Why is it so hard to make a decent holiday rom-com that centers Jews?
That is the topic we are exploring on this week’s podcast as we dive into the absolute student-film-esque mayhem of Hulu’s “Menorah In The Middle.” This Hanukkah romantic comedy follows Sarah (Lucy DeVito, daughter of Danny DeVito and Rhea Perlman), as she returns to her hometown of Sol Viejo, California for Hanukkah with her goyishe supervillain boyfriend Chad (inexplicably played by Chilean-American actor Cristián de la Fuente). Her parents’ adorable local bakery is struggling, her cute neighbor Ben (Jonah Platt) is hanging around, and oh, did we mention the intermittent troubadour singing? And the Sarah Silverman cameo?
We were hoping “Menorah In The Middle” would be wacky in a fun and highly watchable way. Unfortunately… it was more of a total mess. Virtually none of the characters act remotely like actual human beings, and the wackiness is more distracting than delightful.
But we still appreciate what the movie was trying to do: create a “holiday time” (i.e. Christmastime) movie that centered Jews as full human beings with their own cultural identity. Hallmark and Lifetime have both tried in the last few years to integrate Jews into their Christmas movie content, with mixed results. It’s hard to do well, in large part because the way we as secular Americans think about “the holidays” is, at its core, centered around Christianity.
And yet, some of the most iconic American Christmas cultural content was created by Jews. Rudolph the red-nosed reindeer? A Jewish creation. Jewish composers and songwriters also brought us “Rockin’ Around The Christmas Tree,” “Holly Jolly Christmas,” “Let It Snow,” “It’s The Most Wonderful Time of the Year,” and “White Christmas.” (Composer Irving Berlin wrote all of the music for the film “Holiday Inn,” and “White Christmas” was such a breakout that a whole movie was crafted around it.) More recently, Rob Reiner and Nora Ephron, both Jewish, created iconic holiday-centric rom-coms like “When Harry Met Sally,” “Sleepless In Seattle,” and “You’ve Got Mail.”
The point is that Jews have long brought their Jewishness — themes of community, of otherness, of isolation and the ways in which that isolation can be solved by forming new connections — to the entertainment we associate with the holiday season. That’s why we want more (and better!) than “Menorah In The Middle.”
In this episode, we go through all of “Menorah In The Middle’s” completely unhinged details, as well as the bigger themes it brings up. And we rate it out of 10 flaky pieces of rugelach. Hope you enjoy!
Stay tuned: Next week we will be watching and recapping “The Spirit of Christmas,” Emma’s absolute favorite made-for-TV Christmas rom-com.
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We’ve been reading…
We’ve been recording so much in preparation for taking a holiday break that my reading has seriously been lacking. I have however found time to read all of the chatter about Something Navy founder Arielle Charnas and the (somewhat unexciting) Business Insider piece that recently published about her seemingly failing business. Even when I’m exhausted, I love some gossip. -Emma
Like Emma said, it’s been a weirdly hectic month. Holiday movies don’t take exhaustive notes on themselves, as I had imagined! So I am another week closer to self-inflicted illiteracy. I did read some coverage of the dreadful “Twitter Files” threads from the hacks Elon Musk hired to comb through his own company’s internal documents, and Eric Levitz’s New York Mag piece was clarifying and appropriately withering. -Claire
We’ve been watching…
I finally started Netflix’s “Wednesday” after my friend Laura Bassett described it to me as “perfect.” I’m about halfway through and I can attest that it is a very good time. Jenna Ortega is a god damn delight as Wednesday Addams, and I love that Christina Ricci (our OG Wednesday) has a supporting role. It’s creepy and funny and has some of that great teen romance I love. Plus… a murder mystery. What could be more fun? -Emma
I’ve been deep in screener-land (did you know “You” returns to Netflix in February? And “Emily in Paris” in just a couple weeks? *eyes emoji*) whenever I’m not plowing through holiday movies, and boy, is it a festive mixture. I’ve also now reached the point of “Sister Wives” hysteria where I pore through sneak peeks of each episode for signs that Janelle will leave Kody come Sunday. I just want Kody’s dream of being a polygamist patriarch to finally be crushed! -Claire
We’ve been listening to…
The latest season of “Articles of Interest,” which is focused on the history and cultural impact of Ivy style, the forefather of preppy. Avery Trufelman does a fascinating deep dive on the origins and iterations of this style, taking listeners from the docks of New York City to 1960s Japan. She deftly argues that Ivy style, once the uniform of elite male college students at Princeton, has become so ubiquitous that today we simply see these pieces as basics that transcend trend. If you like clothes and history, this pod is absolutely worth a listen. -Emma
I saw that the “If Books Could Kill” pod had launched a Patreon for paywalled episodes about Substacks, so I obviously hit “subscribe” so fast I almost broke a nail. The first episode, about Bari Weiss’s Substack, was a delightfully illuminating conversation about a pundit I had almost managed to forget about, until her abysmal installment of the Twitter Files dropped. -Claire
We’ve been buying…
My favorite wintertime candle, the Apotheke Charcoal candle, which is currently on sale at J.Crew. Trust me, it makes your home smell HEAVENLY. Also, I bought a refill of my favorite concealer, the Ilia True Skin Serum concealer, which I absolutely love for covering up minor blemishes and brightening my under eyes. -Emma
My son celebrates his birthday, Hanukkah, AND Christmas every December, so allow me to recommend the Melissa and Doug tabletop easel, which has made him a very happy almost-three-year-old. I also just replenished the whole family’s winter socks with a shipment from Bombas, and they really do live up to the hype. -Claire
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A Rich Text ClassifiedOur wonderful friend Esmé Weijun Wang, a brilliant writer and teacher, is offering a webinar for writers on December 17 that will help you reflect on 2022 and get ready for 2023 (something we all desperately need right now) and we’re spreading the word! Here’s info about the event:
What’s the difference between stepping into 2023 with a confident, step-by-step, and flexible plan for how to approach your writing life… and spending the new year tangled up in worries about your limitations and tied up in The State of the World Today?
I’m Esmé Weijun Wang and I’m teaching a webinar next month called Looking Back & Intention-Setting for 2023: A Workshop for Writers, and the best thing about it is that it untangles the knots of your weird and wild 2022—and smooths out the confusion about approaching 2023—in one actionable, clearly defined get-together with me and other writers with limitations like you. (Because it’s heart-healing to spend time with other people who understand what it’s like to be overly aware of your body and/or mind.)
You’ll be answering questions about the last year, defining your limitations, and making clear your goals for 2023 so that you can approach the new year with a step-by-step plan that can adjust to flares of illness, unexpected health crises, and… well, the situations that happen in life that make you set up an autoresponder that says, “Due to this thing that I wasn’t expecting, I’m being much slower about emails right now.” And you’ll feel more certain and confident about the year to come, while being sure to look back at exactly what happened in 2022. Because it was a lot!
Whether you’re a successful working writer or someone who wants to write more than you currently do, you’ll reflect and plan for 2022 in a way that hits goals that make sense for your life—and feels as good as a cozy, beautifully knitted shawl.
This workshop taught by Esmé will be at 11 AM PT, December 17, 2022. Learn more, and sign up, right here (https://bit.ly/writers2023).
Bio: Esmé Weijun Wang is a novelist and essayist. She is the author of the New York Times-bestselling essay collection, The Collected Schizophrenias (2019), and a debut novel, The Border of Paradise. She was named by Granta as one of the “Best of Young American Novelists” on its decennial list in 2017 and won the Whiting Award in 2018. Born in the Midwest to Taiwanese parents, she is the founder of The Unexpected Shape™ Writing Academy for ambitious writers living with limitations. She can be found at esmewang.com.