Facebook https://www.facebook.com/rankingthebeatles, Instagram @rankingthebeatles, or Twitter @rankingbeatles! Be sure to check out RTB's official website, www.rankingthebeatles.com! Enjoying the show, and wanna show your support? Buy Us A Coffee!

Even after conquering the world and experiencing the highest highs celebrity had maybe ever known, by summer 1964 John found himself at odds with the public persona he'd been living with. After a journalist told him he felt John was more revealing in his offbeat poetry and prose than in his music, and with a little help from their new friend Bob Dylan and the party supplies he turned them on to, John began looking inward more than he had previously on the band's 4th lp, Beatles for Sale. The album's 2nd track, "I'm A Loser," sees Lennon embracing his trademark wordplay and wit, alternating the idea of a loser as both someone who isn't cool and confident (at least not as he pretends to be) with someone who's lost something, or someone. It's an important song in John's songwriting journey, as the track has that trademark early Beatle excitement, with a first taste of introspection that he begins to master on albums like Help! and Rubber Soul. Another clue to the new direction. 

Joining us this week is songwriter and musician Hilarie Sidney of The High Water Marks (and formerly of Apples In Stereo). We talk about being born into a Beatles family, life in Norway, hamburger snobs, and the similarities between the Beatles' Apple Corps. and Elephant 6 Recording Collective, which she helped found in the late 80s/early 90s, which gave rise to such indie bands as Neutral Milk Hotel, Olivia Tremor Control, and her own Apples In Stereo among others. We also talk about her current band The High Water Marks, their new album Proclaimer of Things which came out Feb 4th, and is a fun blast of 60s influenced indie pop rock. This episode features samples of the tracks "Jenny" and "Proclaimer of Things." Pick up a copy of the album at their Bandcamp page https://thehighwatermarks.bandcamp.com, and be sure to follow along on Facebook!

What do you think? Too high? Too low? Just right? Let us know in the comments on Facebook https://www.facebook.com/rankingthebeatles, Instagram @rankingthebeatles, or Twitter @rankingbeatles! Be sure to check out RTB's official website, www.rankingthebeatles.com! Enjoying the show, and wanna show your support? Buy Us A Coffee!

Written in Hamburg at the end of 1962, and inspired by a very early memory of his mother, "Do You Want To Know A Secret?" is a John tune given to George (or maybe a John & Paul tune written specifically for George, depending on who's telling the story) to sing on their debut album. It's genetic make up is a bit all over there place...a dash of Disney, a pinch of Spanish soap opera dramatics, a hint of a band called The Stereos, and just a kiss of the doo-wah-doos. It makes for a perfectly pleasant song, one that would released as an American single in 64 and go all the way to #2, while Billy J. Kramer and the Dakotas would cover it and take to #1 in the UK. Despite that, by the summer of '63 the Beatles were well and done with the song, and maybe that's rightfully so. It doesn't seem to have any of the hallmarks of what made a great Beatles song, nor does it necessarily sound very different from any other number of pop groups of the day. But that said, it's charming and catchy and a pleasant way to spend 1:58.

Joining us this week to chat is "The Rock & Roll Detective," Jim Berkenstadt! Jim's the author of a number of books including Black Market Beatles,  Classic Rock Albums: Nirvana - Nevermind, The Beatle Who Vanished, and his newest one, Mysteries In The Music: Case Closed. We discuss run-ins with rock legends, working with Apple Corps, George Harrison and his estate, the mystery and excitement of bootlegs, and so much more! Check out Jim's goings-on at rockandrolldetective.com, on Twitter @rockdetective, and on Facebook!

What do you think? Too high? Too low? Just right? Let us know in the comments on Facebook https://www.facebook.com/rankingthebeatles, Instagram @rankingthebeatles, or Twitter @rankingbeatles! Be sure to check out RTB's official website, www.rankingthebeatles.com! Enjoying the show, and wanna show your support? Buy Us A Coffee!

On the A Hard Day's Night album, John is absolutely on fire creatively, and at his most prolific. Tossed off on vacation, possibly as a tribute to Del Shannon's "Runaway," "I'll Be Back" is an oft-overlooked song deserving of way more attention than it usually gets. It's unique in that on a really upbeat album, it serves as a darker closer than one would expect. It features really smart 3 part harmonies that only serve to add to a real maturity found on this track. With the song's journey tracked as it moves from an electric waltz, to a straight electric pop tune, to an acoustic and nylon string driven song show the Beatles really working hard at refining what they're doing to get the best track possible. The end result is an early clue to the new direction, as you get introduced to the Beatles for Sale era right there at the end of A Hard Day's Night.

Joining us to chat this week is the wonderful Kit O'Toole, a writer, music journalist and video podcaster. She's the author or of Songs We Were Singing: Guided Tours Through the Beatles’ Lesser-Known Tracks and Michael Jackson FAQ: All That's Left to Know About the King of Pop, a writer and associate editor for Beatlefan Magazine, among other writing jobs. She also co-hosts Talk More Talk : A Solo Beatles Videocast, which is a wonderful dive in to the solo career of the Fabs. We chat about all manner of things, like never clapping on the 1 and 3, challenging the idea of a pop song, and the multitude of ways the Beatles seem to impact people. On Feb 15, through Monmouth University, Kit is co-hosting (with our pal Ken Womack) a Tuesday Night Record Club event discussing Prince's Sign O' The Times, album, its a free event, you can sign up here! Follow along for future courses and events, as well as her upcoming books and more at kitotoole.com, and check out Talk More Talk as well!

What do you think? Too high? Too low? Just right? Let us know in the comments on Facebook https://www.facebook.com/rankingthebeatles, Instagram @rankingthebeatles, or Twitter @rankingbeatles! Be sure to check out RTB's official website, www.rankingthebeatles.com! Enjoying the show, and wanna show your support? Buy Us A Coffee!

Guess who's back? It's your old pals at Ranking The Beatles! It's 2022, and we're back for Season 4, with new episodes and ready to rank more Beatles songs. We're starting this season off by looking at a track the boys recorded because Capitol Records wanted a couple of new songs to tack onto yet another cobbled together American release. So the boys reached back into their Cavern/Hamburg bag of tricks, and dusted off a few belters by (fellow New Orleanian) Larry Williams. They liked the end results of "Dizzy Miss Lizzy" so much, they decided to tack it on to the end of the 5th album (and the soundtrack to their 2nd film - the color one) Help! It's a barn burner of a rocker with a Lennon vocal that's coming straight from the gut. It's a rocker for sure, but a questionable arrangement choice, and some less than inspired guitar work, keeps this song from reaching the heights it maybe should've. It still smokes though, and is a ball to listen to.

We're excited to start this season off a little differently. When we first started up this podcast, one of my oldest and dearest friends texted me that whenever it came about in the list, he wanted to talk about "Dizzy Miss Lizzy," and after 25 years of friendship, you gotta do right by your buddy. So we're happy to be joined by Sanjay Karnik, a New Orleans native, now living in Chicago, and one of the finest people we have the pleasure of knowing. We chat about a number of different things, including the Beatles influence in realtime on India (as opposed to the often discussed influence of India on the Beatles), learning western pop music in an Indian-American household, the speed of the bands trajectory, the advantage of knowing your creative partners so well, and beautiful story about his parents and "Love Me Do." If you enjoy our chat, feel free to follow him on Twitter at @SKar1789 for a slew of progressive politics, sports, music, and other assorted shenanigans.

What do you think? Too high? Too low? Just right? Let us know in the comments on Facebook https://www.facebook.com/rankingthebeatles, Instagram @rankingthebeatles, or Twitter @rankingbeatles! Be sure to check out RTB's official website, www.rankingthebeatles.com! Enjoying the show, and wanna show your support? Buy Us A Coffee!

In honor of the late Michael Nesmith, we wanted to take the opportunity to talk about the man, his art, his amazing life journey, and the impact it's had on us. His career will always be somewhat intertwined in the Beatles story as a member of the Monkees, a tv show about a band, created in the image of the Beatles, so we think it's not too far a stretch to do this in the confines of a Beatles podcast. 

To say his music plays a big role in our lives would be saying the bare minimum. Our lives have been greatly enriched because we have his songs in it. In light of his passing, it only seems appropriate to put his music out there in anyway we can, so we're presenting a baker's dozen of our favorite Nez tunes, some well known, some not so well known. We think/hope they're songs you might enjoy and be able to take into your lives as well. If you dig them, and we hope you do, we've built a playlist for you to enjoy those songs, plus a bunch more, all songs from both his time with the Monkees and as a solo artist. 

We tried to give a cliffnotes version of his incredible life, but this was all done fairly off the cuff, so we've no doubt forgotten things here and there. But it seemed a good way to do our part to help keep his memory alive. We hope you enjoy this bonus episode, and more so the music contained within.

https://music.apple.com/us/playlist/michael-nesmith/pl.u-kv9lbmmT6E3al

https://open.spotify.com/playlist/7qQkGLA1jBSAXRIykkP0UR?si=b0ade223d4e84027 (note: Spotify doesn't have Nesmith's entire catalog, so about an hour of music is missing from this playlist compared to the Apple playlist).

Songs featured in this episode include:

Written during his house-husband years in the late 1970s, John wrote "Real Love" as part of a planned musical about his and Yoko's life. Despite demoing it a number of times, he didn't record it for his Double Fantasy album in 1980. The song was given a new life though when it was chosen by the remaining Beatles as a song to work on for the Anthology project, eventually making it's home as the second "new" Beatles song associated with the landmark project. It's the more uptempo of the two, and some say it's emerged as the more popular of the two. As a song that was mostly complete before the Threetles got to it, the final version ends up pretty smothered in Jeff Lynne's production style, which maybe prevents it from quite taking off like it should, but despite that, it's a song that's always made me feel happy. Seems I'm not the only one....

Joining us this week is Jack Lawless, the brains behind the Beatles twitter account @BeatlesEarth. With almost 50,000 followers, it's one of the most active Beatle twitter accounts, and one of the best representations of how Beatles fandom has adapted to social media. We chat with Jack about all kinds of things, from the cross-generational fun of chatting about the Fabs, soundtracking parts of your own life to Beatles eras, to run-ins with Yoko and Sean. Be sure to follow Jack on Twitter @BeatlesEarth, and keep an eye out for his upcoming podcast!

What do you think? Too high? Too low? Just right? Let us know in the comments on Facebook https://www.facebook.com/rankingthebeatles, Instagram @rankingthebeatles, or Twitter @rankingbeatles! Be sure to check out RTB's new official website, www.rankingthebeatles.com! Enjoying the show, and wanna show your support? Buy Us A Coffee!

Imagine a world where your favorite band could release a new album, and a double-A side single with two songs not from that album on the same day. That's exactly what happened when The Beatles released Rubber Soul along side the double-A sided "We Can Work It Out/Day Tripper" single. Paul's side featured a relatively autobiographical tale of ongoing relationship woes with his long time girlfriend Jane Asher. Paul's verses are pleading with her to just understand and see things the way he sees them, if she wants things to work out, while John's more dour bridge section actually gives a bit of hope to proceedings somehow...there's no time for fussing and fighting. It's a stone Beatles classic but does it deserve the praise it gets?

Joining us this week to hash it all out are Matt and Samer, the brains behind Super Awesome Mix! It's a platform and podcast that celebrates the power of a good ol-fashioned mix tape (or mix cd, or mix 8 track, or mix reel-to-reel), where every element of the mix, from the track order to song selection to handmade cover art, is poured over before presenting it to it's benefactor. A mix has the power to say all the things we sometimes can't, and in the age of playlists, that personal human element of the mix is gone. Super Awesome Mix is an app where you can create your own mix, add personal notes or voice memos custom artwork and send it to someone, just the way we used to with mixtapes, only...in a digital platform. It's miles more personal than a playlist. Super Awesome Mix is also a podcast, where Matt and Samer and their guests discuss the art of the mix, and go over different themed mixes each show. If you grew up making mixtapes like we did, this is right up your alley. Download the app and start playing with it, it's so much fun, and be sure to subscribe to the podcast as well! You can also follow along on Twitter and IG.

What do you think? Too high? Too low? Just right? Let us know in the comments on Facebook https://www.facebook.com/rankingthebeatles, Instagram @rankingthebeatles, or Twitter @rankingbeatles! Be sure to check out RTB's new official website, www.rankingthebeatles.com! Enjoying the show, and wanna show your support? Buy Us A Coffee!