Andy Dixon is a painter based in Los Angeles.“I don’t want to come across like I’m making fun of the rich, or that I’m making fun of my patrons, if anything, I think I’m making fun of those artists who are perfectly willing to accept the money from these people but then pretend that they’re not part of the system. I find that really annoying, and a little dishonest, really - artists who feel it’s taboo to talk about the fact that they are entangled in a world of luxury”

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Jack Self is an architect and writer. He is the founding director of the Real Foundation and editor in chief of the Real Review.“The subjectivity of the white middle class heterosexual male - you know, that’s what the 20th century was about. And when they spoke about Modernism that’s who they thought Modernism was for […] I’ve never felt guilty about owning that subjectivity. On the other hand I feel that once you recognise it, you have to assume responsibility for it, and you have to also ask yourself, given that I occupy this position of privilege and power, how can I use that to advance the causes of others?”

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Charles Holland is an architect and former director of Fashion Architecture Taste. “However much narrative or literary ways into [architecture] that you have, the physicality of the thing you’re designing is increasingly to me what you need to engage in […] Ideas develop now in a different way than they did in the F.A.T. office, and probably that is because they develop with less discussion as a starting point. I’m much happier now to start with a thing and not know what it is, and to follow that process and be a little looser and more open about where it might lead”

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Steven J. Fowler is a poet and artist based in London. “Poetry is a way of mediating our own confusion about the role language plays in the relationship between ourselves and our thoughts, and ourselves and other human beings. It is essentially the problem of other minds, with language put at the forefront […] When I began writing poetry I tried to control language to create emotional insight, and that is what I think most poems try to do […] and it is my belief now that that’s not true. […] After trying for a couple of years to write smooth poems about wild animals or foxes or whatever poets do in the countryside I realised actually I can’t control anything, I’m going to die, and that language, before that death, will not comfort me […] The first note of understanding language before you re-displace it as an art form is to understand that it will always fail to communicate what you want to communicate.”

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IF_DO are a London-based architecture practice, led by Al Scott, Sarah Castle and Thomas Bryans.“There’s a general shift at the moment away from a more egotistical architecture and towards a more community based architecture, and I think that comes across in our name and a lot of new practice’s names as well […] We had to think of who we were writing [our manifesto] for - were we writing it for other architects to read, or were we writing it for our clients, for people we are building buildings for?”

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Andrew Waugh is a founding director of Waugh Thistleton Architects. “We have climate change […] this issue bigger than anything else that’s ever faced us, and the fact that the vast majority of architects are not discussing it, confronting it, engaging with it, to me seems insane. It seems to me that this could be the end of the idea of architects unless we engage with this issue.”

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Maria Smith is a founding director of the interdisciplinary architecture and engineering practice Interrobang. She is also a former founding director of the architecture practice Studio Weave.“Architecture is very much associated with human flourishing, and that’s what degrowth is all about […] We are all complicit in this, we are all trapped in this paradigm of economic growth, so it’s going to have to involve all of us in some way in order to shift it. With the Oslo Architecture Triennale We’re trying to explore architecture’s role in this thing that arguably is going to happen - the question is does it happen by collapse or does it happen by design."Correction - Matthew Dalziel's sirname was mispronounced at the top of the show. The correct pronunciation is Dee-ELL.

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Shajay Bhooshan is co-founder of the computational design group at Zaha Hadid Architects. "We want to address the social but not without aesthetic language […] I don’t think [the study of housing] can be aesthetic free, and we chose to attach catenaries and descriptive geometry as an a-priori because that’s the language we are most researched in […] One way or another you need a language to attach to these social studies, it cannot happen in a vacuum. There has to be a language attached to the ordering of social processes."

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Johanna Gibbons is a landscape architect and founding partner of J & L Gibbons. “There really isn’t any wilderness left on the planet. [Wildness] is to do with how we envisage our landscapes and our relationship with natural processes, understanding where we’ve interrupted them, and appreciating how we can mend and reconfigure them […] Stewardship is what my profession is about, we are stewards of the planet.”

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Fraser Muggeridge is a graphic designer based in London. “I’m always trying to create typefaces that are a little bit wrong, that are a little bit off […] We’re in a world now where it’s actually quite easy for graphic designers and non graphic designers to create a piece of communication that actually looks alright. If you use a new font, you don’t really have to do much, whereas if you’ve got a font that’s got a few problems you have to work harder. So I often do that - I often work really hard to make something look nearly normal.”

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