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Creativity is one of those things that we all admire but struggle to define or make concrete. Music provides a useful laboratory in which to examine what creativity is all about — how do people become creative, what is happening in their brains during the creative process, and what kinds of creativity does the audience actually enjoy? David Rosen and Scott Miles are both neuroscientists and musicians who have been investigating this question from the perspective of both listeners and performers. They have been performing neuroscientific experiments to understand how the brain becomes creative, and founded Secret Chord Laboratories to develop software that will predict what kinds of music people will like.
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David S. Rosen received his Ph.D. in cognitive psychology from Drexel University. He is currently a co-founder and the chief operations officer at Secret Chord Laboratories, a music-tech startup company. His interdisciplinary research program covers an array of topics: creative cognition, peak experiences, the neuroscience of music production and perception, psychedelics and STEAM education. David began playing the piano at the age of 8 and bass at age 15. He is the co-creator and bassist of sci-fi transmedia band, Chronicles of Sound, and instrumental progressive rock band, NAKAMA.
Scott Miles received his Ph.D. in neuroscience from Georgetown University. He is currently the CEO and innovation leader of Secret Chord Laboratories. He has been performing and producing music since the age of 10. In his doctoral work he investigated how music preference is formed in the brain. He secured funding through the National Science Foundation Graduate Research Fellowship to support this work. With David Rosen, Ph.D., he found support for two hypotheses about how the structure of music leads to purchase decisions. Miles then coded an algorithm to generate new music, and in a behavioral experiment, music featuring these properties was indeed preferred. He formed and has overseen the development of Secret Chord laboratories since it was incorporated in June 2018.
Cooking is art, but it's also very much science — mostly chemistry, but with important contributions from physics and biology. (Almost like a well-balanced recipe…) And I can't think of anyone better to talk to about the intersection of these fields than Kenji López-Alt: professional chef and restauranteur, MIT graduate, and author of The Food Lab. We discuss how modern scientific ideas can improve your cooking, and more importantly, how to bring a scientific approach to cooking anything at all. Then we also get into the cultural and personal resonance of food, and offer a few practical tips.
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James Kenji López-Alt received a bachelor's degree in architecture from MIT. After working at several restaurants, he began writing the Food Lab column for Serious Eats, where he is now Chief Culinary Consultant. His first book, The Food Lab: Better Home Cooking through Science, won the 2016 James Beard Award for General Cooking and the International Association of Culinary Professionals Cookbook of the Year Award. He is co-owner of Wursthall Restaurant and Bierhaus in San Mateo, California.
The best chess and Go players in the world aren't human beings any more; they're artificially-intelligent computer programs. But the best poker players are still humans. Poker is a laboratory for understanding how rationality works in real-world situations: it features stochastic events, incomplete information, Bayesian updating, game theory, reading other people, a battle between emotions and reason, and real-world stakes. Maria Konnikova started in psychology, turned to writing, and then took up professional-level poker, and has learned a lot along the way about the challenges of being rational. We talk about what games like poker can teach us about thinking and human psychology.
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Maria Konnikova received her Ph.D. in psychology from Columbia University. She is currently a contributing writer for The New Yorker. She is the author of two bestselling books, The Confidence Game and Mastermind: How to Think Like Sherlock Holmes. Among her awards are the 2019 Excellence in Science Journalism Award from the Society of Personality and Social Psychology. She is a successful tournament poker player and Ambassador for PokerStars. She is the host of The Grift podcast. Her new book is The Biggest Bluff: How I Learned to Pay Attention, Master Myself, and Win.
I recently saw an estimate that if you took all the novel coronaviruses in the world (the actual viruses, not patients), you could fit them into a bucket no more than a couple of liters in volume. A huge impact has been wrought by a very small amount of stuff. The world of viruses is vast and complicated, and we're still learning some of its basic features. Today's guest David Baltimore won the Nobel Prize in Physiology or Medicine for the discovery that genetic information in viruses could flow from RNA to DNA, establishing an exception to the Central Dogma of Biology. He is the author of the Baltimore Classification scheme for viruses, and has done important research in the role of viruses in diseases from AIDS to cancer. We talk about what viruses are, how they work, and the status of the novel coronavirus we are currently battling. David also has some strong opinions about public health and how we should be preparing for future outbreaks.
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David Baltimore received his Ph.D. in molecular biology from the Rockefeller Institute. He is currently the Robert Andrews Millikan Professor of Biology at Caltech. At age 37 he was awarded the Nobel Prize, which he shared with Howard Temin and Renato Dulbecco. He has served as the President of both Rockefeller University and Caltech, as well as President of the American Association for the Advancement of Science and the Founding Director of the Whitehead Institute for Biomedical Research. Among his other awards are the National Medal of Science and the Warren Alpert Foundation Prize.
A podcast only hits the century mark once! And for Mindscape, this is it. There have been holiday messages and bonus episodes and the like. But this is the 100th officially-numbered episode. To celebrate, I decided to treat myself to a solo episode in which I reflect, somewhat non-systematically, on the age-old question of the meaning of life. I end up spending a lot (most?) of the time talking about the meaning of "life," i.e. what it means to be a living organism in a naturalistic universe. But then I go on to muse about the construction of human meaning in a world where values are not imposed on us or objectively grounded in physical facts.
I think life does have meaning, and it's important to understand what forms it might take. I settle largely on the idea that humans can conceive of different possible futures, assign value to them, and work against the natural order of things to create something that otherwise would not have been. This is far from the final word, even in my own mind; it's an invitation to think and converse in a reasonable way about some of the biggest questions there are. Just like the podcast in general.
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Here are some modern works offering other perspectives on the meaning of life:
There are some problems for which it's very hard to find the answer, but very easy to check the answer if someone gives it to you. At least, we think there are such problems; whether or not they really exist is the famous P vs NP problem, and actually proving it will win you a million dollars. This kind of question falls under the rubric of "computational complexity theory," which formalizes how hard it is to computationally attack a well-posed problem. Scott Aaronson is one of the world's leading thinkers in computational complexity, especially the wrinkles that enter once we consider quantum computers as well as classical ones. We talk about how we quantify complexity, and how that relates to ideas as disparate as creativity, knowledge vs. proof, and what all this has to do with black holes and quantum gravity.
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Scott Aaronson received his Ph.D. in computer science from the University of California, Berkeley. He is currently the David J. Bruton Jr. Centennial Professor of Computer Science at the University of Texas at Austin, and director of the Quantum Information Center there. He specializes in quantum computing and computational complexity theory, but has written on topics from free will to the nature of consciousness. Among his awards are the Tomassoni-Chisesi Prize in Physics (Italy) and the Alan T. Waterman Award from the National Science Foundation. His blog Shtetl-Optimized is known both for its humor and as the most reliable source of information on news in quantum computing. He is the author of Quantum Computing Since Democritus.
Each of us is different, in some way or another, from every other person. But some are more different than others — and the rest of the world never stops letting them know. Societies set up "norms" that define what constitute acceptable standards of behavior, appearance, and even belief. But there will always be those who find themselves, intentionally or not, in violation of those norms — people who we might label "weird." Olga Khazan was weird in one particular way, growing up in a Russian immigrant family in the middle of Texas. Now as an established writer, she has been exploring what it means to be weird, and the senses in which that quality can both harm you and provide you with hidden advantages.
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Olga Khazan is a staff writer for The Atlantic, covering health, gender, and science. She has previously written for the Los Angeles Times, the Washington Post, Forbes, and other publications. Among her awards are the National Headliner Awards for Magazine Online Writing. Her new book is Weird: The Power of Being an Outsider in an Insider World.
Humans build machines, in part, to relieve themselves from the burden of work on difficult, repetitive tasks. And yet, despite the fact that machines are everywhere, most of us are still working pretty hard. But maybe that's about to change. Futurists like John Danaher believe that society is finally on the brink of making a transition to a world in which work would be optional, rather than mandatory — and he thinks that's a very good thing. It will take some adjusting, personally as well as economically, but he envisions a future in which human creativity and artistic impulse can flourish in a world free of the demands of working for a living. We talk about what that would entail, whether it's realistic, and what comes next.
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John Danaher received an LLM degree from Trinity College Dublin and a Ph.D. from University College, Cork. He is currently Senior Lecturer in the School of Law at the National University of Ireland, Galway. His research is situated at the overlap of legal studies and philosophy, and frequently involves questions of technology, automation, and the future. He is the coeditor of Robot Sex: Social and Ethical Implications, and author of the recent book Automation and Utopia: Human Flourishing in a World Without Work. He writes frequently for publications such as The Atlantic, The Guardian, and The Irish Times, and is the host of his own podcast, Philosophical Disquisitions.
The past few centuries of scientific progress have displaced humanity from the center of it all: the Earth is not at the middle of the Solar System, the Sun is but one star in a large galaxy, there are trillions of galaxies, and so on. Now we know that we're not even made of the same stuff as most of the universe; for every amount of ordinary atoms and other known particles, there is five times as much dark matter, some kind of stuff we haven't identified in laboratory experiments. But we do know a great deal about the behavior of dark matter. I talk with Lina Necib about why we think there's dark matter, what it might be, and how it's distributed in the galaxy. The latter question has seen enormous recent progress, especially from high-precision measurements of the distribution of stars in the Milky Way.
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Lina Necib received her Ph.D. in physics from the Massachusetts Institute of Technology. She is currently a Sherman Fairchild Postdoctoral Scholar in Theoretical Physics at Caltech, and will be an Assistant Professor of Physics at MIT starting in the fall. Her research spans issues in particle physics and astrophysics, especially concerning the nature and distribution of dark matter, as well as techniques for detecting it and constraining its properties.
Everybody talks about the truth, but nobody does anything about it. And to be honest, how we talk about truth — what it is, and how to get there — can be a little sloppy at times. Philosophy to the rescue! I had a very ambitious conversation with Liam Kofi Bright, starting with what we mean by "truth" (correspondence, coherence, pragmatist, and deflationary approaches), and then getting into the nitty-gritty of how we actually discover it. There's a lot to think about once we take a hard look at how science gets done, how discoveries are communicated, and what different kinds of participants can bring to the table.
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Liam Kofi Bright received his Ph.D. in Logic, Computation and Methodology from Carnegie Mellon University. He is currently on the faculty of the London School of Economics in the Department of Philosophy, Logic, and the Scientific Method. He has worked on questions concerning peer review and fraud in scientific communities, intersectionality, logical empiricism, and Africana philosophy. He is well-known on Twitter as the Last Positivist.
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